03454nam a22004575i 4500001001800000003000900018005001700027007001500044008004100059020001800100024003500118050001200153072001600165072002300181072001600204100007500220245009100295250001800386264008200404300004300486336002600529337002600555338003600581347002400617505052100641520143401162650001602596650002502612650002802637650002502665650001602690650002402706650002502730650002702755710003402782773002602816776003602842776003602878776003602914856004602950978-981-99-8791-7DE-He21320251030111414.0cr nn 008mamaa240202s2024    si |    s    |||| 0|eng d  a97898199879177 a10.1007/978-981-99-8791-72doi 4aBH1-301 7aHPN2bicssc 7aPHI0010002bisacsh 7aQDTN2thema1 aQi, Zhixiang.eauthor.4aut4http://id.loc.gov/vocabulary/relators/aut14aThe Spirit of Traditional Chinese Aestheticsh[electronic resource] /cby Zhixiang Qi.  a1st ed. 2024. 1aSingapore :bSpringer Nature Singapore :bImprint: Palgrave Macmillan,c2024.  aXII, 436 p. 2 illus.bonline resource.  atextbtxt2rdacontent  acomputerbc2rdamedia  aonline resourcebcr2rdacarrier  atext filebPDF2rda0 a1. The Forms of Traditional Chinese Aesthetic Spirit -- 2. The Confucian Spirit of Traditional Chinese Aesthetics -- 3. The Taoist Spirit of Traditional Chinese Aesthetics -- 4. The Buddhist Spirit of Traditional Chinese Aesthetics -- 5. The Expression Spirit of Ancient Chinese Literary Aesthetics -- 6. The Spirit of Imagery Appreciation in the Traditional Chinese Aesthetics -- 7. The Aesthetic Characteristics of Traditional Chinese Aesthetics -- 8. The Aesthetic Methodology of Traditional Chinese Aesthetics. .  aThis book differentiates between and analyzes the Confucian, Taoist and Buddhist spirit in traditional Chinese aesthetics, explains the core characteristics and methods of traditional Chinese aesthetics, and conveys the author’s overall thinking on the spirit of traditional Chinese aesthetics. Given its scope, the book is of great value in terms of understanding and promoting China’s unique traditional culture. Zhixiang Qi is a professor in the School of Humanities at Shanghai Jiao Tong University and President of the Shanghai Aesthetic Society. He is also in the board of Chairs of several Provincial Aesthetic Societies in China. He has published more than 30 personal monographs, including the representative works “Aesthetics of Musical Sense” (2016), “General History of Chinese Aesthetics” in three volumes (2008), “History of Modern and Contemporary Chinese Aesthetics” (2018), the five-volume work “A Complete History of Chinese Aesthetics” (2018) and “Ancient Chinese Literary Theory” (2018), a national higher education textbook for the Eleventh Five-Year Plan. His work has garnered him the Ministry of Education Humanities and Social Sciences Outstanding Achievement Award, and the Shanghai Philosophy and Social Science Outstanding Achievement Award. He also teaches “Chinese Aesthetics” and “Chinese Studies and Life” courses on Wisdom Tree.com, a major MOOC platform in China. 0aAesthetics. 0aPhilosophy, Chinese. 0aLiteraturexAesthetics. 0aPhilosophyxHistory.14aAesthetics.24aChinese Philosophy.24aLiterary Aesthetics.24aHistory of Philosophy.2 aSpringerLink (Online service)0 tSpringer Nature eBook08iPrinted edition:z978981998790008iPrinted edition:z978981998792408iPrinted edition:z978981998793140uhttps://doi.org/10.1007/978-981-99-8791-7