Welcome to the Library Catalog of "Dunarea de Jos" University of Galati

Protest technologies and media revolutions : (Record no. 51026)

MARC details
000 -LEADER
fixed length control field 05312nam a2200457Iu 4500
001 - CONTROL NUMBER
control field 9781839826481
003 - CONTROL NUMBER IDENTIFIER
control field UtOrBLW
005 - DATE AND TIME OF LATEST TRANSACTION
control field 20211117122849.0
006 - FIXED-LENGTH DATA ELEMENTS--ADDITIONAL MATERIAL CHARACTERISTICS
fixed length control field m o d
007 - PHYSICAL DESCRIPTION FIXED FIELD--GENERAL INFORMATION
fixed length control field cr un|||||||||
008 - FIXED-LENGTH DATA ELEMENTS--GENERAL INFORMATION
fixed length control field 201123s2020 enk ob 001 0 eng d
020 ## - INTERNATIONAL STANDARD BOOK NUMBER
International Standard Book Number 9781839826481
020 ## - INTERNATIONAL STANDARD BOOK NUMBER
International Standard Book Number 9781839826467
Qualifying information electronic bk.
040 ## - CATALOGING SOURCE
Original cataloging agency UtOrBLW
Language of cataloging eng
Description conventions rda
Transcribing agency UtOrBLW
050 #4 - LIBRARY OF CONGRESS CALL NUMBER
Classification number HM1013
Item number .P76 2020
072 #7 - SUBJECT CATEGORY CODE
Subject category code SOC026000
Source bisacsh
072 #7 - SUBJECT CATEGORY CODE
Subject category code JFFP
Source bicssc
080 ## - UNIVERSAL DECIMAL CLASSIFICATION NUMBER
Universal Decimal Classification number 304
245 00 - TITLE STATEMENT
Title Protest technologies and media revolutions :
Remainder of title the longue durée /
Statement of responsibility, etc. edited by Athina Karatzogianni (University of Leicester, UK), Michael Schandorf (University of British Columbia, Canada), and Ioanna Ferra (National Research University Higher School of Economics, Russia).
264 #1 - PRODUCTION, PUBLICATION, DISTRIBUTION, MANUFACTURE, AND COPYRIGHT NOTICE
Place of production, publication, distribution, manufacture Bingley, U.K. :
Name of producer, publisher, distributor, manufacturer Emerald Publishing Limited,
Date of production, publication, distribution, manufacture, or copyright notice 2020.
264 #4 - PRODUCTION, PUBLICATION, DISTRIBUTION, MANUFACTURE, AND COPYRIGHT NOTICE
Date of production, publication, distribution, manufacture, or copyright notice ©2021
300 ## - PHYSICAL DESCRIPTION
Extent 1 online resource (312 pages)
336 ## - CONTENT TYPE
Content type term text
Content type code txt
Source rdacontent
337 ## - MEDIA TYPE
Media type term computer
Media type code c
Source rdamedia
338 ## - CARRIER TYPE
Carrier type term online resource
Carrier type code cr
Source rdacarrier
490 0# - SERIES STATEMENT
Series statement Digital activism and society: politics, economy and culture in network communication
500 ## - GENERAL NOTE
General note Includes index.
504 ## - BIBLIOGRAPHY, ETC. NOTE
Bibliography, etc Includes bibliographical references.
505 0# - FORMATTED CONTENTS NOTE
Formatted contents note Chapter 1. Introduction: Protest Technologies and Media Revolutions in the Longue Durée; Athina Karatzogianni, Ioanna Ferra, and Michael Schandorf -- Part I: From the Russian Revolution to Post-Soviet Digital Activism and the New Cold War -- Chapter 2. Art as a Form of Social Action in the Russian Avant-garde (1905-1930); Maria Tsantsanoglou -- Chapter 3. Secret Police and Public Sphere. The East German State Security Service ('Stasi') between Media Control and Public Relations; Sebastian Haller -- Chapter 4. The Russian Dream and Victor Pelevin's Generation "Π": Ideology in pPost-Soviet Russia; Angelos Theocharis -- Chapter 5. Soviet Communicative Control: Some Implications on Digital Activism in Contemporary Russia; Ilya Kiriya -- Chapter 6. A Comparative Cyberconflict Analysis of Digital Activism Across Post-Soviet Countries; Athina Karatzogianni, Galina Miazhevich, and Anastasia Denisova -- Chapter 7. Dis/engagement in