Staging Deaf and Hearing Theatre Productions (Record no. 61501)
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| 000 -LEADER | |
|---|---|
| fixed length control field | 05498nam a22005535i 4500 |
| 001 - CONTROL NUMBER | |
| control field | 978-3-031-61446-0 |
| 003 - CONTROL NUMBER IDENTIFIER | |
| control field | DE-He213 |
| 005 - DATE AND TIME OF LATEST TRANSACTION | |
| control field | 20251030112623.0 |
| 007 - PHYSICAL DESCRIPTION FIXED FIELD--GENERAL INFORMATION | |
| fixed length control field | cr nn 008mamaa |
| 008 - FIXED-LENGTH DATA ELEMENTS--GENERAL INFORMATION | |
| fixed length control field | 240711s2024 sz | s |||| 0|eng d |
| 020 ## - INTERNATIONAL STANDARD BOOK NUMBER | |
| International Standard Book Number | 9783031614460 |
| -- | 978-3-031-61446-0 |
| 024 7# - OTHER STANDARD IDENTIFIER | |
| Standard number or code | 10.1007/978-3-031-61446-0 |
| Source of number or code | doi |
| 050 #4 - LIBRARY OF CONGRESS CALL NUMBER | |
| Classification number | PN2053 |
| 072 #7 - SUBJECT CATEGORY CODE | |
| Subject category code | ANF |
| Source | bicssc |
| 072 #7 - SUBJECT CATEGORY CODE | |
| Subject category code | PER011010 |
| Source | bisacsh |
| 072 #7 - SUBJECT CATEGORY CODE | |
| Subject category code | ATDF |
| Source | thema |
| 100 1# - MAIN ENTRY--PERSONAL NAME | |
| Personal name | Head, Andy. |
| Relator term | author. |
| Relator code | aut |
| -- | http://id.loc.gov/vocabulary/relators/aut |
| 9 (RLIN) | 80349 |
| 245 10 - TITLE STATEMENT | |
| Title | Staging Deaf and Hearing Theatre Productions |
| Medium | [electronic resource] : |
| Remainder of title | A Practical Guide / |
| Statement of responsibility, etc. | by Andy Head, Jill Marie Bradbury. |
| 250 ## - EDITION STATEMENT | |
| Edition statement | 1st ed. 2024. |
| 264 #1 - PRODUCTION, PUBLICATION, DISTRIBUTION, MANUFACTURE, AND COPYRIGHT NOTICE | |
| Place of production, publication, distribution, manufacture | Cham : |
| Name of producer, publisher, distributor, manufacturer | Springer International Publishing : |
| -- | Imprint: Palgrave Macmillan, |
| Date of production, publication, distribution, manufacture, or copyright notice | 2024. |
| 300 ## - PHYSICAL DESCRIPTION | |
| Extent | XIX, 317 p. 9 illus. |
| Other physical details | online resource. |
| 336 ## - CONTENT TYPE | |
| Content type term | text |
| Content type code | txt |
| Source | rdacontent |
| 337 ## - MEDIA TYPE | |
| Media type term | computer |
| Media type code | c |
| Source | rdamedia |
| 338 ## - CARRIER TYPE | |
| Carrier type term | online resource |
| Carrier type code | cr |
| Source | rdacarrier |
| 347 ## - DIGITAL FILE CHARACTERISTICS | |
| File type | text file |
| Encoding format | |
| Source | rda |
| 505 0# - FORMATTED CONTENTS NOTE | |
| Formatted contents note | Chapter 1 - Section I: Essential Background -- Chapter 2 - Section I: A History of Deaf and Hearing Integrated Theatre -- Chapter 3 - Section I: Pre-audition Period -- Chapter 4 - Section I: The Audition Process -- Chapter 5 - Section I: The Rehearsal Process -- Chapter 6 - Section I: Spring Awakening -- Chapter 7 - Conclusion. |
| 520 ## - SUMMARY, ETC. | |
| Summary, etc. | This book explores an unacknowledged gap in theatre study and praxis, and establishes an inceptive model for transforming a playscript into a theatrical production involving deaf and hearing artists. The book stipulates that theatrical productions of this nature should strive to go beyond accessibility towards inclusivity by considering deaf perspectives at every stage of the process: When deaf actors are cast in roles assumed to be hearing, how does this change the world of the play? How does the inclusion of a visual language affect staging decisions? How can truly equal access to two different language modalities be achieved for diverse production teams and audiences? Because deaf artists should be involved in the leadership and creative decision making throughout the process, this book is co-written by a deaf and hearing team. The main topics of the book include pre-production preparation, the rehearsal process, and performance. As deaf theatre artists move increasingly into the foreground, it’s time for the hearing theatre world to learn