02833nam a22005055i 4500001001800000003000900018005001700027007001500044008004100059020003700100024003500137050001400172072001700186072002300203072001600226100008400242245011300326250001800439264008500457300003400542336002600576337002600602338003600628347002400664490007000688505019600758520079100954650003801745650004501783650003701828650002901865650003601894650003201930650002901962710003401991773002602025776003602051776003602087776003602123830007702159856004602236912001402282912001402296999001702310978-3-031-40654-6DE-He21320251030110901.0cr nn 008mamaa231228s2024    sz |    s    |||| 0|eng d  a97830314065469978-3-031-40654-67 a10.1007/978-3-031-40654-62doi 4aPN695-779 7aDSBH2bicssc 7aLIT0240002bisacsh 7aDSBH2thema1 aKing, Alasdair.eauthor.4aut4http://id.loc.gov/vocabulary/relators/aut96860014aThe Financial Imageh[electronic resource] :bFinance, Philosophy and Contemporary Film /cby Alasdair King.  a1st ed. 2024. 1aCham :bSpringer International Publishing :bImprint: Palgrave Macmillan,c2024.  aXII, 329 p.bonline resource.  atextbtxt2rdacontent  acomputerbc2rdamedia  aonline resourcebcr2rdacarrier  atext filebPDF2rda1 aPalgrave Studies in Literature, Culture and Economics,x2946-54000 a1. Introduction -- 2. The Financial Gaze -- 3. Film and Financial Ethics -- 4. Film and Financial Time -- 5. Film and 6. Financial Space -- 7. Film and Financial Performance -- 8. Conclusion.  aThe Financial Image: Finance, Philosophy, and Contemporary Film draws on a broad range of narrative feature films, documentaries, and moving image installations in the US, Europe, and Asia. Using frameworks from contemporary philosophy and critical finance studies, the book explores how contemporary cinema has registered recent financial and economic issues. The book focuses on how filmmakers have found formal means to explore, celebrate, and critique the increasingly important role that the financial sector plays in shaping global economic, political, ethical, and social life. Alasdair King is Reader in Film in the School of Languages, Linguistics, and Film at Queen Mary University of London, UK. He is the author of Hans Magnus Enzensberger: Writing, Media, Democracy (2007). 0aLiterature, Modernx20th century. 0aLiterature, Modernx21st century.966700 0aMotion picturesxHistory.967271 0aEconomic history.95750614aContemporary Literature.96670224aFilm and TV History.96727324aEconomic History.9575062 aSpringerLink (Online service)0 tSpringer Nature eBook08iPrinted edition:z978303140653908iPrinted edition:z978303140655308iPrinted edition:z9783031406560 0aPalgrave Studies in Literature, Culture and Economics,x2946-540096860140uhttps://doi.org/10.1007/978-3-031-40654-6  aZDB-2-LCM  aZDB-2-SXL  c56915d56915