Plato’s Styles and Characters [online] : Between Literature and Philosophy / ed. Gabriele Cornelli

Frontmatter Table of Contents Introduction

Plato’s literary style Beyond Language and Literature The Three Waves of Dialectic in the Republic Plato’s Unfinished Trilogy: Timaeus–Critias–Hermocrates The Myth of the Winged Chariot in the Phaedrus: A Vehicle for Philosophical Thinking Perspectivism, Proleptic Writing and Generic agón: Three Readings of the Symposium Plato’s Argumentative Strategies in Theaetetus and Sophist

Other Genres and Traditions Detailed Completeness and Pleasure of the Narrative. Some Remarks on the Narrative Tradition and Plato The meeting scenes in the incipit of Plato’s dialogue The Philosophical Writing and the Drama of Knowledge in Plato Comic Dramaturgy in Plato: Observations from the Ion Amicus Homerus: Allusive Art in Plato’s Incipit to Book X of the Republic (595a–c) Performance and Elenchos in Plato’s Ion Plato and the Catalogue Form in Ion Orphic Aristophanes at Plato’s Symposium Socrates as a physician of the soul The Style of Medical Writing in the Speech of Eryximachus: Imitation and Contamination Gorgias, the eighth orator. Gorgianic echoes in Agathon’s Speech in the Symposium Plato’s Phaedrus: A Play Inside the Play

Plato’s Characters He longs for him, he hates him and he wants him for himself: The Alcibiades Case between Socrates and Plato Five Platonic Characters Who Is Plato’s Callicles and What Does He Teach? Doing business with Protagoras (Prot. 313e): Plato and the Construction of a Character Theaetetus and Protarchus: two philosophical characters or what a philosophical soul should do The Role of Diotima in the Symposium: The Dialogue and Its Double Contributors Citations Index Author Index Subject Index

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