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Music in Films about the Shoah (Record no. 62432)

MARC details
000 -LEADER
fixed length control field 04128nam a22005415i 4500
001 - CONTROL NUMBER
control field 978-3-031-46197-2
003 - CONTROL NUMBER IDENTIFIER
control field DE-He213
005 - DATE AND TIME OF LATEST TRANSACTION
control field 20251030112851.0
007 - PHYSICAL DESCRIPTION FIXED FIELD--GENERAL INFORMATION
fixed length control field cr nn 008mamaa
008 - FIXED-LENGTH DATA ELEMENTS--GENERAL INFORMATION
fixed length control field 240813s2024 sz | s |||| 0|eng d
020 ## - INTERNATIONAL STANDARD BOOK NUMBER
International Standard Book Number 9783031461972
-- 978-3-031-46197-2
024 7# - OTHER STANDARD IDENTIFIER
Standard number or code 10.1007/978-3-031-46197-2
Source of number or code doi
050 #4 - LIBRARY OF CONGRESS CALL NUMBER
Classification number PN1993-1999
072 #7 - SUBJECT CATEGORY CODE
Subject category code AP
Source bicssc
072 #7 - SUBJECT CATEGORY CODE
Subject category code JFC
Source bicssc
072 #7 - SUBJECT CATEGORY CODE
Subject category code PER004000
Source bisacsh
072 #7 - SUBJECT CATEGORY CODE
Subject category code AT
Source thema
072 #7 - SUBJECT CATEGORY CODE
Subject category code JBCC
Source thema
100 1# - MAIN ENTRY--PERSONAL NAME
Personal name Berner, Elias.
Relator term author.
Relator code aut
-- http://id.loc.gov/vocabulary/relators/aut
9 (RLIN) 82287
245 10 - TITLE STATEMENT
Title Music in Films about the Shoah
Medium [electronic resource] :
Remainder of title Commemoration, Comfort, Provocation /
Statement of responsibility, etc. by Elias Berner.
250 ## - EDITION STATEMENT
Edition statement 1st ed. 2024.
264 #1 - PRODUCTION, PUBLICATION, DISTRIBUTION, MANUFACTURE, AND COPYRIGHT NOTICE
Place of production, publication, distribution, manufacture Cham :
Name of producer, publisher, distributor, manufacturer Springer Nature Switzerland :
-- Imprint: Palgrave Macmillan,
Date of production, publication, distribution, manufacture, or copyright notice 2024.
300 ## - PHYSICAL DESCRIPTION
Extent XVII, 268 p. 54 illus., 35 illus. in color.
Other physical details online resource.
336 ## - CONTENT TYPE
Content type term text
Content type code txt
Source rdacontent
337 ## - MEDIA TYPE
Media type term computer
Media type code c
Source rdamedia
338 ## - CARRIER TYPE
Carrier type term online resource
Carrier type code cr
Source rdacarrier
347 ## - DIGITAL FILE CHARACTERISTICS
File type text file
Encoding format PDF
Source rda
490 1# - SERIES STATEMENT
Series statement Palgrave Studies in Audio-Visual Culture,
International Standard Serial Number 2634-6362
505 0# - FORMATTED CONTENTS NOTE
Formatted contents note Chapter 1: Introduction -- Chapter 2: Cultural Memory Film and Music -- Chapter 3: Commemoration: The Soundtrack of Schindler’s List -- Chapter 4: Comfort: The Pianist and Taking Sides -- Chapter 5: Provocation: Inglourious Basterds -- Chapter 6: Epilogue: The Emotive Stances and Their Reverberations in Contemporary Popular Culture.
520 ## - SUMMARY, ETC.
Summary, etc. “Elias Berner has written an inspiring and moving book, a study of close listening that re-shapes theories of film music, and entangles them with the ongoing discourse on the memory of the Shoah. What this book thus beautifully brings to the fore is the relational power of music to regulate feelings of distance and closeness with a projected past.” —Thomas Macho, Professor for Cultural Hitory at the Humboldt University of Berlin, Germany. Head/Director of the International Research Center for Cultural Studies University of Art and Design Linz, Austria This book focuses on the aural and musical sphere of fictional audio-visual reconstructions of the Holocaust, a defining event in the history of the 20th century. Musicology has seen an increasing number of works on the function of film music and the construction of identity in media contexts in recent years. This project analyses the use of music in feature films about the Shoah. The analysis of 'the sound of Nazi violence', as well as the escape from and resistance against it, not only reveals a lot about the construction of the filmic characters' emotive states, but also tells us more about our own relationship to the past. The author understands the soundtrack of these films as an affective mediator of time, which connects filmic representations of the past with the present. Analysis focuses on the soundtracks of four films: Schindler's List, The Pianist, Taking Sides and Inglourious Basterds. Elias Berner is a Post-doc Researcher at the University of Music and Performing Arts in Vienna, Austria. In 2020 he obtained his PhD at the Department of Musicology at the University of Vienna. From 2015–2017, he was a Junior Fellow at the International Research Center for Cultural Studies (IFK).
650 #0 - SUBJECT ADDED ENTRY--TOPICAL TERM
Topical term or geographic name as entry element
9 (RLIN) 58496
650 #0 - SUBJECT ADDED ENTRY--TOPICAL TERM
Topical term or geographic name as entry element
9 (RLIN) 67816
650 14 - SUBJECT ADDED ENTRY--TOPICAL TERM
Topical term or geographic name as entry element
9 (RLIN) 66660
650 24 - SUBJECT ADDED ENTRY--TOPICAL TERM
Topical term or geographic name as entry element
9 (RLIN) 67818
710 2# - ADDED ENTRY--CORPORATE NAME
Corporate name or jurisdiction name as entry element SpringerLink (Online service)
773 0# - HOST ITEM ENTRY
Title Springer Nature eBook
776 08 - ADDITIONAL PHYSICAL FORM ENTRY
Relationship information Printed edition:
International Standard Book Number 9783031461965
776 08 - ADDITIONAL PHYSICAL FORM ENTRY
Relationship information Printed edition:
International Standard Book Number 9783031461989
776 08 - ADDITIONAL PHYSICAL FORM ENTRY
Relationship information Printed edition:
International Standard Book Number 9783031461996
830 #0 - SERIES ADDED ENTRY--UNIFORM TITLE
Uniform title Palgrave Studies in Audio-Visual Culture,
International Standard Serial Number 2634-6362
9 (RLIN) 82288
856 40 - ELECTRONIC LOCATION AND ACCESS
Uniform Resource Identifier <a href="https://doi.org/10.1007/978-3-031-46197-2">https://doi.org/10.1007/978-3-031-46197-2</a>
912 ## -
-- ZDB-2-LCM
912 ## -
-- ZDB-2-SXL

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