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Rethinking Displays of Chinese Contemporary Art [electronic resource] : Cultural Diversity and Tradition / edited by Paul Gladston, Lynne Howarth-Gladston, Johnson Tsong-zung Chang, Jason Kuo.

Contributor(s): Material type: TextSeries: Contemporary East Asian Visual Cultures, Societies and PoliticsPublisher: Singapore : Springer Nature Singapore : Imprint: Palgrave Macmillan, 2024Edition: 1st ed. 2024Description: XXIII, 244 p. 65 illus., 63 illus. in color. online resourceContent type:
  • text
Media type:
  • computer
Carrier type:
  • online resource
ISBN:
  • 9789819729067
Subject(s): Additional physical formats: Printed edition:: No title; Printed edition:: No title; Printed edition:: No titleLOC classification:
  • N6495-6498
Online resources:
Contents:
Chapter 1: Introduction -- Chapter 2: Aestheticized Display in China’s Three Cosmological Realms -- Chapter 3: Performing Artivism: Social Engaged Queer Art in China -- Chapter 4: Curating Global Contemporary Chinese-Ink Art: Zheng Chongbin’s Pictorial and Digital Ink Works in Western Art Institutional Contexts -- Chapter 5: Thinking (and Practice) (In-/)Outside the (Yellow) Box: toward the displaying of visual-cultural poly/cacophony -- Chapter 6: Pharmakon – socially engaged art and online hybrid display in Hong Kong -- Chapter 7: Curating Human Togetherness: Artivism and the Remaking of People and Place in Mainland China -- Chapter 8: Beyond Existing Approaches to the Displaying of Chinese Art: Three Case Studies.
In: Springer Nature eBookSummary: This is the first edited collection to critically address in its entirety questions related to the displaying of Chinese contemporary art. It includes chapters by scholars and cultural workers from diverse backgrounds involved in the interpretation of artistic as well as curatorial discourses and practices. Each of those chapters gives a detailed account of a particular, socio-culturally informed, approach to the making and showing of Chinese art - including in relation to queer identities, transculturality, the use of social media, artivism, social engagement, institutional critique, and neo-Confucian aesthetics. Together they present a vital intervention with established curatorship amidst the intensely interconnected and increasingly multi-polar cultural conditionalities of early 21st-century contemporaneity. Paul Gladston is Judith Neilson Chair Professor of Contemporary Art, University of New South Wales, Sydney, Australia. Lynne Howarth-Gladston is an artist, curator, and scholar. She has exhibited her painting internationally, including in the People’s Republic of China, the UK, and Australia. Johnson Tsong-zung Chang is a curator, director of the Hanart TZ Gallery in Hong Kong, and guest professor at the China Academy of Art, Hangzhou. Jason Kuo is Professor of Art History and Archaeology, University of Maryland, College Park, MD, US.
Item type: List(s) this item appears in: Titluri cărți electronice Springer Nature 2025 (10631 titluri)
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Chapter 1: Introduction -- Chapter 2: Aestheticized Display in China’s Three Cosmological Realms -- Chapter 3: Performing Artivism: Social Engaged Queer Art in China -- Chapter 4: Curating Global Contemporary Chinese-Ink Art: Zheng Chongbin’s Pictorial and Digital Ink Works in Western Art Institutional Contexts -- Chapter 5: Thinking (and Practice) (In-/)Outside the (Yellow) Box: toward the displaying of visual-cultural poly/cacophony -- Chapter 6: Pharmakon – socially engaged art and online hybrid display in Hong Kong -- Chapter 7: Curating Human Togetherness: Artivism and the Remaking of People and Place in Mainland China -- Chapter 8: Beyond Existing Approaches to the Displaying of Chinese Art: Three Case Studies.

This is the first edited collection to critically address in its entirety questions related to the displaying of Chinese contemporary art. It includes chapters by scholars and cultural workers from diverse backgrounds involved in the interpretation of artistic as well as curatorial discourses and practices. Each of those chapters gives a detailed account of a particular, socio-culturally informed, approach to the making and showing of Chinese art - including in relation to queer identities, transculturality, the use of social media, artivism, social engagement, institutional critique, and neo-Confucian aesthetics. Together they present a vital intervention with established curatorship amidst the intensely interconnected and increasingly multi-polar cultural conditionalities of early 21st-century contemporaneity. Paul Gladston is Judith Neilson Chair Professor of Contemporary Art, University of New South Wales, Sydney, Australia. Lynne Howarth-Gladston is an artist, curator, and scholar. She has exhibited her painting internationally, including in the People’s Republic of China, the UK, and Australia. Johnson Tsong-zung Chang is a curator, director of the Hanart TZ Gallery in Hong Kong, and guest professor at the China Academy of Art, Hangzhou. Jason Kuo is Professor of Art History and Archaeology, University of Maryland, College Park, MD, US.

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