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Proportions and Their Music (Record no. 60781)

MARC details
000 -LEADER
fixed length control field 04544nam a22004935i 4500
001 - CONTROL NUMBER
control field 978-3-662-65336-4
003 - CONTROL NUMBER IDENTIFIER
control field DE-He213
005 - DATE AND TIME OF LATEST TRANSACTION
control field 20251030112316.0
007 - PHYSICAL DESCRIPTION FIXED FIELD--GENERAL INFORMATION
fixed length control field cr nn 008mamaa
008 - FIXED-LENGTH DATA ELEMENTS--GENERAL INFORMATION
fixed length control field 240617s2024 gw | s |||| 0|eng d
020 ## - INTERNATIONAL STANDARD BOOK NUMBER
International Standard Book Number 9783662653364
-- 978-3-662-65336-4
024 7# - OTHER STANDARD IDENTIFIER
Standard number or code 10.1007/978-3-662-65336-4
Source of number or code doi
050 #4 - LIBRARY OF CONGRESS CALL NUMBER
Classification number T57-57.97
050 #4 - LIBRARY OF CONGRESS CALL NUMBER
Classification number ML1-3930
072 #7 - SUBJECT CATEGORY CODE
Subject category code PBW
Source bicssc
072 #7 - SUBJECT CATEGORY CODE
Subject category code AVA
Source bicssc
072 #7 - SUBJECT CATEGORY CODE
Subject category code MAT003000
Source bisacsh
072 #7 - SUBJECT CATEGORY CODE
Subject category code PBW
Source thema
072 #7 - SUBJECT CATEGORY CODE
Subject category code AVA
Source thema
100 1# - MAIN ENTRY--PERSONAL NAME
Personal name Schüffler, Karlheinz.
Relator term author.
Relator code aut
-- http://id.loc.gov/vocabulary/relators/aut
9 (RLIN) 78803
245 10 - TITLE STATEMENT
Title Proportions and Their Music
Medium [electronic resource] :
Remainder of title What Fractions and Tone Sequences Have to Do with Each Other /
Statement of responsibility, etc. by Karlheinz Schüffler.
250 ## - EDITION STATEMENT
Edition statement 1st ed. 2024.
264 #1 - PRODUCTION, PUBLICATION, DISTRIBUTION, MANUFACTURE, AND COPYRIGHT NOTICE
Place of production, publication, distribution, manufacture Berlin, Heidelberg :
Name of producer, publisher, distributor, manufacturer Springer Berlin Heidelberg :
-- Imprint: Springer,
Date of production, publication, distribution, manufacture, or copyright notice 2024.
300 ## - PHYSICAL DESCRIPTION
Extent XXIV, 273 p. 18 illus., 1 illus. in color.
Other physical details online resource.
336 ## - CONTENT TYPE
Content type term text
Content type code txt
Source rdacontent
337 ## - MEDIA TYPE
Media type term computer
Media type code c
Source rdamedia
338 ## - CARRIER TYPE
Carrier type term online resource
Carrier type code cr
Source rdacarrier
347 ## - DIGITAL FILE CHARACTERISTICS
File type text file
Encoding format PDF
Source rda
505 0# - FORMATTED CONTENTS NOTE
Formatted contents note Introduction -- For use: proportion convention a:b or b:a? -- Proportions -- Proportion chains -- Medietas -- Proportion sequences of Babylonian medietas -- The music of proportions -- APPENDIX -- Proportion table of the most important pure intervals.
520 ## - SUMMARY, ETC.
Summary, etc. Sounds can be harmonic, number sequences too - a coincidence? This book deals with a musical theory of proportions, i.e. the ancient doctrine of proportions as the oldest and most important common anchorage of the two cultural sciences mathematics and music. The musical theory of tones, intervals, tetrachords, sounds and scales is in fact the exact musical image of the laws of arithmetic and its symmetries in the set of rules of playing with numbers, their proportions and their medievals. Alone the miracle of the so-called Harmonia perfecta maxima 6 - 8 - 9 - 12, whose proportions determine the fifth as well as the fourth, form the octave and have the brazen whole tone in their center, shaped the musical edifice of Pythagorean music for thousands of years. This elementary chain of proportions 6 : 8 : 9 : 12 is, moreover, completely symmetrical and built up from the arithmetic as well as from the harmonic medieta of the octave numbers 6 and 12. This book develops the theory of proportions as a mathematical science and always contrasts it with the musical motivation by means of numerous examples. The main idea is the derivation of a theory of symmetry from the Harmonia perfecta maxima to the Harmonia perfecta infinita abstracta, a process of unlimited tone generations by Babylonian mean iterations. From this, both the classical-antique diatonic is simultaneously extracted and the path "from the monochord to the organ" is re-examined. Finally, the work contains a mathematically guided introduction to the ancient tetrachordics as well as to the church tonal scales and concludes with an excursion into the sound worlds of the organ. Here the "foot-number rule of the organ" leads us by means of examples into the world of the tonal dispositions of this instrument and shows the omnipresence of the ancient theory of proportions. This book is suitable for anyone with an interest in mathematics and music. The Author Prof. Dr. Karlheinz Schüffler is a mathematician and musician. As a mathematician he teaches at the University of Krefeld as well as at the University of Düsseldorf. As a musician he practices church music with a focus on organ, Gregorian chant and choir conducting. This book is a translation of an original German edition. The translation was done with the help of artificial intelligence (machine translation by the service DeepL.com). A subsequent human revision was done primarily in terms of content, so that the book will read stylistically differently from a conventional translation.
650 #0 - SUBJECT ADDED ENTRY--TOPICAL TERM
Topical term or geographic name as entry element
General subdivision Mathematics.
9 (RLIN) 77341
650 14 - SUBJECT ADDED ENTRY--TOPICAL TERM
Topical term or geographic name as entry element
9 (RLIN) 77342
710 2# - ADDED ENTRY--CORPORATE NAME
Corporate name or jurisdiction name as entry element SpringerLink (Online service)
773 0# - HOST ITEM ENTRY
Title Springer Nature eBook
776 08 - ADDITIONAL PHYSICAL FORM ENTRY
Relationship information Printed edition:
International Standard Book Number 9783662653357
776 08 - ADDITIONAL PHYSICAL FORM ENTRY
Relationship information Printed edition:
International Standard Book Number 9783662653371
856 40 - ELECTRONIC LOCATION AND ACCESS
Uniform Resource Identifier <a href="https://doi.org/10.1007/978-3-662-65336-4">https://doi.org/10.1007/978-3-662-65336-4</a>
912 ## -
-- ZDB-2-SMA
912 ## -
-- ZDB-2-SXMS

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