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Historicizing the Embodied Imagination in Early Modern English Literature (Record no. 61413)

MARC details
000 -LEADER
fixed length control field 05979nam a22005535i 4500
001 - CONTROL NUMBER
control field 978-3-031-55064-5
003 - CONTROL NUMBER IDENTIFIER
control field DE-He213
005 - DATE AND TIME OF LATEST TRANSACTION
control field 20251030112617.0
007 - PHYSICAL DESCRIPTION FIXED FIELD--GENERAL INFORMATION
fixed length control field cr nn 008mamaa
008 - FIXED-LENGTH DATA ELEMENTS--GENERAL INFORMATION
fixed length control field 240708s2024 sz | s |||| 0|eng d
020 ## - INTERNATIONAL STANDARD BOOK NUMBER
International Standard Book Number 9783031550645
-- 978-3-031-55064-5
024 7# - OTHER STANDARD IDENTIFIER
Standard number or code 10.1007/978-3-031-55064-5
Source of number or code doi
050 #4 - LIBRARY OF CONGRESS CALL NUMBER
Classification number PN715-749
072 #7 - SUBJECT CATEGORY CODE
Subject category code DSB
Source bicssc
072 #7 - SUBJECT CATEGORY CODE
Subject category code LIT024000
Source bisacsh
072 #7 - SUBJECT CATEGORY CODE
Subject category code DSB
Source thema
245 10 - TITLE STATEMENT
Title Historicizing the Embodied Imagination in Early Modern English Literature
Medium [electronic resource] /
Statement of responsibility, etc. edited by Mark Kaethler, Grant Williams.
250 ## - EDITION STATEMENT
Edition statement 1st ed. 2024.
264 #1 - PRODUCTION, PUBLICATION, DISTRIBUTION, MANUFACTURE, AND COPYRIGHT NOTICE
Place of production, publication, distribution, manufacture Cham :
Name of producer, publisher, distributor, manufacturer Springer International Publishing :
-- Imprint: Palgrave Macmillan,
Date of production, publication, distribution, manufacture, or copyright notice 2024.
300 ## - PHYSICAL DESCRIPTION
Extent XV, 337 p. 3 illus.
Other physical details online resource.
336 ## - CONTENT TYPE
Content type term text
Content type code txt
Source rdacontent
337 ## - MEDIA TYPE
Media type term computer
Media type code c
Source rdamedia
338 ## - CARRIER TYPE
Carrier type term online resource
Carrier type code cr
Source rdacarrier
347 ## - DIGITAL FILE CHARACTERISTICS
File type text file
Encoding format PDF
Source rda
505 0# - FORMATTED CONTENTS NOTE
Formatted contents note 1 Introduction: The Imagination and Image in Premodern Faculty Psychology -- Part I The Visual Imagination -- 2 The Imagination in Distress: Amoret’s Brain and the Busyrane Factor in Spenser’s Faerie Queene, Book 3 -- 3 “If all the world could have seen’t”: Imagination and the Unseen in The Winter’s Tale -- 4 The Iconoclastic Imagination: John Donne’s Metaphysical Conceits -- Part II Sensory and Affective Imaginings -- 5 The Phenomenal Imagining Body in Shakespeare -- 6 Infected Fancies and Penetrative Poetics in The Rape of Lucrece -- 7 The “Imagination of Eating”: The Role of the Imagination in Appetite Stimulation and Suppression -- Part III Artifice and the Mnemonic Imagination -- 8 Confronting Imagination in Langland, Spenser, and Bacon -- 9 The Feudal Art of Memory and the Treacherous Imagination: Coveting the Golden Phantasm in Mammon’s House of Trade -- 10 Seeing God Through Spectacles: Donne’s “Engines” of the Imagination -- 11 “A Work of Fancy”: World-Making Imagination as an Art of Memory in Margaret Cavendish’s Blazing World -- Part IV Higher Imaginings -- 12 Fantasy and the Imagined Music of the Spheres in Pericles -- 13 Reconciliation and Recreation at the Meeting Place for Opposites: Revisiting Donne’s Imagined Corners -- 14 “I think h’as knocked his brains out”: Unhealthy Imagination in The Atheist’s Tragedy -- 15 From the Image of Christ to the Imagining of the Sovereign: Donne, Hobbes, and the Eclipse of Participation and Transformation.
520 ## - SUMMARY, ETC.
