How the world listens : (Record no. 67424)
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| 000 -LEADER | |
|---|---|
| fixed length control field | 07264cam a2200553 i 4500 |
| 001 - CONTROL NUMBER | |
| control field | 9781003178705 |
| 003 - CONTROL NUMBER IDENTIFIER | |
| control field | FlBoTFG |
| 005 - DATE AND TIME OF LATEST TRANSACTION | |
| control field | 20251030122229.0 |
| 006 - FIXED-LENGTH DATA ELEMENTS--ADDITIONAL MATERIAL CHARACTERISTICS | |
| fixed length control field | m o d |
| 007 - PHYSICAL DESCRIPTION FIXED FIELD--GENERAL INFORMATION | |
| fixed length control field | cr cnu|||unuuu |
| 008 - FIXED-LENGTH DATA ELEMENTS--GENERAL INFORMATION | |
| fixed length control field | 220801s2023 enka gob 001 0 eng d |
| 040 ## - CATALOGING SOURCE | |
| Original cataloging agency | OCoLC-P |
| Language of cataloging | eng |
| Description conventions | rda |
| -- | pn |
| Transcribing agency | OCoLC-P |
| 020 ## - INTERNATIONAL STANDARD BOOK NUMBER | |
| International Standard Book Number | 9781003178705 |
| Qualifying information | (electronic bk.) |
| 020 ## - INTERNATIONAL STANDARD BOOK NUMBER | |
| International Standard Book Number | 1003178707 |
| Qualifying information | (electronic bk.) |
| 020 ## - INTERNATIONAL STANDARD BOOK NUMBER | |
| Canceled/invalid ISBN | 9781032014531 |
| 020 ## - INTERNATIONAL STANDARD BOOK NUMBER | |
| International Standard Book Number | 9781000653601 |
| Qualifying information | (electronic bk. : EPUB) |
| 020 ## - INTERNATIONAL STANDARD BOOK NUMBER | |
| International Standard Book Number | 1000653609 |
| Qualifying information | (electronic bk. : EPUB) |
| 020 ## - INTERNATIONAL STANDARD BOOK NUMBER | |
| Canceled/invalid ISBN | 9781032015668 |
| 020 ## - INTERNATIONAL STANDARD BOOK NUMBER | |
| International Standard Book Number | 9781000653540 |
| Qualifying information | (electronic bk. : PDF) |
| 020 ## - INTERNATIONAL STANDARD BOOK NUMBER | |
| International Standard Book Number | 1000653544 |
| Qualifying information | (electronic bk. : PDF) |
| 024 7# - OTHER STANDARD IDENTIFIER | |
| Standard number or code | 10.4324/9781003178705 |
| Source of number or code | doi |
| 035 ## - SYSTEM CONTROL NUMBER | |
| System control number | (OCoLC)1338040070 |
| 035 ## - SYSTEM CONTROL NUMBER | |
| System control number | (OCoLC-P)1338040070 |
| 050 #4 - LIBRARY OF CONGRESS CALL NUMBER | |
| Classification number | QC225.7 |
| 072 #7 - SUBJECT CATEGORY CODE | |
| Subject category code | SCI |
| Subject category code subdivision | 001000 |
| Source | bisacsh |
| 072 #7 - SUBJECT CATEGORY CODE | |
| Subject category code | TEC |
| Subject category code subdivision | 001000 |
| Source | bisacsh |
| 072 #7 - SUBJECT CATEGORY CODE | |
| Subject category code | UYU |
| Source | bicssc |
| 100 1# - MAIN ENTRY--PERSONAL NAME | |
| Personal name | Garner, Tom |
| Fuller form of name | (Tom Alexander), |
| Relator term | author. |
| 9 (RLIN) | 92913 |
| 245 10 - TITLE STATEMENT | |
| Title | How the world listens : |
| Remainder of title | the human relationship with sound across the world / |
| Statement of responsibility, etc. | Tom A. Garner. |
| 264 #1 - PRODUCTION, PUBLICATION, DISTRIBUTION, MANUFACTURE, AND COPYRIGHT NOTICE | |
| Place of production, publication, distribution, manufacture | London : |
| Name of producer, publisher, distributor, manufacturer | Focal Press, |
| Date of production, publication, distribution, manufacture, or copyright notice | 2023. |
| 300 ## - PHYSICAL DESCRIPTION | |
| Extent | 1 online resource (xvi, 228 pages) : |
| Other physical details | illustrations. |
| 336 ## - CONTENT TYPE | |
| Content type term | text |
| Content type code | txt |
| Source | rdacontent |
| 337 ## - MEDIA TYPE | |
| Media type term | computer |
| Media type code | c |
| Source | rdamedia |
| 338 ## - CARRIER TYPE | |
| Carrier type term | online resource |
| Carrier type code | cr |
| Source | rdacarrier |
| 490 1# - SERIES STATEMENT | |
| Series statement | Sound design |
| 500 ## - GENERAL NOTE | |
| General note | "A Focal Press book." |
| 520 ## - SUMMARY, ETC. | |
| Summary, etc. | How the World Listens explores our everyday and professional interactions with sound. The book aims to uncover the human relationship with sound across the world and to reveal practical ways in which a better understanding of listening can help us in our daily lives. This book asks how sound is perceived, expressed and interacted with in both remarkably similar and dramatically different ways across the world. Using findings from a new scientific study, conducted exclusively for this book, we embark on a globe-trotting adventure across more than thirty countries, through exclusive interviews with more than fifty individuals from all walks of life, from acousticians and film composers to human resource managers and costumiers. How the World Listens is essential reading for anyone with an interest in human relationships with sound, including but not limited to sound design and music composition professionals, teachers and researchers. |
| 505 0# - FORMATTED CONTENTS NOTE | |