how to undertake productions that successfully bridge the deaf and hearing worlds. By including the perspective of directors, actors, designers, and audience members, this guide lays out an ideal process towards achieving that goal. Andy Head (hearing) is Assistant Professor of Theatre at Rochester Institute of Technology, USA. He completed his MFA in Acting at Michigan State University and directs integrated deaf/hearing productions for RIT/NTID. Recent directing credits include Cabaret (2018), I and You (2019), She Kills Monsters: Virtual Realms (2021), Angels in America: Millennium Approaches (2021), Everybody (2022), and Thy Name is Woman (2023). His articles, “Equal Prominence: Directing a Deaf and Hearing Production of I and You” and “The Compositor: How Hybrid Productions Will Create a New Job Title in Theatre” both appeared in the scholarly, peer-reviewed journal Theatre/Practice. Head’s research interests lie in creating productions that offer equal accessibility to deaf, hard of hearing, and hearing actors and audience members, as well as in the emerging field of digital theatre. Jill Marie Bradbury (deaf) is Professor and Director of the School of Theatre, Dance and Performance Studies, University of Maryland, College Park, USA.. She received her PhD in English from Brown University. Dr. Bradbury is a five-time National Endowment for the Arts grant-winner, including $25,000 for a DeafBlind Theater Institute. This project resulted in the documentary video, Protactile Romeo and Juliet: Theater by/for the DeafBlind and the collaborative essay “Protactile Romeo and Juliet: Theater by/for the DeafBlind” (Shakespeare Studies 47, 2019). Other relevant publications include “Deaf Theater” (Oxford Research Encyclopedia of Literature, 2024), “Disability Embodiment and Inclusive Aesthetics” (Inclusive Shakespeares: Identity, Pedagogy, Performance, 2023) and “Audiences, American Sign Language, and Deafness in Shakespeare Performance” (Shakespeare Bulletin 40.1, 2022). . |
| 650 #0 - SUBJECT ADDED ENTRY--TOPICAL TERM | |
| Topical term or geographic name as entry element | |
| General subdivision | Production and direction. |
| 9 (RLIN) | 66692 |
| 650 #0 - SUBJECT ADDED ENTRY--TOPICAL TERM | |
| Topical term or geographic name as entry element | |
| General subdivision | History. |
| 9 (RLIN) | 66689 |
| 650 #0 - SUBJECT ADDED ENTRY--TOPICAL TERM | |
| Topical term or geographic name as entry element | |
| 9 (RLIN) | 67645 |
| 650 #0 - SUBJECT ADDED ENTRY--TOPICAL TERM | |
| Topical term or geographic name as entry element | |
| 9 (RLIN) | 60857 |
| 650 #0 - SUBJECT ADDED ENTRY--TOPICAL TERM | |
| Topical term or geographic name as entry element | |
| 9 (RLIN) | 66691 |
| 650 14 - SUBJECT ADDED ENTRY--TOPICAL TERM | |
| Topical term or geographic name as entry element | |
| 9 (RLIN) | 66697 |
| 650 24 - SUBJECT ADDED ENTRY--TOPICAL TERM | |
| Topical term or geographic name as entry element | |
| 650 24 - SUBJECT ADDED ENTRY--TOPICAL TERM | |
| Topical term or geographic name as entry element | |
| 9 (RLIN) | 67650 |
| 650 24 - SUBJECT ADDED ENTRY--TOPICAL TERM | |
| Topical term or geographic name as entry element | |
| 9 (RLIN) | 66695 |
| 700 1# - ADDED ENTRY--PERSONAL NAME | |
| Personal name | Bradbury, Jill Marie. |
| Relator term | author. |
| Relator code | aut |
| -- | http://id.loc.gov/vocabulary/relators/aut |
| 9 (RLIN) | 80350 |
| 710 2# - ADDED ENTRY--CORPORATE NAME | |
| Corporate name or jurisdiction name as entry element | SpringerLink (Online service) |
| 773 0# - HOST ITEM ENTRY | |
| Title | Springer Nature eBook |
| 776 08 - ADDITIONAL PHYSICAL FORM ENTRY | |
| Relationship information | Printed edition: |
| International Standard Book Number | 9783031614453 |
| 776 08 - ADDITIONAL PHYSICAL FORM ENTRY | |
| Relationship information | Printed edition: |
| International Standard Book Number | 9783031614477 |
| 856 40 - ELECTRONIC LOCATION AND ACCESS | |
| Uniform Resource Identifier | <a href="https://doi.org/10.1007/978-3-031-61446-0">https://doi.org/10.1007/978-3-031-61446-0</a> |
| 912 ## - | |
| -- | ZDB-2-LCM |
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| -- | ZDB-2-SXL |
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