03787nam a22005415i 4500 978-3-031-41276-9 DE-He213 20251030110907.0 cr nn 008mamaa 240102s2024 sz | s |||| 0|eng d 9783031412769 978-3-031-41276-9 10.1007/978-3-031-41276-9 doi PN760.5-769 DSBF bicssc LIT024040 bisacsh DSBF thema Caron, James E. author. aut http://id.loc.gov/vocabulary/relators/aut 68843 The Modern Feminine in the Medusa Satire of Fanny Fern [electronic resource] / by James E. Caron. 1st ed. 2024. Cham : Springer International Publishing : Imprint: Palgrave Macmillan, 2024. XIII, 217 p. 1 illus. online resource. text txt rdacontent computer c rdamedia online resource cr rdacarrier text file PDF rda Palgrave Studies in Nineteenth-Century Writing and Culture, 2634-6508 1 Introduction: Fanny Fern and the Mob of Scribbling Women -- 2 Sara Payson Willis Parton’s (Comic) Preacher, Fanny Fern -- 3. The Satirist and Her Public -- 4 Satirizing Gender Expectations: Fanny Fern as the Impossible Subject -- 5 Creating Comic Community: Scathing Epithets, Caricature, and Comic Violence -- 6 Constructing Fanny Fern as Satirist -- 7 Fanny Fern’s Significance in the American Comic Tradition. The Modern Feminine in the Medusa Satire of Fanny Fern argues that Sara Parton and her literary alter ego, Fanny Fern, occupy a star-power position within the antebellum literary marketplace dominated by women authors of sentimental fiction, writers Nathaniel Hawthorne (in)famously called “the damn mob of scribbling women.” The Fanny Fern persona represents a nineteenth-century woman voicing the modern feminine within a laughter-provoking bourgeois carnival, a forerunner of Hélène Cixous’s laughing Medusa figure and her theory about écriture féminine. By advancing an innovative theory about an Anglo-American aesthetic, comic belles lettres, Caron explains the comic nuances of Parton’s persona, capable of both an amiable and a caustic satire. The book traces Parton’s burgeoning celebrity, analyzes her satires on cultural expectations of gendered behavior, and provides a close look at her variegated comic style. The book then makes two first-order conclusions: Parton not only offers a unique profile for antebellum women comic writers, but her Fanny Fern persona also anchors a potential genealogy of women comic writers and activists, down to the present day, who could fit Kate Clinton’s concept of fumerism, a feminist style of humor that fumes, that embraces the comic power of a Medusa satire. Literature, Modern 19th century. America Literatures. 66799 Comedy. 68021 Nineteenth-Century Literature. North American Literature. 66800 Comedy Studies. 68024 SpringerLink (Online service) Springer Nature eBook Printed edition: 9783031412752 Printed edition: 9783031412776 Printed edition: 9783031412783 Palgrave Studies in Nineteenth-Century Writing and Culture, 2634-6508 68844 https://doi.org/10.1007/978-3-031-41276-9 ZDB-2-LCM ZDB-2-SXL 56990 56990