05044nam a22004695i 4500001001800000003000900018005001700027007001500044008004100059020001800100024003500118050001100153072001700164072001700181072002300198072001600221072001600237245012900253250001800382264008500400300006400485336002600549337002600575338003600601347002400637490005000661505102300711520233201734650003104066650001904097650001904116650002704135700007504162700007304237710003404310773002604344776003604370776003604406776003604442830005004478856004604528978-3-031-54100-1DE-He21320251030112008.0cr nn 008mamaa240424s2024    sz |    s    |||| 0|eng d  a97830315410017 a10.1007/978-3-031-54100-12doi 4aPN1996 7aAPFD2bicssc 7aCBVS2bicssc 7aPER0040502bisacsh 7aATFD2thema 7aCBVS2thema10aScreenwriting for Virtual Realityh[electronic resource] :bStory, Space and Experience /cedited by Kath Dooley, Alex Munt.  a1st ed. 2024. 1aCham :bSpringer International Publishing :bImprint: Palgrave Macmillan,c2024.  aXX, 318 p. 35 illus., 21 illus. in color.bonline resource.  atextbtxt2rdacontent  acomputerbc2rdamedia  aonline resourcebcr2rdacarrier  atext filebPDF2rda1 aPalgrave Studies in Screenwriting,x2731-44990 a1. An Introduction to Screenwriting for Virtual Reality -- 2. Shifting Diegetic Boundaries -- 3. Cinematic Virtual Reality: Towards an Optics of ‘Eco Screenwriting’ -- 4: The Nature of Narration in Cinematic Virtual Reality -- 5. Towards Immersography: Considerations for an Integrated Understanding of Immersive Narrative Experiences -- 6. Writing as design: The Future of Houses, a transformative single-player VR experience -- 7. The Diagrammatic screenplay: Strategies to address the challenges of writing an interactive, Mixed Reality (MR) experience -- 8. A Case Study of VR Story Development: Fire Escape (2019) -- 9. Expanded Experience: an ‘artist-bricoleur’ approach to writing VR in contemporary art -- 10. Writing the Virtual: Diverse Modes of Development in CVR -- 11. A Net of Invisible Things: The VR development practices of Lynette Wallworth in Collisions and Awavena -- 12. Virtual Catharsis: Decoding Empathy in Refugee Narratives -- 13. Screenwriting for Virtual Reality: Future directions.  a“Kath Dooley and Alex Munt’s book on Screenwriting for Virtual Reality: Story, Space and Experience is an invaluable tool to anyone working on storytelling in immersive space in general and VR in particular. It combines important theoretical insights with an impressive range of case studies which make it an essential companion to anyone seeking to understand what’s distinctive about work in this field or looking to embark on a project of their own.” - Adam Ganz, Head of Writers’ Room, StoryFutures and Professor of Screenwriting, Royal Holloway University of London, UK This book is focused on screenwriting and development for virtual reality (VR). It explores a diverse range of creative approaches to the writing and screen development of VR stories and immersive audience experiences. Contributions from scholars and practitioners combine conceptual and practically orientated approaches for creating fictional and documentary media VR stories. The book evaluates, challenges and adapts existing screenwriting models and practices for immersive storytelling and grapples with the future of storytelling in the era of sophisticated computer visualization, AI and the online social metaverse. The book proposes new VR storytelling models, identifies altered relationships between creators, screen works and their audiences and demonstrates how interdisciplinary practices will be core to the future of screen storytelling. Kath Dooley is a practitioner/academic based at the University of South Australia. Her work as writer/director has screened at the Busan International Short Film Festival and FIVARS, Toronto. She is the author of Cinematic Virtual Reality- A Critical Study of 21st Century Approaches and Practices (Palgrave Macmillan, 2021). Her research interests include screen production methodology for traditional and immersive media, screenwriting, women’s screen practice and diversity in the screen industries. Alex Munt is a film academic, screenwriter and director. He is based in the School of Communication, Faculty of Arts and Social Sciences at the University of Technology Sydney, Australia. His films have screened at the Sydney Film Festival and SXSW and been distributed worldwide. His research interests include independent film, artists’ moving image, VR and spatialised media. . 0aMotion picture authorship. 0aDigital media.14aScreenwriting.24aDigital and New Media.1 aDooley, Kath.eeditor.4edt4http://id.loc.gov/vocabulary/relators/edt1 aMunt, Alex.eeditor.4edt4http://id.loc.gov/vocabulary/relators/edt2 aSpringerLink (Online service)0 tSpringer Nature eBook08iPrinted edition:z978303154099808iPrinted edition:z978303154101808iPrinted edition:z9783031541025 0aPalgrave Studies in Screenwriting,x2731-449940uhttps://doi.org/10.1007/978-3-031-54100-1