05781nam a22005175i 4500001001800000003000900018005001700027007001500044008004100059020003700100024003500137050001000172072001600182072002300198072001600221245016700237250001800404264008500422300004400507336002600551337002600577338003600603347002400639505200300663520181902666650004004485650001604525650004204541650003904583650002904622650002704651650002904678650002804707700008904735700009504824700008504919710003405004773002605038776003605064776003605100776003605136856004605172912001405218912001405232999001705246978-3-031-40795-6DE-He21320251030110836.0cr nn 008mamaa231122s2024    sz |    s    |||| 0|eng d  a97830314079569978-3-031-40795-67 a10.1007/978-3-031-40795-62doi 4aHM623 7aJFC2bicssc 7aSOC0020102bisacsh 7aJBCC2thema10aRethinking Identities Across Boundariesh[electronic resource] :bGenders/Genres/Genera /cedited by Claudia Capancioni, Mariaconcetta Costantini, Mara Mattoscio.  a1st ed. 2024. 1aCham :bSpringer International Publishing :bImprint: Palgrave Macmillan,c2024.  aXVII, 303 p. 4 illus.bonline resource.  atextbtxt2rdacontent  acomputerbc2rdamedia  aonline resourcebcr2rdacarrier  atext filebPDF2rda0 a 1 Bordering Genders, Genres, Genera: An Introduction Claudia Capancioni, Mariaconcetta Costantini, and Mara Mattoscio -- 2 Biometric Technologies, Gendered Subjectivities, and Artistic Resistance C.L. Quinan -- 3 ‘My tongue doesn’t believe in boundaries’: A®tivism Across the US/Mexico Border Lorena Carbonara and Dora Renna -- 4 Migrant Women’s Documentary Filmmaking: Shifting Positionalities and Precarious Creativity in the Experience of Five Latin American Directors Dalila Missero -- 5 ‘I’ve always thought that we are living on the cowhide’: Chen Li’s Edge as Method and Border-Queering in The Edge of the Island Li-hsin Hsu -- 6 Crossing the Borders of Genders and Genres: Akwaeke Emezi’s Freshwater as a World-Making Narrative of Identity Reaffirmation Alessandra Di Pietro -- 7 Mobility, Belonging and the Utopia of a Borderless World: A Spatial and Identitarian Reading of Imbolo Mbue’s Behold theDreamers Mariaconcetta Costantini -- 8 ‘Violent Conclusions’ versus ‘Hopeful Returns’: Zadie Smith’s The Embassy of Cambodia and the Performative Border-Crossing of the Narrative Voice Mara Mattoscio -- 9 Morphing Forms: Metamorphosis in Twenty-First Century British Women’s Experimental Short Fiction Helen Cousins -- 10 ‘This particular art [is] all about walls’: Nomadic Poetics of Identity in Ali Smith’s How to be both Claudia Capancioni -- 11 Oblique Emotions and Border Intimacies in Dionne Brand’s Theory Libe García Zarranz 12 An Unresolved Crossing: David Foster Wallace’s ‘Oblivion’ Adriano Ardovino and Pia Masiero -- 13 Crossing Gender: Andy Warhol’s Candy Darling, America and Angela Carter’s The Passion of New Eve Marie Mulvey-Roberts -- 14 Genders, GYnealogies, GYne(co)alogies of Decolonial Geo-thalasso-corpographies: A Theoretical Reflection on Interconnectedness in Gender Configurations Paola Zaccaria -- 15 Spivak and Sontag: Deconstructing Borders Through a Philosophical Appraisal of Literature Chiara Scarlato.  a This collection of essays aims to widen the current critique on borders by examining their entanglements with constructions of identity and disciplinary categories. In particular, it calls into question established models of gender, notions of narrative genres and typological genera of borders in today’s literary, artistic, philosophical, and socio-political discourse. The chapters interrogate boundaries and boundary-crossing not only in terms of geographical frontiers and the physical acts of trespassing, but also as discursive constructs that police crossing subjects as gendered subjects, on the one hand, and identify artistic genres and academic disciplines as fixed, sealed-in ways of understanding the world, on the other. Taking inspiration from the multiple meanings of the Italian word genere (which stands for “gender”, “genre”, and “typology”/“genus” simultaneously), the volume reflects on the gendered, narrative, and typological nature of borders and border imagery, and on the significance and potentialities of crossover phenomena taking place in borderlands, in the fields of arts, literature, anthropology, sociology and philosophy. Claudia Capancioni is Reader in English Literature at Bishop Grosseteste University, UK. She specialises in Victorian and contemporary women writers, life and travel writing, and gender studies. Mariaconcetta Costantini is Full Professor of English Literature at G. d’Annunzio University of Chieti-Pescara, Italy. She specialises in Victorian and contemporary literature, especially in popular fiction, women writers, and the Gothic. Mara Mattoscio teaches English Literature and Culture at the University of Macerata, Italy. She specialises in Anglophone postcolonial literature and film, race and gender studies, and critical theory. 0aCulturexStudy and teaching.966082 0aSex.966477 0aGender identity in mass media.967417 0aEmigration and immigration.95811314aCultural Studies.95874524aGender Studies.96647824aMedia and Gender.96741824aHuman Migration.9673231 aCapancioni, Claudia.eeditor.4edt4http://id.loc.gov/vocabulary/relators/edt9674191 aCostantini, Mariaconcetta.eeditor.4edt4http://id.loc.gov/vocabulary/relators/edt9674201 aMattoscio, Mara.eeditor.4edt4http://id.loc.gov/vocabulary/relators/edt9674212 aSpringerLink (Online service)0 tSpringer Nature eBook08iPrinted edition:z978303140794908iPrinted edition:z978303140796308iPrinted edition:z978303140797040uhttps://doi.org/10.1007/978-3-031-40795-6  aZDB-2-LCM  aZDB-2-SXL  c56599d56599