The Finance, Philosophy and Contemporary Film King, Alasdair. creator author. aut http://id.loc.gov/vocabulary/relators/aut SpringerLink (Online service) text sz 2024 1st ed. 2024. monographic eng

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electronic resource

access XII, 329 p. online resource. The Financial Image: Finance, Philosophy, and Contemporary Film draws on a broad range of narrative feature films, documentaries, and moving image installations in the US, Europe, and Asia. Using frameworks from contemporary philosophy and critical finance studies, the book explores how contemporary cinema has registered recent financial and economic issues. The book focuses on how filmmakers have found formal means to explore, celebrate, and critique the increasingly important role that the financial sector plays in shaping global economic, political, ethical, and social life. Alasdair King is Reader in Film in the School of Languages, Linguistics, and Film at Queen Mary University of London, UK. He is the author of Hans Magnus Enzensberger: Writing, Media, Democracy (2007). 1. Introduction -- 2. The Financial Gaze -- 3. Film and Financial Ethics -- 4. Film and Financial Time -- 5. Film and 6. Financial Space -- 7. Film and Financial Performance -- 8. Conclusion. by Alasdair King. Literature, Modern 20th century Literature, Modern 21st century Motion pictures History Economic history Contemporary Literature Film and TV History Economic History PN695-779 9783031406546 https://doi.org/10.1007/978-3-031-40654-6 https://doi.org/10.1007/978-3-031-40654-6 231228 20251030110901.0 978-3-031-40654-6