03997nam a22005295i 4500 978-3-031-53692-2 DE-He213 20251030111816.0 cr nn 008mamaa 240412s2024 sz | s |||| 0|eng d 9783031536922 978-3-031-53692-2 10.1007/978-3-031-53692-2 doi ML3469-3543 AVGN bicssc MUS029000 bisacsh AVLP thema Bravo, Eva Silot. author. aut http://id.loc.gov/vocabulary/relators/aut 75073 Cuban Fusion [electronic resource] : The Transnational Cuban Alternative Music Scene / by Eva Silot Bravo. 1st ed. 2024. Cham : Springer Nature Switzerland : Imprint: Palgrave Macmillan, 2024. XVIII, 181 p. 35 illus., 33 illus. in color. online resource. text txt rdacontent computer c rdamedia online resource cr rdacarrier text file PDF rda Chapter 1 Introduction -- Chapter 2 Towards a Post-National Cuban Imaginary: Theoretical and Historical Context -- Chapter 3 Cubanidad “in-between:” the Transnational Cuban Alternative Music Scene (TCAMS) -- Chapter 4 TCAMS and the Music Industry -- Chapter 5 Conclusions- Cuban Fusion Music across Borders. “An invaluable study of Cuban music making in diaspora.” —Robin D. Moore, Professor of Ethnomusicology, Butler School of Music, The University of Texas at Austin, USA “Silot Bravo's study thus provides a rare glimpse into a space where artists navigate between political constraints, fostering a global citizenship that goes beyond the rigid political lines often associated with Cuban studies.” —Greg Landau, Ph.D., Producer, Educator & Music Historian, USA “Drawing from decades of experience in diplomacy, music scholarship, and arts advocacy, Bravo's careful study of oft-neglected alternative artists is sure to challenge thinking surrounding what Cuban music sounds like and who gets to participate.” —Mike Levine, Assistant Professor in Musicology, Christopher Newport University, USA Surveying the impact of Cuba's economic crisis after the demise of the eastern socialist block, this book documents a relatively unexplored transnational network of collaborations among Cuban musicians that migrated to many different countries from the 1990s forward. The book’s main argument is that in light of the 1990s crisis in Cuba, new transnational and alternative narratives emerged, resulting in creative “in-between” spaces that reflect a post- socialist aesthetic condition. The manuscript also documents important developments in the Cuban jazz and fusion scenes outside the island in the last 20+ years. Eva Silot Bravo has a PhD in Cultural Studies, Spanish and Literatures from The University of Miami (FL, USA). She has taught at University of Miami, Barry University, Miami Dade Public School System, The Branson School in Ross, CA and currently at Oakland School for the Arts in Oakland, CA. In United Nations she represented Cuba and developing countries (G77). Popular music. 66807 Ethnology Latin America. 66136 Culture. 59159 Jazz. 75074 Popular Music. 66807 Latin American Culture. 66140 Jazz. 75074 SpringerLink (Online service) Springer Nature eBook Printed edition: 9783031536915 Printed edition: 9783031536939 Printed edition: 9783031536946 https://doi.org/10.1007/978-3-031-53692-2 ZDB-2-LCM ZDB-2-SXL 59093 59093