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    <title>Modern Feminine in the Medusa Satire of Fanny Fern</title>
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    <namePart>Caron, James E.</namePart>
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    <dateIssued encoding="marc">2024</dateIssued>
    <edition>1st ed. 2024.</edition>
    <issuance>monographic</issuance>
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    <extent>XIII, 217 p. 1 illus. online resource.</extent>
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  <abstract>The Modern Feminine in the Medusa Satire of Fanny Fern argues that Sara Parton and her literary alter ego, Fanny Fern, occupy a star-power position within the antebellum literary marketplace dominated by women authors of sentimental fiction, writers Nathaniel Hawthorne (in)famously called “the damn mob of scribbling women.” The Fanny Fern persona represents a nineteenth-century woman voicing the modern feminine within a laughter-provoking bourgeois carnival, a forerunner of Hélène Cixous’s laughing Medusa figure and her theory about écriture féminine. By advancing an innovative theory about an Anglo-American aesthetic, comic belles lettres, Caron explains the comic nuances of Parton’s persona, capable of both an amiable and a caustic satire. The book traces Parton’s burgeoning celebrity, analyzes her satires on cultural expectations of gendered behavior, and provides a close look at her variegated comic style. The book then makes two first-order conclusions: Parton not only offers a unique profile for antebellum women comic writers, but her Fanny Fern persona also anchors a potential genealogy of women comic writers and activists, down to the present day, who could fit Kate Clinton’s concept of fumerism, a feminist style of humor that fumes, that embraces the comic power of a Medusa satire.</abstract>
  <tableOfContents>1 Introduction: Fanny Fern and the Mob of Scribbling Women -- 2 Sara Payson Willis Parton’s (Comic) Preacher, Fanny Fern -- 3. The Satirist and Her Public -- 4 Satirizing Gender Expectations: Fanny Fern as the Impossible Subject -- 5 Creating Comic Community: Scathing Epithets, Caricature, and Comic Violence -- 6 Constructing Fanny Fern as Satirist -- 7 Fanny Fern’s Significance in the American Comic Tradition.</tableOfContents>
  <note type="statement of responsibility">by James E. Caron.</note>
  <subject authority="lcsh">
    <topic>Literature, Modern</topic>
    <topic>19th century</topic>
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  <subject authority="lcsh">
    <topic>America</topic>
    <topic>Literatures</topic>
  </subject>
  <subject authority="lcsh">
    <topic>Comedy</topic>
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  <subject>
    <topic>Nineteenth-Century Literature</topic>
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  <subject>
    <topic>North American Literature</topic>
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  <subject>
    <topic>Comedy Studies</topic>
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      <title>Palgrave Studies in Nineteenth-Century Writing and Culture</title>
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  <identifier type="isbn">9783031412769</identifier>
  <identifier type="uri">https://doi.org/10.1007/978-3-031-41276-9</identifier>
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