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Third Voice : Modern British and American Drama / Denis Donoghue.

By: Material type: TextTextLanguage: English Series: Princeton Legacy Library ; 2389Publisher: Princeton, NJ : Princeton University Press, [2015]Copyright date: ©2016Description: 1 online resourceContent type:
  • text
Media type:
  • computer
Carrier type:
  • online resource
ISBN:
  • 9781400879267
Subject(s): LOC classification:
  • PR736
Online resources:
Contents:
Frontmatter -- CONTENTS -- INTRODUCTION -- CHAPTER ONE. ON VERSE IN DRAMA: A "NEUTRAL" SURVEY -- CHAPTER TWO. FIVE ANECDOTES TO STAND FOR MANY -- CHAPTER THREE. YEATS AND THE CLEAN OUTLINE -- CHAPTER FOUR. DRAME À THÈSE: AUDEN AND CUMMINGS -- CHAPTER FIVE. T. S. ELIOT AND THE COMPLETE CONSORT: MURDER IN THE CATHEDRAL -- CHAPTER SIX. THE FAMILY REUNION -- CHAPTER SEVEN. THE COCKTAIL PARTY -- CHAPTER EIGHT. THE CONFIDENTIAL CLERK -- CHAPTER NINE. THE ELDER STATESMAN: ELIOT IN FAIR COLONUS -- CHAPTER TEN. ELIOT'S VERSE LINE -- CHAPTER ELEVEN. CHRISTOPHER FRY'S THEATRE OF WORDS -- CHAPTER TWELVE. THE MOOD PLAY IN VERSE: STEVENS, EBERHART, AND MACLEISH -- CHAPTER THIRTEEN. EZRA POUND AND WOMEN OF TRACHIS -- CHAPTER FOURTEEN. RICHARD EBERHART: THE VISIONARY FARMS -- CHAPTER FIFTEEN. ON SPEAKING THE VERSE -- CHAPTER SIXTEEN. THEATRE POETRY AND DRAMATIC VERSE -- ACKNOWLEDGMENTS -- INDEX
Title is part of eBook package: Princeton Legacy Lib. eBook Package 1931-1979Title is part of eBook package: Princeton Legacy Lib. eBook Package LiteratureTitle is part of eBook package: Princeton eBook Package Archive 1931-1999Summary: In this stimulating survey of the entire field of modern English verse drama, William Butler Yeats and T.S. Eliot are regarded as the key figures. Shorter studies are included of Christopher Fry, E.E. Cummings, W.H. Auden, Archibald MacLeish, Ezra Pound, Wallace Stevens, and Richard Eberhart.Differing from some contemporary critics, Mr. Donoghue believes that verse drama is a major creative art-form of our literature, with a vigorous present and promise of a vital future. In a persuasive and perceptive exposition of this belief, he considers such questions as the nature of dramatic verse, the mood play, the relation between dramatic verse and the behavior of speech, the necessity of distinguishing between "verse drama" and "poetic drama" or "theatre poetry."Originally published in 1963.The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.
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Frontmatter -- CONTENTS -- INTRODUCTION -- CHAPTER ONE. ON VERSE IN DRAMA: A "NEUTRAL" SURVEY -- CHAPTER TWO. FIVE ANECDOTES TO STAND FOR MANY -- CHAPTER THREE. YEATS AND THE CLEAN OUTLINE -- CHAPTER FOUR. DRAME À THÈSE: AUDEN AND CUMMINGS -- CHAPTER FIVE. T. S. ELIOT AND THE COMPLETE CONSORT: MURDER IN THE CATHEDRAL -- CHAPTER SIX. THE FAMILY REUNION -- CHAPTER SEVEN. THE COCKTAIL PARTY -- CHAPTER EIGHT. THE CONFIDENTIAL CLERK -- CHAPTER NINE. THE ELDER STATESMAN: ELIOT IN FAIR COLONUS -- CHAPTER TEN. ELIOT'S VERSE LINE -- CHAPTER ELEVEN. CHRISTOPHER FRY'S THEATRE OF WORDS -- CHAPTER TWELVE. THE MOOD PLAY IN VERSE: STEVENS, EBERHART, AND MACLEISH -- CHAPTER THIRTEEN. EZRA POUND AND WOMEN OF TRACHIS -- CHAPTER FOURTEEN. RICHARD EBERHART: THE VISIONARY FARMS -- CHAPTER FIFTEEN. ON SPEAKING THE VERSE -- CHAPTER SIXTEEN. THEATRE POETRY AND DRAMATIC VERSE -- ACKNOWLEDGMENTS -- INDEX

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http://purl.org/coar/access_right/c_16ec

In this stimulating survey of the entire field of modern English verse drama, William Butler Yeats and T.S. Eliot are regarded as the key figures. Shorter studies are included of Christopher Fry, E.E. Cummings, W.H. Auden, Archibald MacLeish, Ezra Pound, Wallace Stevens, and Richard Eberhart.Differing from some contemporary critics, Mr. Donoghue believes that verse drama is a major creative art-form of our literature, with a vigorous present and promise of a vital future. In a persuasive and perceptive exposition of this belief, he considers such questions as the nature of dramatic verse, the mood play, the relation between dramatic verse and the behavior of speech, the necessity of distinguishing between "verse drama" and "poetic drama" or "theatre poetry."Originally published in 1963.The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.

Mode of access: Internet via World Wide Web.

In English.

Description based on online resource; title from PDF title page (publisher's Web site, viewed 08. Jul 2019)

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