Homo Cinematicus : (Record no. 48506)
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fixed length control field | 05657nam a22008535i 4500 |
001 - CONTROL NUMBER | |
control field | 9780812294118 |
003 - CONTROL NUMBER IDENTIFIER | |
control field | DE-B1597 |
005 - DATE AND TIME OF LATEST TRANSACTION | |
control field | 20211101153618.0 |
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fixed length control field | 170630s2017 pau fo d z eng d |
020 ## - INTERNATIONAL STANDARD BOOK NUMBER | |
International Standard Book Number | 9780812294118 |
024 7# - OTHER STANDARD IDENTIFIER | |
Standard number or code | 10.9783/9780812294118 |
Source of number or code | doi |
035 ## - SYSTEM CONTROL NUMBER | |
System control number | (DE-B1597)481200 |
035 ## - SYSTEM CONTROL NUMBER | |
System control number | (OCoLC)987755222 |
035 ## - SYSTEM CONTROL NUMBER | |
System control number | (OCoLC)992454587 |
040 ## - CATALOGING SOURCE | |
Original cataloging agency | DE-B1597 |
Language of cataloging | eng |
Transcribing agency | DE-B1597 |
Description conventions | rda |
041 0# - LANGUAGE CODE | |
Language code of text/sound track or separate title | eng |
044 ## - COUNTRY OF PUBLISHING/PRODUCING ENTITY CODE | |
MARC country code | pau |
ISO country code | US-PA |
072 #7 - SUBJECT CATEGORY CODE | |
Subject category code | HIS014000 |
Source | bisacsh |
072 #7 - SUBJECT CATEGORY CODE | |
Subject category code | SOC052000 |
Source | bisacsh |
100 1# - MAIN ENTRY--PERSONAL NAME | |
Personal name | Killen, Andreas, |
Relator term | author. |
245 00 - TITLE STATEMENT | |
Title | Homo Cinematicus : |
Remainder of title | Science, Motion Pictures, and the Making of Modern Germany / |
Statement of responsibility, etc. | Andreas Killen. |
264 #1 - PRODUCTION, PUBLICATION, DISTRIBUTION, MANUFACTURE, AND COPYRIGHT NOTICE | |
Place of production, publication, distribution, manufacture | Philadelphia : |
Name of producer, publisher, distributor, manufacturer | University of Pennsylvania Press, |
Date of production, publication, distribution, manufacture, or copyright notice | [2017] |
264 #4 - PRODUCTION, PUBLICATION, DISTRIBUTION, MANUFACTURE, AND COPYRIGHT NOTICE | |
Date of production, publication, distribution, manufacture, or copyright notice | ©2017 |
300 ## - PHYSICAL DESCRIPTION | |
Extent | 1 online resource : |
Other physical details | 22 illus. |
336 ## - CONTENT TYPE | |
Content type term | text |
Content type code | txt |
Source | rdacontent |
337 ## - MEDIA TYPE | |
Media type term | computer |
Media type code | c |
Source | rdamedia |
338 ## - CARRIER TYPE | |
Carrier type term | online resource |
Carrier type code | cr |
Source | rdacarrier |
347 ## - DIGITAL FILE CHARACTERISTICS | |
File type | text file |
Encoding format | |
Source | rda |
490 0# - SERIES STATEMENT | |
Series statement | Intellectual History of the Modern Age |
505 00 - FORMATTED CONTENTS NOTE | |
Title | Frontmatter -- |
-- | Contents -- |
-- | Abbreviations -- |
-- | Introduction. Human Science and Cinema in Germany After the Great War -- |
-- | Chapter 1. Cinema and the Visual Culture of the Human Sciences -- |
-- | Chapter 2. Film Reform, Mental Hygiene, and the Campaign Against “Trash,” 1912–34 -- |
-- | Chapter 3. Hypnosis, Cinema, and Censorship in Germany, 1895–1933 -- |
-- | Chapter 4. What Is an Enlightenment Film? Cinema and Sexual Hygiene in Interwar Germany -- |
-- | Chapter 5. Scientific Cinema Between Enlightenment and Superstition, 1918–41 -- |
-- | Conclusion. Science, Cinema, and the Malice of Objects -- |
-- | Notes -- |
-- | Bibliography -- |
-- | Index -- |
-- | Acknowledgments |
520 ## - SUMMARY, ETC. | |
