05084nam a22005055i 4500001001800000003000900018005001700027007001500044008004100059020003700100024003500137050001600172072001500188072002300203072001500226245017400241250001800415264008500433300006500518336002600583337002600609338003600635347002400671505131200695520185402007650002003861650002903881650002703910650003303937650006103970650002804031650003004059650005404089700008604143700009004229710003404319773002604353776003604379776003604415776003604451856004604487912001404533912001404547999001704561978-3-031-39318-1DE-He21320251030110845.0cr nn 008mamaa231201s2024    sz |    s    |||| 0|eng d  a97830313931819978-3-031-39318-17 a10.1007/978-3-031-39318-12doi 4aPN2000-3307 7aAN2bicssc 7aPER0110002bisacsh 7aATD2thema10aDramaturgies of Warh[electronic resource] :bInstitutional Dramaturgy, Politics, and Conflict in 20th-Century Germany /cedited by Anselm Heinrich, Ann-Christine Simke.  a1st ed. 2024. 1aCham :bSpringer International Publishing :bImprint: Palgrave Macmillan,c2024.  aXVII, 279 p. 19 illus., 2 illus. in color.bonline resource.  atextbtxt2rdacontent  acomputerbc2rdamedia  aonline resourcebcr2rdacarrier  atext filebPDF2rda0 aChapter-1: Introduction -- Part One: Dramaturgical Contexts: Institutionalised Ideologies -- Chapter 2 - Institutional Dramaturgy at Deutsches Theater Berlin - Ann-Christine Simke -- Chapter 3 - National Dramaturg Rainer Schlösser and German Theatre after 1933 - Gerwin Strobl -- Chapter 4 - Implementing Germanic Repertoires – Institutional Dramaturgy during WWII - Anselm Heinrich -- Chapter 5 - Brecht’s Performance Theories in Post- war Germany - Ramona Mosse -- Chapter 6 - Cold War Dramaturgies: Institution and Ideology in 1950s German Theatre - Michael Bachmann -- Part Two: Institutional Infrastructures: Theatres of Oppression -- Chapter 7 - Theatre Poznań/Posen (Poland) - Alexander Weigel -- Chapter 8 - Theatre Maribor/Marburg (Slovenia) - Matjaz Birk -- Chapter 9 - Theatre in Prague - Volker Mohn -- Chapter 10 - Theatre in Oslo - Anselm Heinrich -- Part Three: Performance Practice: Dramaturgy and the Aesthetics of War- Chapter 11 - In the OpenAir: Shell Shock Theatre - Evelyn Annuss -- Chapter 12 - Berlin – Amsterdam – Westerbork: Revue and the Aesthetics of War: Veronika Zangl -- Chapter 13 - Theatre under the NS regime in Austria: Theatrical activities in Crisis Situations - Brigitte Dalinger -- Chapter 14 - Spanish classical theatre during Third Reich - John London. .  aThis book examines the institutional contexts of dramaturgical practices in the changing political landscape of 20th century Germany. Through wide-ranging case studies, it discusses the way in which operationalised modes of action, legal frameworks and an established profession have shaped dramaturgical practice and thus links to current debates around the “institutional turn” in theatre and performance studies. German theatre represents a rich and well-chosen field as it is here where the role of the dramaturg was first created and where dramaturgy played a significantly politicised role in the changing political systems of the 20th century. The volume represents an important addition to a growing field of work on dramaturgy by contributing to a historical contextualisation of current practice. In doing so, it understands dramaturgy not only as a process which occurs in rehearsal rooms and writers’ studies, but one that has far wider institutional and political implications. Anselm Heinrich is a Professor of Theatre Studies at the University of Glasgow. His books include Entertainment, Education, Propaganda (2007), Theater in der Region (2012), Theatre in Europe Under German Occupation (2017), and a volume on Ruskin, The Theatre, and Victorian Visual Culture (2009). He is currently under contract for a monograph on theatre in Britain during WWII. He has held research fellowships at Harvard, Oxford and Marburg. Ann-Christine Simke is a Lecturer in Performance at the University of the West of Scotland. She recently published the article “Forensic Architecture in the Theatre and the Gallery: A Reflection on Counter hegemonic Potentials and Pitfalls of Art Institutions” (with Anika Marschall, 2022) and is currently under contract for a co-authored (with Anika Marschall) book on intersectional theatre practices. 0aTheater.966691 0aTheaterxHistory.966689 0aWorld politics.958105 0aWorld War, 1939-1945.96781614aGlobal and International Theatre and Performance.96669624aTheatre History.96669324aPolitical History.96781724aHistory of World War II and the Holocaust.9678181 aHeinrich, Anselm.eeditor.4edt4http://id.loc.gov/vocabulary/relators/edt9678191 aSimke, Ann-Christine.eeditor.4edt4http://id.loc.gov/vocabulary/relators/edt9678202 aSpringerLink (Online service)0 tSpringer Nature eBook08iPrinted edition:z978303139317408iPrinted edition:z978303139319808iPrinted edition:z978303139320440uhttps://doi.org/10.1007/978-3-031-39318-1  aZDB-2-LCM  aZDB-2-SXL  c56709d56709