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T.S. Eliot's Dramatic Theory and Practice : From Sweeney Agonistes to the Elder Statesman / Carol H. Smith.

By:

Smith, Carol H [author.]

Material type: Text

text

Media type:

computer

Carrier type:

online resource

ISBN:

9781400879403

Subject(s):

LOC classification:

PS3509.L43 Z867eb

Online resources:

Contents:

Frontmatter -- Preface -- Contents -- Chapter I. The Pursuit of Order -- Chapter II. Sweeney Agonistes -- Chapter III. The Rock and Murder in The Cathedral -- Chapter IV. The Family Reunion -- Chapter V. The Cocktail Party -- Chapter VI. The Confidential Clerk -- Chapter VII. The Elder Statesman -- Bibliography -- Index

Title is part of eBook package: Princeton Legacy Lib. eBook Package 1931-1979Title is part of eBook package: Princeton Legacy Lib. eBook Package LiteratureTitle is part of eBook package: Princeton eBook Package Archive 1931-1999Summary: Although there have been innumerable studies of T. S. Eliot, this is the first to examine closely the changes in his dramatic practice and to relate them to his artistic and intellectual development. Professor Smith finds Eliot's dramatic theory rooted in his conception of the need for order in religion and art; she traces this concept as it evolved from the overtly religious The Rock and Murder in the Cathedral through such symbolic drawing-room plays as The Family Reunion, The Cocktail Party, and The Confidential Clerk, to Eliot's latest study of human and divine love in The Elder Statesman. Carol H. Smith explores Eliot's interest in the jazz rhythms of the English music hall, in the mythical method of Yeats and Joyce, and in the work of the Cambridge School of Classical Anthropology.Originally published in 1963.The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.

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Although there have been innumerable studies of T. S. Eliot, this is the first to examine closely the changes in his dramatic practice and to relate them to his artistic and intellectual development. Professor Smith finds Eliot's dramatic theory rooted in his conception of the need for order in religion and art; she traces this concept as it evolved from the overtly religious The Rock and Murder in the Cathedral through such symbolic drawing-room plays as The Family Reunion, The Cocktail Party, and The Confidential Clerk, to Eliot's latest study of human and divine love in The Elder Statesman. Carol H. Smith explores Eliot's interest in the jazz rhythms of the English music hall, in the mythical method of Yeats and Joyce, and in the work of the Cambridge School of Classical Anthropology.Originally published in 1963.The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.

Mode of access: Internet via World Wide Web.

In English.

Description based on online resource; title from PDF title page (publisher's Web site, viewed 08. Jul 2019)

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