Summary, etc. | In the early decades of the twentieth century, two intertwined changes began to shape the direction of German society. The baptism of the German film industry took place amid post-World War I conditions of political and social breakdown, and the cultural vacuum left by collapsing institutions was partially filled by moving images. At the same time, the emerging human sciences—psychiatry, neurology, sexology, eugenics, industrial psychology, and psychoanalysis—began to play an increasingly significant role in setting the terms for the way Germany analyzed itself and the problems it had inherited from its authoritarian past, the modernizing process, and war. Moreover, in advancing their professional and social goals, these sciences became heavily reliant on motion pictures.Situated at the intersection of film studies, the history of science and medicine, and the history of modern Germany, Homo Cinematicus connects the rise of cinema as a social institution to an inquiry into the history of knowledge production in the human sciences. Taking its title from a term coined in 1919 by commentator Wilhelm Stapel to identify a new social type that had been created by the emergence of cinema, Killen's book explores how a new class of experts in these new disciplines converged on the figure of the "homo cinematicus" and made him central to many of that era's major narratives and social policy initiatives.Killen traces film's use by the human sciences as a tool for producing, communicating, and popularizing new kinds of knowledge, as well as the ways that this alliance was challenged by popular films that interrogated the truth claims of both modern science and scientific cinema. In doing so, Homo Cinematicus endeavors to move beyond the divide between scientific and popular film, examining their historical coexistence and coevolution. |
538 ## - SYSTEM DETAILS NOTE | |
System details note | Mode of access: Internet via World Wide Web. |
546 ## - LANGUAGE NOTE | |
Language note | In English. |
588 0# - SOURCE OF DESCRIPTION NOTE | |
Source of description note | Description based on online resource; title from PDF title page (publisher's Web site, viewed 30. Jun 2017) |
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650 #4 - SUBJECT ADDED ENTRY--TOPICAL TERM | |
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773 08 - HOST ITEM ENTRY | |
Relationship information | Title is part of eBook package: |
Place, publisher, and date of publication | De Gruyter |
Title | EBOOK PACKAGE COMPLETE 2017 |
International Standard Book Number | 9783110540550 |
Other item identifier | ZDB-23-DGG |
773 08 - HOST ITEM ENTRY | |
Relationship information | Title is part of eBook package: |
Place, publisher, and date of publication | De Gruyter |
Title | EBOOK PACKAGE COMPLETE ENGLISH 2017 |
International Standard Book Number | 9783110625264 |
773 08 - HOST ITEM ENTRY | |
Relationship information | Title is part of eBook package: |
Place, publisher, and date of publication | De Gruyter |
Title | EBOOK PACKAGE Social Sciences 2017 |
International Standard Book Number | 9783110548242 |
Other item identifier | ZDB-23-DSW |
773 08 - HOST ITEM ENTRY | |
Relationship information | Title is part of eBook package: |
Place, publisher, and date of publication | De Gruyter |
Title | Penn Press eBook Package 2017 |
International Standard Book Number | 9783110550306 |
773 08 - HOST ITEM ENTRY | |
Relationship information | Title is part of eBook package: |
Place, publisher, and date of publication | De Gruyter |
Title | Penn Press eBook package 2017-2019 |
International Standard Book Number | 9783110659894 |
773 08 - HOST ITEM ENTRY | |
Relationship information | Title is part of eBook package: |
Place, publisher, and date of publication | De Gruyter |
Title | Univ.of Pennsylvania Press eBook-Package 2017-2018 |
International Standard Book Number | 9783110657470 |
856 40 - ELECTRONIC LOCATION AND ACCESS | |
Uniform Resource Identifier | <a href="https://doi.org/10.9783/9780812294118">https://doi.org/10.9783/9780812294118</a> |
856 42 - ELECTRONIC LOCATION AND ACCESS | |
Materials specified | Cover |
Uniform Resource Identifier | <a href="http://www.degruyter.com/doc/cover/9780812294118.jpg">http://www.degruyter.com/doc/cover/9780812294118.jpg</a> |
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-- | 2017 |
912 ## - | |
-- | 978-3-11-062526-4 EBOOK PACKAGE COMPLETE ENGLISH 2017 |
-- | 2017 |
912 ## - | |
-- | 978-3-11-065747-0 Univ.of Pennsylvania Press eBook-Package 2017-2018 |
912 ## - | |
-- | 978-3-11-065989-4 Penn Press eBook package 2017-2019 |
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