Summary, etc. Commonly used as a rallying cry for general approaches to literary studies, the imagination has until recently been overwritten with romantic and modernist inflections that impede our understanding of literature’s intimate involvement in early modern cognition. To recover the pre-Cartesian imagination, this collection of essays takes a historicist approach by situating literary texts within the embodied and ensouled faculty system. Image-making and fantasizing were not autonomous activities but belonged to a greater cognitive ecosystem, which the volume’s four sections reflect: “The Visual Imagination,” “Sensory and Affective Imaginings,” “Artifice and the Mnemonic Imagination,” and “Higher Imaginings.” Together they accentuate the imagination’s interdependency and friction with other faculties. Ultimately, the volume’s attention to the embodied imagination gives scholars new perspectives on literary and image production in the writings of Spenser, Shakespeare, Donne, and their contemporaries. Mark Kaethler is Academic Chair of Arts at Medicine Hat College in Medicine Hat, Canada. They work on research teams with the Map of Early Modern London and Linked Early Modern Drama Online at the University of Victoria, both of which have been funded by SSHRC grants. They are Book Reviews Editor for Early Theatre, and they are the author of Thomas Middleton and the Plural Politics of Jacobean Drama as well as a co-editor of Shakespeare’s Language in Digital Media: Old Words, New Tools. Their work has appeared in Shakespeare, The London Journal, Early Theatre, Literature Compass, and several other journals and edited collections. Grant Williams is an Associate Professor in the Department of English at Carleton University in Ottawa, Canada. With William E. Engel, he has co-edited the essay collection The Shakespearean Death Arts (Palgrave, 2022), and, with Engel and Rory Loughnane, co-edited the collection Memory and Mortality in Renaissance England (Cambridge, 2022). With Donald Beecher, he is co-editor of Henry Chettle’s Kind-Heart’s Dream and Piers Plainness: Two Pamphlets from the Elizabethan Book Trade (CRRS, 2022). He has co-authored two critical anthologies with Engel and Loughnane: The Death Arts in Renaissance England (Cambridge, 2022) and The Memory Arts in Renaissance England (Cambridge, 2016).
650 #0 - SUBJECT ADDED ENTRY--TOPICAL TERM
Topical term or geographic name as entry element
General subdivision Renaissance, 1450-1600.
9 (RLIN) 67445
650 #0 - SUBJECT ADDED ENTRY--TOPICAL TERM
Topical term or geographic name as entry element
650 #0 - SUBJECT ADDED ENTRY--TOPICAL TERM
Topical term or geographic name as entry element
General subdivision History and criticism.
9 (RLIN) 66499
650 #0 - SUBJECT ADDED ENTRY--TOPICAL TERM
Topical term or geographic name as entry element
General subdivision Philosophy.
9 (RLIN) 66322
650 14 - SUBJECT ADDED ENTRY--TOPICAL TERM
Topical term or geographic name as entry element
9 (RLIN) 67447
650 24 - SUBJECT ADDED ENTRY--TOPICAL TERM
Topical term or geographic name as entry element
650 24 - SUBJECT ADDED ENTRY--TOPICAL TERM
Topical term or geographic name as entry element
9 (RLIN) 66789
650 24 - SUBJECT ADDED ENTRY--TOPICAL TERM
Topical term or geographic name as entry element
9 (RLIN) 61787
700 1# - ADDED ENTRY--PERSONAL NAME
Personal name Kaethler, Mark.
Relator term editor.
Relator code edt
-- http://id.loc.gov/vocabulary/relators/edt
9 (RLIN) 80169
700 1# - ADDED ENTRY--PERSONAL NAME
Personal name Williams, Grant.
Relator term editor.
Relator code edt
-- http://id.loc.gov/vocabulary/relators/edt
9 (RLIN) 80170
710 2# - ADDED ENTRY--CORPORATE NAME
Corporate name or jurisdiction name as entry element SpringerLink (Online service)
773 0# - HOST ITEM ENTRY
Title Springer Nature eBook
776 08 - ADDITIONAL PHYSICAL FORM ENTRY
Relationship information Printed edition:
International Standard Book Number 9783031550638
776 08 - ADDITIONAL PHYSICAL FORM ENTRY
Relationship information Printed edition:
International Standard Book Number 9783031550652
776 08 - ADDITIONAL PHYSICAL FORM ENTRY
Relationship information Printed edition:
International Standard Book Number 9783031550669
856 40 - ELECTRONIC LOCATION AND ACCESS
Uniform Resource Identifier <a href="https://doi.org/10.1007/978-3-031-55064-5">https://doi.org/10.1007/978-3-031-55064-5</a>
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-- ZDB-2-LCM
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