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    <nonSort>The </nonSort>
    <title>Groovology of White Affect</title>
    <subTitle>Boeremusiek and the Enregisterment of Race in South Africa</subTitle>
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  <name type="personal">
    <namePart>Froneman, Willemien.</namePart>
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    <dateIssued encoding="marc">2024</dateIssued>
    <edition>1st ed. 2024.</edition>
    <issuance>monographic</issuance>
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  <language>
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    <extent>XV, 231 p. 29 illus., 11 illus. in color. online resource.</extent>
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  <abstract>The Groovology of White Affect theorizes white aesthetics and race formation in South Africa from a position immersed in the sonic. Mining boeremusiek’s “heart-speech” across two centuries of reception, the book offers a theory of race formation steeped in the music’s vernacular language and practices, and situated within South Africa's race ideologies. The book’s chapters identify and explore boeremusiek's affective modalities: embarrassment, blackface, epiphany, and disavowal. The book then theorizes indexicality and music, affect, and whiteness as interlinked ontologies. When considered together, the book argues, boeremusiek’s modalities outline the parameters of a corrupted white aesthetic faculty that help explain how whiteness perpetuates itself in the present day. Racism is thereby defined not primarily as a matter of prejudice, but as a matter of (conditional) pleasure and (pathological) taste. The Groovology of White Affect articulates a sound studies from the South; it is an attempt to write in a South Africa-centered way—amidst the collapse of colonial disciplines and a resulting disciplinary and methodological catholicism—for a broad, international audience interested in the affective constitution of race and racism.</abstract>
  <tableOfContents>1. Boeremusiek’s “Heart-Speech” -- 2. The Riches of Embarrassment -- 3. Blackfaced Boeremusiek and the Racial Grotesque -- 4. Epiphanies of Postcolonial Radiance -- 5. Disavowal and the Perverted Mind of Apartheid -- 6. The Groovology of White Affect.</tableOfContents>
  <note type="statement of responsibility">by Willemien Froneman.</note>
  <subject authority="lcsh">
    <topic>Popular music</topic>
  </subject>
  <subject authority="lcsh">
    <topic>Music</topic>
    <topic>History and criticism</topic>
  </subject>
  <subject authority="lcsh">
    <topic>Ethnology</topic>
    <topic>Africa</topic>
  </subject>
  <subject authority="lcsh">
    <topic>Culture</topic>
  </subject>
  <subject>
    <topic>Popular Music</topic>
  </subject>
  <subject>
    <topic>History of Music</topic>
  </subject>
  <subject>
    <topic>African Culture</topic>
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  <classification authority="lcc">ML3469-3543</classification>
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  <identifier type="isbn">9783031401435</identifier>
  <identifier type="uri">https://doi.org/10.1007/978-3-031-40143-5</identifier>
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