03428nam a22005295i 4500001001800000003000900018005001700027007001500044008004100059020001800100024003500118050001600153050001600169072001500185072002300200072001400223100008800237245010800325250001800433264008500451300004200536336002600578337002600604338003600630347002400666490005400690505034800744520124601092650002102338650001302359650004302372650002102415650003502436650002502471650003402496650002402530650001802554650003302572650002502605710003402630773002602664776003602690776003602726776003602762830005402798856004602852978-3-031-47134-6DE-He21320251030112036.0cr nn 008mamaa240511s2024    sz |    s    |||| 0|eng d  a97830314713467 a10.1007/978-3-031-47134-62doi 4aPN1560-1590 4aPN2000-3307 7aAN2bicssc 7aPER0000002bisacsh 7aAT2thema1 aGarić-Komnenić, Sanja.eauthor.4aut4http://id.loc.gov/vocabulary/relators/aut10aBosnian Literary Adaptations on Stage and Screenh[electronic resource] /cby Sanja Garić-Komnenić.  a1st ed. 2024. 1aCham :bSpringer International Publishing :bImprint: Palgrave Macmillan,c2024.  aXI, 263 p. 4 illus.bonline resource.  atextbtxt2rdacontent  acomputerbc2rdamedia  aonline resourcebcr2rdacarrier  atext filebPDF2rda1 aAdaptation in Theatre and Performance,x2947-40510 aIntroduction -- Part one -- Chapter 1- the basic concepts in semiotics -- Chapter 2- sign in film and theatre -- Chapter 3 - film and theatre language -- Conclusion -- Part two - the practicum -- Introduction -- Chapter 4 - the novel the fortress as the film discourse -- Chapter 5- the novel the island as the theatre discourse -- Conclusion.  aBosnian Literature on Stage and Screen aims to reconcile theoretical approaches with theatrical and cinematic practices by examining two adaptations based on works by the Bosnian author Meša Selimović. The book is informed by scholarship in film and theatre adaptation theories, and is grounded in a comparative approach that focuses on the interplay of sign systems and codes unique to screen and stage. The book looks closely at two adaptations: a screen adaptation of the novel The Fortress and a stage adaptation of the novel The Island. Sanja Garić-Komnenić holds a PhD in film and theater semiotics and teaches film and media, rhetoric, and academic writing at British Columbia Institute of Technology in Vancouver, Canada. A summary of her PhD thesis, “A Comparative Analysis of the Functions of Film and Theatre Language Units,” was published in The American Journal of Semiotics (Ed. Richard L. Lanigan: 2001. Vol. 17, No.3.). Sanja has translated two books into English, Footprints: Poetry and Threads of Poetical Impression (2008) and the novel Chernovs’ Toil and Peace (2010). Sanja has contributed to The Pacific Rim Review of Books and is a member of the NECS –The European Network for Cinema and Media Studies. 0aPerforming arts. 0aTheater. 0aAdaptation (Literary, artistic, etc.). 0aMotion pictures. 0aBalto-Slavic linguistic unity. 0aEuropean literature.14aTheatre and Performance Arts.24aAdaptation Studies.24aFilm Studies.24aSlavic and Baltic Languages.24aEuropean Literature.2 aSpringerLink (Online service)0 tSpringer Nature eBook08iPrinted edition:z978303147133908iPrinted edition:z978303147135308iPrinted edition:z9783031471360 0aAdaptation in Theatre and Performance,x2947-405140uhttps://doi.org/10.1007/978-3-031-47134-6