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Female Agency in Films Made by Latin American Women (Record no. 65963)

MARC details
000 -LEADER
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001 - CONTROL NUMBER
control field 978-3-031-72600-2
003 - CONTROL NUMBER IDENTIFIER
control field DE-He213
005 - DATE AND TIME OF LATEST TRANSACTION
control field 20251030114634.0
007 - PHYSICAL DESCRIPTION FIXED FIELD--GENERAL INFORMATION
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008 - FIXED-LENGTH DATA ELEMENTS--GENERAL INFORMATION
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020 ## - INTERNATIONAL STANDARD BOOK NUMBER
International Standard Book Number 9783031726002
-- 978-3-031-72600-2
024 7# - OTHER STANDARD IDENTIFIER
Standard number or code 10.1007/978-3-031-72600-2
Source of number or code doi
050 #4 - LIBRARY OF CONGRESS CALL NUMBER
Classification number PN1600-3307.2
072 #7 - SUBJECT CATEGORY CODE
Subject category code AP
Source bicssc
072 #7 - SUBJECT CATEGORY CODE
Subject category code PER004000
Source bisacsh
072 #7 - SUBJECT CATEGORY CODE
Subject category code AT
Source thema
245 10 - TITLE STATEMENT
Title Female Agency in Films Made by Latin American Women
Medium [electronic resource] /
Statement of responsibility, etc. edited by Vania Barraza, María Helena Rueda.
250 ## - EDITION STATEMENT
Edition statement 1st ed. 2024.
264 #1 - PRODUCTION, PUBLICATION, DISTRIBUTION, MANUFACTURE, AND COPYRIGHT NOTICE
Place of production, publication, distribution, manufacture Cham :
Name of producer, publisher, distributor, manufacturer Springer Nature Switzerland :
-- Imprint: Palgrave Macmillan,
Date of production, publication, distribution, manufacture, or copyright notice 2024.
300 ## - PHYSICAL DESCRIPTION
Extent XXIII, 393 p. 28 illus., 25 illus. in color.
Other physical details online resource.
336 ## - CONTENT TYPE
Content type term text
Content type code txt
Source rdacontent
337 ## - MEDIA TYPE
Media type term computer
Media type code c
Source rdamedia
338 ## - CARRIER TYPE
Carrier type term online resource
Carrier type code cr
Source rdacarrier
347 ## - DIGITAL FILE CHARACTERISTICS
File type text file
Encoding format PDF
Source rda
490 1# - SERIES STATEMENT
Series statement Global Cinema,
International Standard Serial Number 2634-596X
505 0# - FORMATTED CONTENTS NOTE
Formatted contents note Chapter 1: Introduction: Female Agency in Latin American Films: Women Autonomy and Empowerment Over the Patriarchal Gaze -- Part One: Agency, Perception, and the Female Gaze -- Chapter 2: Perturbed Genders in Lucrecia Martel -- Chapter 3: Memory, Disability and Space in Mafifa (Daniela Muñoz Barroso 2021) -- Chapter 4: Intimate Documentaries Made by Women in Colombia: Beyond the Patriarchal Gaze -- Part Two: Queering the Gaze: Politics, Sexualities, and Female Desire -- Chapter 5: A Journey with an Expiration Date: Notes on Amnesia Letal’s Film Travesía Travesti -- Chapter 6: Reimagining the Sexual Subject: Feminist Politics and Visual Pleasure in Contemporary Argentine Cinema -- Chapter 7: Intersexuality, Polyamory, and Lesbianism in Women’s Filmmaking: Patricia Ortega’s Yo, Imposible (2018) and Ruth Caudeli’s Petit Mal (2022) -- Part Three: Motherhood / Girlhood -- Chapter 8: Creating A Feminist Gaze?: Motherhood and Identity in Recent Costa Rican Cinema -- Chapter 9: Motherhood, Disappearance, and Agency in Mexican Films Made by Women: Sin señas particulares (Fernanda Valadez 2020) and La civil (Teodora Mihai 2021) -- Chapter 10: “Para verte mejor”: Gaze and Aesthetics in Chilean Bildungsfilms -- Part Four: Female Affect: Care, Bonding, and Community -- Chapter 11: The Balance between Care and Self-affirmation: Disability and the Family in Latin American Film -- Chapter 12: Necronarratives, Ethics of Care, and Female Bonding in 21st Century Puerto Rican Cinema: Perfume de gardenias (2021) and La pecera (2023) -- Chapter 13: Kitchen Conversation and Photographic Memory: A Focus on Female-Centered Narratives of Lineage and Liberation in Brazilian Film -- Part Five: Intersectionality, Decolonization, and Subjectivities -- Chapter 14: Making Home: Feminist Activism in Two Peruvian Audiovisual Projects -- Chapter 15: Mexican Female Filmmakers: Shifting the Representation of Indigenous Women -- Chapter 16: Pathbreakers of Peruvian Fiction Cinema.
