Protest technologies and media revolutions : (Record no. 51026)
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fixed length control field | 05312nam a2200457Iu 4500 |
001 - CONTROL NUMBER | |
control field | 9781839826481 |
003 - CONTROL NUMBER IDENTIFIER | |
control field | UtOrBLW |
005 - DATE AND TIME OF LATEST TRANSACTION | |
control field | 20211117122849.0 |
006 - FIXED-LENGTH DATA ELEMENTS--ADDITIONAL MATERIAL CHARACTERISTICS | |
fixed length control field | m o d |
007 - PHYSICAL DESCRIPTION FIXED FIELD--GENERAL INFORMATION | |
fixed length control field | cr un||||||||| |
008 - FIXED-LENGTH DATA ELEMENTS--GENERAL INFORMATION | |
fixed length control field | 201123s2020 enk ob 001 0 eng d |
020 ## - INTERNATIONAL STANDARD BOOK NUMBER | |
International Standard Book Number | 9781839826481 |
020 ## - INTERNATIONAL STANDARD BOOK NUMBER | |
International Standard Book Number | 9781839826467 |
Qualifying information | electronic bk. |
040 ## - CATALOGING SOURCE | |
Original cataloging agency | UtOrBLW |
Language of cataloging | eng |
Description conventions | rda |
Transcribing agency | UtOrBLW |
050 #4 - LIBRARY OF CONGRESS CALL NUMBER | |
Classification number | HM1013 |
Item number | .P76 2020 |
072 #7 - SUBJECT CATEGORY CODE | |
Subject category code | SOC026000 |
Source | bisacsh |
072 #7 - SUBJECT CATEGORY CODE | |
Subject category code | JFFP |
Source | bicssc |
080 ## - UNIVERSAL DECIMAL CLASSIFICATION NUMBER | |
Universal Decimal Classification number | 304 |
245 00 - TITLE STATEMENT | |
Title | Protest technologies and media revolutions : |
Remainder of title | the longue durée / |
Statement of responsibility, etc. | edited by Athina Karatzogianni (University of Leicester, UK), Michael Schandorf (University of British Columbia, Canada), and Ioanna Ferra (National Research University Higher School of Economics, Russia). |
264 #1 - PRODUCTION, PUBLICATION, DISTRIBUTION, MANUFACTURE, AND COPYRIGHT NOTICE | |
Place of production, publication, distribution, manufacture | Bingley, U.K. : |
Name of producer, publisher, distributor, manufacturer | Emerald Publishing Limited, |
Date of production, publication, distribution, manufacture, or copyright notice | 2020. |
264 #4 - PRODUCTION, PUBLICATION, DISTRIBUTION, MANUFACTURE, AND COPYRIGHT NOTICE | |
Date of production, publication, distribution, manufacture, or copyright notice | ©2021 |
300 ## - PHYSICAL DESCRIPTION | |
Extent | 1 online resource (312 pages) |
336 ## - CONTENT TYPE | |
Content type term | text |
Content type code | txt |
Source | rdacontent |
337 ## - MEDIA TYPE | |
Media type term | computer |
Media type code | c |
Source | rdamedia |
338 ## - CARRIER TYPE | |
Carrier type term | online resource |
Carrier type code | cr |
Source | rdacarrier |
490 0# - SERIES STATEMENT | |
Series statement | Digital activism and society: politics, economy and culture in network communication |
500 ## - GENERAL NOTE | |
General note | Includes index. |
504 ## - BIBLIOGRAPHY, ETC. NOTE | |
Bibliography, etc | Includes bibliographical references. |
505 0# - FORMATTED CONTENTS NOTE | |
Formatted contents note | Chapter 1. Introduction: Protest Technologies and Media Revolutions in the Longue Durée; Athina Karatzogianni, Ioanna Ferra, and Michael Schandorf -- Part I: From the Russian Revolution to Post-Soviet Digital Activism and the New Cold War -- Chapter 2. Art as a Form of Social Action in the Russian Avant-garde (1905-1930); Maria Tsantsanoglou -- Chapter 3. Secret Police and Public Sphere. The East German State Security Service ('Stasi') between Media Control and Public Relations; Sebastian Haller -- Chapter 4. The Russian Dream and Victor Pelevin's Generation "Π": Ideology in pPost-Soviet Russia; Angelos Theocharis -- Chapter 5. Soviet Communicative Control: Some Implications on Digital Activism in Contemporary Russia; Ilya Kiriya -- Chapter 6. A Comparative Cyberconflict Analysis of Digital Activism Across Post-Soviet Countries; Athina Karatzogianni, Galina