03224nam a22004815i 4500001001800000003000900018005001700027007001500044008004100059020003700100024003500137050001600172072001700188072002300205072001600228100008900244245014600333250001800479264007900497300006400576336002600640337002600666338003600692347002400728505026200752520126901014650002602283650004102309650003002350650002002380650002602400650002902426650002802455710003402483773002602517776003602543776003602579776003602615856004602651912001402697912001402711999001702725978-3-031-40143-5DE-He21320251030112038.0cr nn 008mamaa240513s2024    sz |    s    |||| 0|eng d  a97830314014359978-3-031-40143-57 a10.1007/978-3-031-40143-52doi 4aML3469-3543 7aAVGN2bicssc 7aMUS0290002bisacsh 7aAVLP2thema1 aFroneman, Willemien.eauthor.4aut4http://id.loc.gov/vocabulary/relators/aut97669914aThe Groovology of White Affecth[electronic resource] :bBoeremusiek and the Enregisterment of Race in South Africa /cby Willemien Froneman.  a1st ed. 2024. 1aCham :bSpringer Nature Switzerland :bImprint: Palgrave Macmillan,c2024.  aXV, 231 p. 29 illus., 11 illus. in color.bonline resource.  atextbtxt2rdacontent  acomputerbc2rdamedia  aonline resourcebcr2rdacarrier  atext filebPDF2rda0 a1. Boeremusiek’s “Heart-Speech” -- 2. The Riches of Embarrassment -- 3. Blackfaced Boeremusiek and the Racial Grotesque -- 4. Epiphanies of Postcolonial Radiance -- 5. Disavowal and the Perverted Mind of Apartheid -- 6. The Groovology of White Affect.  aThe Groovology of White Affect theorizes white aesthetics and race formation in South Africa from a position immersed in the sonic. Mining boeremusiek’s “heart-speech” across two centuries of reception, the book offers a theory of race formation steeped in the music’s vernacular language and practices, and situated within South Africa's race ideologies. The book’s chapters identify and explore boeremusiek's affective modalities: embarrassment, blackface, epiphany, and disavowal. The book then theorizes indexicality and music, affect, and whiteness as interlinked ontologies. When considered together, the book argues, boeremusiek’s modalities outline the parameters of a corrupted white aesthetic faculty that help explain how whiteness perpetuates itself in the present day. Racism is thereby defined not primarily as a matter of prejudice, but as a matter of (conditional) pleasure and (pathological) taste. The Groovology of White Affect articulates a sound studies from the South; it is an attempt to write in a South Africa-centered way—amidst the collapse of colonial disciplines and a resulting disciplinary and methodological catholicism—for a broad, international audience interested in the affective constitution of race and racism. 0aPopular music.966807 0aMusicxHistory and criticism.967736 0aEthnologyxAfrica.966792 0aCulture.95915914aPopular Music.96680724aHistory of Music.96864924aAfrican Culture.9667932 aSpringerLink (Online service)0 tSpringer Nature eBook08iPrinted edition:z978303140142808iPrinted edition:z978303140144208iPrinted edition:z978303140145940uhttps://doi.org/10.1007/978-3-031-40143-5  aZDB-2-LCM  aZDB-2-SXL  c59800d59800