520 ## - SUMMARY, ETC.
Summary, etc. At a time of growing relevance for women’s social and cultural movements in the Americas, Female Agency in Films Made by Latin American Women examines how the increased prominence of women in a directorial role translates into new paradigms of female agency in Latin American filmmaking. This volume bridges the two main tendencies that have characterized gender-studies approaches to the region’s cinema to date: first, the survey-based analysis of films made by women and second, the study of how female characters are treated on the screen—by female and male directors. Bringing together both scholarly trends, this volume explores the complex modalities of female agency developed in recent films directed by women in Latin America, through innovative aesthetic and discursive strategies. Moving beyond consideration of visibility or representation, a diverse body of contributors in this book look for expressions of agency in the films’ gaze, their affective depth, the forms of care they bring to the fore, how they highlight their characters’ desires and subjectivities, and the bodily and sensorial experiences they convey. María Helena Rueda is a Professor of Spanish and Latin American Studies at Smith College, USA. Her publications focus on contemporary Latin American literature and film, particularly from Colombia, Chile, and Peru. Vania Barraza is a Professor of Spanish at the University of Memphis, USA. Her publications focus on the literature and culture of Latin America, particularly Chile, with an emphasis on film, gender, and sexuality studies.
650 #0 - SUBJECT ADDED ENTRY--TOPICAL TERM
Topical term or geographic name as entry element
9 (RLIN) 69734
650 #0 - SUBJECT ADDED ENTRY--TOPICAL TERM
Topical term or geographic name as entry element
9 (RLIN) 66477
650 #0 - SUBJECT ADDED ENTRY--TOPICAL TERM
Topical term or geographic name as entry element
9 (RLIN) 58496
650 14 - SUBJECT ADDED ENTRY--TOPICAL TERM
Topical term or geographic name as entry element
9 (RLIN) 69735
650 24 - SUBJECT ADDED ENTRY--TOPICAL TERM
Topical term or geographic name as entry element
9 (RLIN) 66478
650 24 - SUBJECT ADDED ENTRY--TOPICAL TERM
Topical term or geographic name as entry element
9 (RLIN) 69726
700 1# - ADDED ENTRY--PERSONAL NAME
Personal name Barraza, Vania.
Relator term editor.
Relator code edt
-- http://id.loc.gov/vocabulary/relators/edt
9 (RLIN) 89422
700 1# - ADDED ENTRY--PERSONAL NAME
Personal name Rueda, María Helena.
Relator term editor.
Relator code edt
-- http://id.loc.gov/vocabulary/relators/edt
9 (RLIN) 89423
710 2# - ADDED ENTRY--CORPORATE NAME
Corporate name or jurisdiction name as entry element SpringerLink (Online service)
773 0# - HOST ITEM ENTRY
Title Springer Nature eBook
776 08 - ADDITIONAL PHYSICAL FORM ENTRY
Relationship information Printed edition:
International Standard Book Number 9783031725999
776 08 - ADDITIONAL PHYSICAL FORM ENTRY
Relationship information Printed edition:
International Standard Book Number 9783031726019
776 08 - ADDITIONAL PHYSICAL FORM ENTRY
Relationship information Printed edition:
International Standard Book Number 9783031726026
830 #0 - SERIES ADDED ENTRY--UNIFORM TITLE
Uniform title Global Cinema,
International Standard Serial Number 2634-596X
9 (RLIN) 89424
856 40 - ELECTRONIC LOCATION AND ACCESS
Uniform Resource Identifier <a href="https://doi.org/10.1007/978-3-031-72600-2">https://doi.org/10.1007/978-3-031-72600-2</a>
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-- ZDB-2-SLS
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-- ZDB-2-SXS

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