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Marxism and the Moral Basis of Art (Record no. 66701)

MARC details
000 -LEADER
fixed length control field 03993nam a22005415i 4500
001 - CONTROL NUMBER
control field 978-3-031-57555-6
003 - CONTROL NUMBER IDENTIFIER
control field DE-He213
005 - DATE AND TIME OF LATEST TRANSACTION
control field 20251030114942.0
007 - PHYSICAL DESCRIPTION FIXED FIELD--GENERAL INFORMATION
fixed length control field cr nn 008mamaa
008 - FIXED-LENGTH DATA ELEMENTS--GENERAL INFORMATION
fixed length control field 250215s2024 sz | s |||| 0|eng d
020 ## - INTERNATIONAL STANDARD BOOK NUMBER
International Standard Book Number 9783031575556
-- 978-3-031-57555-6
024 7# - OTHER STANDARD IDENTIFIER
Standard number or code 10.1007/978-3-031-57555-6
Source of number or code doi
050 #4 - LIBRARY OF CONGRESS CALL NUMBER
Classification number B65
072 #7 - SUBJECT CATEGORY CODE
Subject category code HPS
Source bicssc
072 #7 - SUBJECT CATEGORY CODE
Subject category code PHI019000
Source bisacsh
072 #7 - SUBJECT CATEGORY CODE
Subject category code QDTS
Source thema
100 1# - MAIN ENTRY--PERSONAL NAME
Personal name Fischer, Norman Arthur.
Relator term author.
Relator code aut
-- http://id.loc.gov/vocabulary/relators/aut
9 (RLIN) 90780
245 10 - TITLE STATEMENT
Title Marxism and the Moral Basis of Art
Medium [electronic resource] :
Remainder of title Lukács and German Idealist Art Theory /
Statement of responsibility, etc. by Norman Arthur Fischer.
250 ## - EDITION STATEMENT
Edition statement 1st ed. 2024.
264 #1 - PRODUCTION, PUBLICATION, DISTRIBUTION, MANUFACTURE, AND COPYRIGHT NOTICE
Place of production, publication, distribution, manufacture Cham :
Name of producer, publisher, distributor, manufacturer Springer Nature Switzerland :
-- Imprint: Palgrave Macmillan,
Date of production, publication, distribution, manufacture, or copyright notice 2024.
300 ## - PHYSICAL DESCRIPTION
Extent X, 284 p.
Other physical details online resource.
336 ## - CONTENT TYPE
Content type term text
Content type code txt
Source rdacontent
337 ## - MEDIA TYPE
Media type term computer
Media type code c
Source rdamedia
338 ## - CARRIER TYPE
Carrier type term online resource
Carrier type code cr
Source rdacarrier
347 ## - DIGITAL FILE CHARACTERISTICS
File type text file
Encoding format PDF
Source rda
505 0# - FORMATTED CONTENTS NOTE
Formatted contents note Chapter 1 Introduction -- Part I Georg Lukács’ Concept of Links between Ethics and Aesthetics in his 1933-1940 concept of Realistic Historical Novels -- Chapter 2 The Hegelian Ethical and Aesthetic Context of Lukács’ Concept of Historical and Social Aesthetic Realism -- Chapter 3 The Hegelian and Schillerian Context of Lukács’ Concept of Aesthetic Realism and Historical Novels about Class -- Chapter 4 The Hegelian Context of Lukács’ Concept of Aesthetic Realism and Historical Novels about Tyranny and Class -- Part II Romantic Marxist Art Theory’s use of Nineteenth Century Idealistic German Art Theory, Particularly Hegel’s and Schiller’s -- Chapter 5 Lucien Goldmann and Romantic Marxist Realistic Aesthetics -- Chapter 6 Herbert Marcuse and Romantic Marxist Negation and Formalist Aesthetics.
520 ## - SUMMARY, ETC.
Summary, etc. This book develops a moral Marxist aesthetics based on the work of Georg Lukács, Lucien Goldmann and Herbert Marcuse, and grounded in the aesthetic theories of German Idealist philosophers such as Hegel and Schiller. This moral-aesthetics takes three forms. The first is social and historical realism, as in Lukács and Goldmann. This is an aesthetics which fundamentally places the work of art within reality, particularly social and historical reality. The second aesthetics is utopian negation theory, and the third is formalism. The book pays special attention to Lukács’ concept of realistic historical novels, which he develops through the analysis of historical novels by Walter Scott, Honore de Balzac and Heinrich Mann. This theory of aesthetic realism is, as the book argues, grounded in Lukács’ reading of Hegel. The book concludes by offering fresh interpretations of the moral basis of Goldmann’s romantic realism in The Hidden God, and Marcuse’s emphasis on art as form and utopiannegation of reality in The Aesthetic Dimension. Norman Arthur Fischer was Professor of Philosophy from Kent State University until his retirement. Since then, he has been active as a public philosopher in his local community in Vermont.
650 #0 - SUBJECT ADDED ENTRY--TOPICAL TERM
Topical term or geographic name as entry element
General subdivision Philosophy.
9 (RLIN) 57588
650 #0 - SUBJECT ADDED ENTRY--TOPICAL TERM
Topical term or geographic name as entry element
9 (RLIN) 66476
650 #0 - SUBJECT ADDED ENTRY--TOPICAL TERM
Topical term or geographic name as entry element
9 (RLIN) 58083
650 #0 - SUBJECT ADDED ENTRY--TOPICAL TERM
Topical term or geographic name as entry element
9 (RLIN) 90781
650 14 - SUBJECT ADDED ENTRY--TOPICAL TERM
Topical term or geographic name as entry element
9 (RLIN) 66964
650 24 - SUBJECT ADDED ENTRY--TOPICAL TERM
Topical term or geographic name as entry element
9 (RLIN) 66476
650 24 - SUBJECT ADDED ENTRY--TOPICAL TERM
Topical term or geographic name as entry element
9 (RLIN) 58083
650 24 - SUBJECT ADDED ENTRY--TOPICAL TERM
Topical term or geographic name as entry element
9 (RLIN) 90782
710 2# - ADDED ENTRY--CORPORATE NAME
Corporate name or jurisdiction name as entry element SpringerLink (Online service)
773 0# - HOST ITEM ENTRY
Title Springer Nature eBook
776 08 - ADDITIONAL PHYSICAL FORM ENTRY
Relationship information Printed edition:
International Standard Book Number 9783031575549
776 08 - ADDITIONAL PHYSICAL FORM ENTRY
Relationship information Printed edition:
International Standard Book Number 9783031575563
776 08 - ADDITIONAL PHYSICAL FORM ENTRY
Relationship information Printed edition:
International Standard Book Number 9783031575570
856 40 - ELECTRONIC LOCATION AND ACCESS
Uniform Resource Identifier <a href="https://doi.org/10.1007/978-3-031-57555-6">https://doi.org/10.1007/978-3-031-57555-6</a>
912 ## -
-- ZDB-2-REP
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-- ZDB-2-SXPR

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