03929nam a22004455i 4500001001800000003000900018005001700027007001500044008004100059020003700100024003500137050001600172072001700188072002300205072001600228100008300244245011400327250001800441264007900459300006800538336002600606337002600632338003600658347002400694505068100718520171801399650002603117650003103143650002603174650003503200650002503235710003403260773002603294776003603320776003603356856004603392912001403438912001403452999001703466978-3-031-40067-4DE-He21320251030111357.0cr nn 008mamaa240118s2024    sz |    s    |||| 0|eng d  a97830314006749978-3-031-40067-47 a10.1007/978-3-031-40067-42doi 4aML3469-3543 7aAVGN2bicssc 7aMUS0290002bisacsh 7aAVLP2thema1 aDuggal, Simon.eauthor.4aut4http://id.loc.gov/vocabulary/relators/aut96964810aRecord, Mix and Masterh[electronic resource] :bA Beginner’s Guide to Audio Production /cby Simon Duggal.  a1st ed. 2024. 1aCham :bSpringer Nature Switzerland :bImprint: Palgrave Macmillan,c2024.  aXXII, 264 p. 206 illus., 202 illus. in color.bonline resource.  atextbtxt2rdacontent  acomputerbc2rdamedia  aonline resourcebcr2rdacarrier  atext filebPDF2rda0 aSection One: Record -- 1. An Introduction to How Sound Works -- 2. Speakers -- 3. Digital Audio Workstation (DAW) -- 4. Digital -- 5. Hardware -- 6. Gain Staging -- 7. Microphones -- 8. Phase -- 9. Room Acoustics -- 10. Recording Tips -- Section Two: Mix -- 11. Equalisers (Eq) -- 12. Dynamics -- 13. Effects -- 14. Subgroups -- 15. Monitoring in Mono -- 16. Mid-Side Processing -- 17. Transients -- 18. Panning -- 19. Plosives -- 20. Zero Crossing and Crossfades -- 21. Mixing Tips -- Section Three: Master -- 22. What is Mastering -- 23. Prepare Your Track for Mastering -- 24. Mastering Tools -- 25. Dither -- 26. Metering -- 27. Mastering Your Song – Things to Consider.  aThis textbook is a practical guide to achieving professional-level audio productions using digital audio workstations. It contains 27 chapters divided into three sections, with specially devised diagrams and audio examples throughout. Aimed at students of all levels of experience and written in an easy-to-understand way, this book simplifies complex jargon, widening its appeal to non-academic creatives and is designed to accelerate the learning of professional audio processes and tools (software and hardware).The reader can work through the book from beginning to end or dip into a relevant section whenever required, enabling it to serve as both a step by step guide and an ongoing reference manual. The book is also a useful aid for lecturers and teachers of audio production, recording, mixing and mastering engineering. Simon Duggal is an award-winning producer/composer who has been producing, writing, recording, editing and mixing music for more than 30 years. He has made records for many top international artists including: Shania Twain, Maxi Priest, Erasure, Apache Indian, Janet Kaye, Errol Reid (China Black), Nusrat Fateh Ali Khan, The Beat, Luciano, Desmond Dekker, Dillinger and many more. Duggal has composed music for adverts for companies including: Pepsi, Intel, Toshiba, Etisalat, Etihad and composed title and incidental music for a BAFTA winning UK TV drama. He is also an MA specialist mentor at the British and Irish Modern Music University in Birmingham, UK. Paul Rogers is the Course Leader for Postgraduate Studies at the British and Irish modern Music University in Birmingham, UK, and a seasoned music industry veteran. He holds a PhD in music composition from Goldsmiths (UK). 0aPopular music.966807 0aService industries.96830714aPopular Music.96680724aEntertainment Industry.96854724aPop and Rock.9668092 aSpringerLink (Online service)0 tSpringer Nature eBook08iPrinted edition:z978303140066708iPrinted edition:z978303140068140uhttps://doi.org/10.1007/978-3-031-40067-4  aZDB-2-LCM  aZDB-2-SXL  c57224d57224