Post-Soviet Communicative Ecologies: Re-framing the 'Chinatown' Dissent Campaign in Belarus; Galina Miazhevich -- Chapter 8. Media in Tooth and Claw: Ecologies of Post-truth Suasion in Total (Culture) War; Michael Schandorf Part II: The Road to Occupy and its Influence -- Chapter 9. Creating the collective: Social Media, the Occupy Movement and its Constitution as a Collective Actor Anastasia Kavada -- Chapter 10. Ground the Drones: Direct Action and Media Activism; Kevin Howley -- Chapter 11. Beyond Social Media Determinism? How Artists Reshape the Organization of Social Movements Alberto Cossu OPEN ACCESS -- Chapter 12. The City is a Work of Art and Everyone is an Artist": Collaborative Protest Art, Participation and Space Reproduction at the 2014 Hong Kong's Umbrella Movement.; Georgios Patsiaouras. -- Chapter 13. A Comparative Study of the Delhi Nirbhaya Protests and the Occupy Nigeria Movement: Evaluating Uses of ICTs and Social Media; Adrija Dey and Shola Olabode -- Chapter 14. From Classical Syndicalism to Spain's 15-M Movement; Cristina Flesher Fominaya -- Chapter 15. The Trials and Tribulations of Social Media and Transnational Labour Solidarity; Torsten Geelan and Andy Hodder -- Chapter 16. The Online Communication Strategies of a Small-scale Social movement: The Case of the Greek 'Do Not Pay' Social Movement; Stamatis Poulakidakos, Anastasia Veneti, and Maria Rovisco -- Chapter 17. The EU Referendums in the Twittersphere: #Grexit, #Brexit and the #Catalanreferendum; Ioanna Ferra and Dennis Nguyen -- Chapter 18. The Geeks of the Squares: Agency, Control and Surveillance in Protest Movement Mediation Technologies; Athina Karatzogianni and Michael Schandorf.
520 ## - SUMMARY, ETC.
Summary, etc. Contains an Open Access chapter. Protest Technologies and Media Revolutions portrays the critical role of mass connection in the success of any movement, resurrection, protest, and revolution. The communication mechanisms for this connection have, at times, evolved and elsewhere undergone revolutions of their own. Authors debate this relationship, and the strategies and lessons of 'connecting to the masses' considering the development of media, technology and communication strategies over the last century. Key topics covered include revolution, communication, protest and technology, spanning from the Russian Revolution to the present day. The discussion is not limited to historic cases of technology and revolution, nor to contemporary ones. The book, therefore, generates a debate about how art, media and communication technologies have been operationalized to connect, mobilize and organize, in different historical times, and in diverse national, political, and socio-economic contexts.
588 0# - SOURCE OF DESCRIPTION NOTE
Source of description note Print version record.
650 #0 - SUBJECT ADDED ENTRY--TOPICAL TERM
Topical term or geographic name as entry element
General subdivision Social aspects.
650 #7 - SUBJECT ADDED ENTRY--TOPICAL TERM
Topical term or geographic name as entry element
General subdivision Sociology
-- General.
Source of heading or term bisacsh
650 #7 - SUBJECT ADDED ENTRY--TOPICAL TERM
Topical term or geographic name as entry element
Source of heading or term bicssc
700 1# - ADDED ENTRY--PERSONAL NAME
Personal name Karatzogianni, Athina,
Relator term editor.
700 1# - ADDED ENTRY--PERSONAL NAME
Personal name Schandorf, Michael,
Relator term editor.
700 1# - ADDED ENTRY--PERSONAL NAME
Personal name Ferra, Ioanna,
Relator term editor.
776 ## - ADDITIONAL PHYSICAL FORM ENTRY
International Standard Book Number 9781839826474
856 40 - ELECTRONIC LOCATION AND ACCESS
Uniform Resource Identifier <a href="https://doi.org/10.1108/9781839826467">https://doi.org/10.1108/9781839826467</a>

No items available.

Biblioteca Universității "Dunărea de Jos" din Galați

Powered by Koha