04343nam a22004695i 4500001001800000003000900018005001700027007001500044008004100059020001800100024003500118050001600153072001700169072002300186072001600209100007800225245015800303250001800461264007900479300004200558336002600600337002600626338003600652347002400688490004800712505036600760520226401126650001903390650002403409650003103433650001903464650002803483650002203511700007803533710003403611773002603645776003603671776003603707776003603743830004803779856004603827978-3-031-43965-0DE-He21320251030110900.0cr nn 008mamaa231227s2024 sz | s |||| 0|eng d a97830314396507 a10.1007/978-3-031-43965-02doi 4aML3469-3543 7aAVGN2bicssc 7aMUS0290002bisacsh 7aAVLP2thema1 aBonini, Tiziano.eauthor.4aut4http://id.loc.gov/vocabulary/relators/aut10aPlatformed! How Streaming, Algorithms and Artificial Intelligence are Shaping Music Culturesh[electronic resource] /cby Tiziano Bonini, Paolo Magaudda. a1st ed. 2024. 1aCham :bSpringer Nature Switzerland :bImprint: Palgrave Macmillan,c2024. aIX, 164 p. 1 illus.bonline resource. atextbtxt2rdacontent acomputerbc2rdamedia aonline resourcebcr2rdacarrier atext filebPDF2rda1 aPop Music, Culture and Identity,x2634-66210 a1. Introduction: How Digital Platforms are Changing Music -- 2. Streaming: Where it Comes From -- 3. Platforms: Why Music Depends on Them -- 4. Algorithms: Who Selects Music for Us -- 5. Listeners: How They Shape Music Consumption Practices -- 6. Artificial Intelligence: Where the Music of the Future is Heading -- 7. Conclusions: What is the Value of Music. . a"Magaudda and Bonini present a look into digital platforms that will change the conversation about how platforms operate. Instead of assuming that platforms are neutral, Magaudda and Bonini show that platforms are embedded in networks of people. As a result, they show how platforms have become the new gatekeepers for cultural content. This book will change the way we think about platforms for years to come." —David Arditi, Associate Professor of Sociology at the University of Texas at Arlington, USA "Magaudda and Bonini are two of the most prolific and thoughtful scholars on the topic of music and technology. In this book they provide insight into how streaming platforms are shaping music production and consumption cultures. This book will help us better grasp how we can intervene in creating a music ecosystem that benefits everyone.” —Robert Prey, Assistant Professor at the Center for Media and Journalism Studies, University of Groningen, Netherlands Grounded in more than a decade of field research, this book uses empirical examples, quantitative data, and qualitative interviews with young music consumers as well as music industry professionals to understand how the platforms behind music production, distribution and listening work in our digital society. Bringing together the perspectives from science and technology studies, media studies, and the political economy of digital platforms, the book outlines the process of mutual construction between music digital platforms and the cultural value of music in today’s society, and also reflects on the complicated relationship between the power of platforms and the agency of listeners. Tiziano Bonini is Associate Professor in Sociology of Culture and Communication at the University of Siena. He has co-edited the book Radio Audiences and Participation in the age of network society (with B. Monclus, Routledge, 2015) and co-authored the book Algorithms of Resistance (with E. Treré, MIT Press, 2024). Paolo Magaudda is Associate Professor in Sociology of Culture and Communication at the University of Padova. He is author of History of Digital Media (with G. Balbi, Routledge, 2018) and Youth People and The Smartphone (with M. Drusian and C.M. Scarcelli, Palgrave 2022). . 0aPopular music. 0aService industries. 0aCommunication and traffic.14aPopular Music.24aEntertainment Industry.24aMedia Industries.1 aMagaudda, Paolo.eauthor.4aut4http://id.loc.gov/vocabulary/relators/aut2 aSpringerLink (Online service)0 tSpringer Nature eBook08iPrinted edition:z978303143964308iPrinted edition:z978303143966708iPrinted edition:z9783031439674 0aPop Music, Culture and Identity,x2634-662140uhttps://doi.org/10.1007/978-3-031-43965-0