Miazhevich, and Anastasia Denisova -- Chapter 7. Dis/engagement in Post-Soviet Communicative Ecologies: Re-framing the 'Chinatown' Dissent Campaign in Belarus; Galina Miazhevich -- Chapter 8. Media in Tooth and Claw: Ecologies of Post-truth Suasion in Total (Culture) War; Michael Schandorf Part II: The Road to Occupy and its Influence -- Chapter 9. Creating the collective: Social Media, the Occupy Movement and its Constitution as a Collective Actor Anastasia Kavada -- Chapter 10. Ground the Drones: Direct Action and Media Activism; Kevin Howley -- Chapter 11. Beyond Social Media Determinism? How Artists Reshape the Organization of Social Movements Alberto Cossu OPEN ACCESS -- Chapter 12. The City is a Work of Art and Everyone is an Artist": Collaborative Protest Art, Participation and Space Reproduction at the 2014 Hong Kong's Umbrella Movement.; Georgios Patsiaouras. -- Chapter 13. A Comparative Study of the Delhi Nirbhaya Protests and the Occupy Nigeria Movement: Evaluating Uses of ICTs and Social Media; Adrija Dey and Shola Olabode -- Chapter 14. From Classical Syndicalism to Spain's 15-M Movement; Cristina Flesher Fominaya -- Chapter 15. The Trials and Tribulations of Social Media and Transnational Labour Solidarity; Torsten Geelan and Andy Hodder -- Chapter 16. The Online Communication Strategies of a Small-scale Social movement: The Case of the Greek 'Do Not Pay' Social Movement; Stamatis Poulakidakos, Anastasia Veneti, and Maria Rovisco -- Chapter 17. The EU Referendums in the Twittersphere: #Grexit, #Brexit and the #Catalanreferendum; Ioanna Ferra and Dennis Nguyen -- Chapter 18. The Geeks of the Squares: Agency, Control and Surveillance in Protest Movement Mediation Technologies; Athina Karatzogianni and Michael Schandorf. |
520 ## - SUMMARY, ETC. | |
Summary, etc. | Contains an Open Access chapter. Protest Technologies and Media Revolutions portrays the critical role of mass connection in the success of any movement, resurrection, protest, and revolution. The communication mechanisms for this connection have, at times, evolved and elsewhere undergone revolutions of their own. Authors debate this relationship, and the strategies and lessons of 'connecting to the masses' considering the development of media, technology and communication strategies over the last century. Key topics covered include revolution, communication, protest and technology, spanning from the Russian Revolution to the present day. The discussion is not limited to historic cases of technology and revolution, nor to contemporary ones. The book, therefore, generates a debate about how art, media and communication technologies have been operationalized to connect, mobilize and organize, in different historical times, and in diverse national, political, and socio-economic contexts. |
588 0# - SOURCE OF DESCRIPTION NOTE | |
Source of description note | Print version record. |
650 #0 - SUBJECT ADDED ENTRY--TOPICAL TERM | |
Topical term or geographic name as entry element | |
General subdivision | Social aspects. |
650 #7 - SUBJECT ADDED ENTRY--TOPICAL TERM | |
Topical term or geographic name as entry element | |
General subdivision | Sociology |
-- | General. |
Source of heading or term | bisacsh |
650 #7 - SUBJECT ADDED ENTRY--TOPICAL TERM | |
Topical term or geographic name as entry element | |
Source of heading or term | bicssc |
700 1# - ADDED ENTRY--PERSONAL NAME | |
Personal name | Karatzogianni, Athina, |
Relator term | editor. |
700 1# - ADDED ENTRY--PERSONAL NAME | |
Personal name | Schandorf, Michael, |
Relator term | editor. |
700 1# - ADDED ENTRY--PERSONAL NAME | |
Personal name | Ferra, Ioanna, |
Relator term | editor. |
776 ## - ADDITIONAL PHYSICAL FORM ENTRY | |
International Standard Book Number | 9781839826474 |
856 40 - ELECTRONIC LOCATION AND ACCESS | |
Uniform Resource Identifier | <a href="https://doi.org/10.1108/9781839826467">https://doi.org/10.1108/9781839826467</a> |
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