05838nam a22005415i 4500001001800000003000900018005001700027007001500044008004100059020003700100024003500137050001000172072001600182072002300198072001600221245022300237250001800460264008500478300004600563336002600609337002600635338003600661347002400697490004500721505132000766520235302086650004704439650004204486650002004528650001804548650003304566650002404599650002404623700008304647700008604730700008404816700008504900710003404985773002605019776003605045776003605081776003605117830005205153856004605205912001405251912001405265999001705279978-3-031-40017-9DE-He21320251030110842.0cr nn 008mamaa231128s2024    sz |    s    |||| 0|eng d  a97830314001799978-3-031-40017-97 a10.1007/978-3-031-40017-92doi 4aGT525 7aJFC2bicssc 7aSOC0320002bisacsh 7aJBCC2thema10aWearable Objects and Curative Thingsh[electronic resource] :bMaterialist Approaches to the Intersections of Fashion, Art, Health and Medicine /cedited by Dawn Woolley, Fiona Johnstone, Ellen Sampson, Paula Chambers.  a1st ed. 2024. 1aCham :bSpringer International Publishing :bImprint: Palgrave Macmillan,c2024.  aXVIII, 343 p. 46 illus.bonline resource.  atextbtxt2rdacontent  acomputerbc2rdamedia  aonline resourcebcr2rdacarrier  atext filebPDF2rda1 aPalgrave Studies in Fashion and the Body0 a Introduction -- 1. Collaborating -- 1.1. Jana Melkumova-Reynolds, On Crutches, Choreography and (Crip) Care: Curative objects and palliative things in two performance pieces. -1.2. Emily Beaney, Breaking the Fall -- 1.3. Alison L Goodrum, Sitting Pretty: A dress history of the side-saddle habit, ‘L’-shape design and adaptive wearables -- 1.4. Sonia Bernac, The Itches: embodiment in in the age of technological entanglement -- 2. Covering -- 2.1. Christopher M. Rudeen, Securing a Place in the Sun: Clothing, Exposure, and Health -- 2.2 -- Andrew Groves, Palliative Prototypes or Therapeutic Functionality? Examining C.P. Company’s Urban Protection Collection -- 2.3. Rosie Broadhead, Skin and textile interaction and the future of fashion as therapeutics -- 3. Controlling -- 3.1. Dawn Woolley, Desire Lines: Quantified-Self-Portraits produced with a fitness tracking watch -- 3.2. Alanna McKnight, “Health, Comfort, and Elegance”: The Shocking Trend of Electric Corsets -- 3.3. Lucie Armstrong, Office Exercises -- 4 Communicatin -- 4.1. Garry Barker, Votives and charms: materialising health-related narratives through “sacred” objects -- 4.2 Katharina Ludwig, (Ad)Dressing Wounds -- 4.3 Anna Jamieson, Crazy Jane Hats and Maria Medallions: Consuming, Collecting and Containing Love’s Madness.  a This book explores the intersections between wearable objects and human health, with particular emphasis on how artists and designers are creatively responding to and rethinking these relations. Addressing a rich range of wearable artefacts, from mobility aids and prosthetics to clothing and accessories to digital health tracking devices, its themes include care and cure; wellness culture and the commoditization of health; and the complex interactions between (human) bodies and (non-human) objects. With a theoretical framework inspired by the work of materialist thinkers including Sherry Turkle, Bruno Latour and Jane Bennett, and bringing the disciplinary fields of fashion studies, art and design practice, and medical and health humanities into dialogue for the first time, this volume draws attention to the complex agencies entangled in the things we wear, and situates fashion and art in relation to broader cultural and historical contexts of health, illness and disability. Dawn Woolley is an artist and Research Fellow at Leeds Arts University, UK. Her book Consuming the Body: Capitalism, Social Media and Commodification was published in 2023. Recent solo exhibitions include “Joy and Revolution: Rebel Selves” at Diskurs Gallery, Berlin (2023); and “Consumed: Stilled Lives” at bildkultur Gallery, Stuttgart (2022) and Perth Centre for Photography, Australia (2021). Fiona Johnstone is Assistant Professor in Visual Medical Humanities at Durham University, UK. She is the author of AIDS & Representation (2023) and the co-editor of Anti-Portraiture (2020) and Art & the Critical Medical Humanities (forthcoming). Ellen Sampson is an artist and Senior Research Fellow in Design at Northumbria University, UK. Her book Worn: Footwear Attachment and the Affects of Wear was published in 2020. She is co-founder of the Fashion Research Network, an interdisciplinary network for scholars working on fashion, textiles and dress. Paula Chambers is Subject Leader in Fine Art at Leeds Arts University, UK. Recent exhibitions include “Inconvenient Bodies” at Hošek Contemporary, Berlin (2023) and “Material Nomads” as part of Momentum 12, Moss, Norway (2023). She has chapters included in Feminist Art Activisms and Artivisms (2020), Feminist Visual Activism and the Body (2021) and An Artist and a Mother (2023). 0aClothing and dressxSocial aspects.966805 0aHuman body in popular culture.966806 0aSocial service. 0aMedical care.14aFashion and the Body.96680824aSocial Care.96762524aHealth Care.9665631 aWoolley, Dawn.eeditor.4edt4http://id.loc.gov/vocabulary/relators/edt9676261 aJohnstone, Fiona.eeditor.4edt4http://id.loc.gov/vocabulary/relators/edt9676271 aSampson, Ellen.eeditor.4edt4http://id.loc.gov/vocabulary/relators/edt9676281 aChambers, Paula.eeditor.4edt4http://id.loc.gov/vocabulary/relators/edt9676292 aSpringerLink (Online service)0 tSpringer Nature eBook08iPrinted edition:z978303140016208iPrinted edition:z978303140018608iPrinted edition:z9783031400193 0aPalgrave Studies in Fashion and the Body96763040uhttps://doi.org/10.1007/978-3-031-40017-9  aZDB-2-LCM  aZDB-2-SXL  c56661d56661