| Formatted contents note | CONTENTSList of Figures List of TablesAcknowledgementsINTRODUCTIONOrigins and precedentThe habitusSociocultural theoryCHAPTER ONE: SOUND AND THEORYAsking the right questionsA (quite) brief review of sound theory & perspectivesWhat is sound?Sound as a soundwaveSound as an object or an event (or both [...] or neither)Extending sound theory even furtherBeyond the acoustic definition What is listening and how is sound controlled?Typologies of listeningThe function of soundAcoustic ecologyChapter One summary: questions begetting questionsCHAPTER TWO: SOUND AND RESEARCHThe madness, the methodology, and the methodThe chain of study design, and its four linksThe research onionApproaching ethnographyQualitative v. quantitativeThe function and values of ethnography (and when to use it)Some key trends in ethnographyAutoethnographyIs ethnography the right choice for studying sound?Making sense of sound studiesEthnomusicology, for a bit of historyDoes sound studies actually study sound?Approaching sound studiesSo, you want to do some interviews?When and how to use an interviewThe ethnographic interviewAnalysing interview resultsHow can technology help?The chosen methodChapter Two summary: So, how did it all go then?CHAPTER THREE: SOUND AND MEANINGImmediate reactionsEmergent themesObjective aspects of soundMeaning through definitionPerceptual responsesImmersion and persistence in soundThe listenerFunctions and valuesThe affordances of soundThe value of soundAffect and identityFeeling and the emotional aspects of soundMusic, affect, and identitySound and spiritualityMeaning through workChapter Three summary: the meaning of sound's meaningCHAPTER FOUR: SOUND AND CULTUREThemes of culture and sound in researchEarlier research More contemporary perspectivesHow should we be defining 'culture'?Initial thoughts from the interviewsShort and sweet responsesDetailed, and a little more intimateEmerging topics for further discussionThe sound of coffeeSynaesthesiaMusic and cultureLocal, historical, and seasonal effectsVoice and languageReligion and ceremonyChapter Four summary: not something I normally think about CHAPTER FIVE: SOUND AND PLACEHow does the world sound?Conceptualising the soundscapeContinental soundscapesThe Big IceApplication of soundscape studiesPre-interview observations of sound and placeSome local perspectivesA question of sportThe quiet revolution of electric vehiclesApplication of soundscape studiesEurope and the Russian federationSonic boundaries and the sounds of city and countrysideMeteorological effectsAsia and OceaniaDefining the Eastern soundscapeDifferent beeps and louder dogsSoundscapes and routineCommon features, topology, and long-term human influencesThe AmericasBiodiversity and the effects of migrationThe calls of commerceAfricaTradition and spiritualityTransportationA brief epilogue: sound everywhere and nowhereChapter Five summary: there's a lot going onCHAPTER SIX: SOUND AND EVERYDAY EXPERIENCEHow does sound function in your everyday life?Background soundSituational awarenessChallenges with soundWhat is your relationship with sound within your home?Outside sound sources and architectural effectsSources of sound from inside the homeSound, stress, anxiety, and relaxation in the homeGood and bad sound in an everyday contextPre-interview observationsThe good, the bad, and the "well, it depends..."The etiquette of soundSound-etiquette in domestic lifeRespectful sound in publicSocial sound and vocal expressionChapter Six summary: who doesn't like the sound of a crow cawing?CHAPTER SEVEN: SOUND AND PROFESSIONAL PRACTICEHow does sound feature in your profession?General functions of sound at workSonic warfareSound professional by industryDigital gamesFilm and theatreSound professionals' relationships with soundAwareness and readiness to captureImpact on everyday enjoyment Changes in perspectivePerceptual effectsCultural factors, expectations, and creative responseCultural effects on practiceUniversality and concerns over detracting from the artDifferent standards and expectations The return of the East-West dichotomyA few further examplesChapter Seven summary: on the verge of global sound?CONCLUSIONFinal answersIs the human relationship with sound different around the world?What did you learn from your autoethnography?Do you still hate qualitative research?Index |
| 588 ## - SOURCE OF DESCRIPTION NOTE | |
| Source of description note | OCLC-licensed vendor bibliographic record. |
| 650 #0 - SUBJECT ADDED ENTRY--TOPICAL TERM | |
| Topical term or geographic name as entry element | |
| 9 (RLIN) | 92914 |
| 650 #0 - SUBJECT ADDED ENTRY--TOPICAL TERM | |
| Topical term or geographic name as entry element | |
| General subdivision | Social aspects. |
| 9 (RLIN) | 92915 |
| 650 #7 - SUBJECT ADDED ENTRY--TOPICAL TERM | |
| Topical term or geographic name as entry element | |
| Source of heading or term | bisacsh |
| 9 (RLIN) | 92916 |
| 650 #7 - SUBJECT ADDED ENTRY--TOPICAL TERM | |
| Topical term or geographic name as entry element | |
| Source of heading or term | bisacsh |
| 9 (RLIN) | 92917 |
| 856 40 - ELECTRONIC LOCATION AND ACCESS | |
| Materials specified | Taylor & Francis |
| Uniform Resource Identifier | <a href="https://www.taylorfrancis.com/books/9781003178705">https://www.taylorfrancis.com/books/9781003178705</a> |
| 856 42 - ELECTRONIC LOCATION AND ACCESS | |
| Materials specified | OCLC metadata license agreement |
| Uniform Resource Identifier | <a href="http://www.oclc.org/content/dam/oclc/forms/terms/vbrl-201703.pdf">http://www.oclc.org/content/dam/oclc/forms/terms/vbrl-201703.pdf</a> |
| 942 ## - ADDED ENTRY ELEMENTS (KOHA) | |
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