03427nam a22005295i 4500001001800000003000900018005001700027007001500044008004100059020003700100024003500137050001400172050001400186072001700200072002300217072001600240100009600256245013400352250001800486264008500504300004700589336002600636337002600662338003600688347002400724505038400748520119401132650003802326650002202364650003902386650002502425650003702450650002002487650003702507650002402544650003502568650003502603710003402638773002602672776003602698776003602734776003602770856004602806912001402852912001402866999001702880978-3-031-36682-6DE-He21320251030112059.0cr nn 008mamaa240527s2024    sz |    s    |||| 0|eng d  a97830313668269978-3-031-36682-67 a10.1007/978-3-031-36682-62doi 4aGN429-437 4aNX180.A58 7aJHMC2bicssc 7aSOC0020002bisacsh 7aJHMC2thema1 aFeder-Nadoff, Michele Avis.eauthor.4aut4http://id.loc.gov/vocabulary/relators/aut97746813aAn Anthropology of Making in Santa Clara del Cobreh[electronic resource] :bPresence of Absence /cby Michele Avis Feder-Nadoff.  a1st ed. 2024. 1aCham :bSpringer International Publishing :bImprint: Palgrave Macmillan,c2024.  aXXXIII, 484 p. 63 illus.bonline resource.  atextbtxt2rdacontent  acomputerbc2rdamedia  aonline resourcebcr2rdacarrier  atext filebPDF2rda0 a1. Un-finishing Memory -- 2. Field of Corn -- 3. Forge: Hearth and Home -- 4. The Copper Fair -- 5. Person and Place: The Life-World of Maestro Jesús Pérez Ornelas -- 6. The Good Piece: An Aesthetics of Making -- 7. Aesthetics of Memory and Use -- 8. Aesthetics of Time and Space -- 9. Aesthetics of Abduction and Fragmentation -- 10. Restoring Aura: Straight from the Heart.  aThis book offers a nuanced reflection on the meaning of making and artisan agency, demonstrating how copper-smithing produces not only objects, but also lives, worlds, meanings, and social transformation. Through long-term ethnography, grounded in apprenticeship to master coppersmith Jesús Pérez Ornelas, Feder-Nadoff’s intimate description of communal and artisanal life in Santa Clara del Cobre, Michoacán, México provides a critical reappraisal of aesthetics and compelling ways to think about how aura and agency are produced. By mapping flows and frictions between persons, places, and things, this study closes the gap between economic and socio-political analysis of craft, on the one hand, and aesthetic, material, and phenomenological studies of making, on the other. Although craft historically plays a prominent national, even ideological role in Mexico, as in many countries, most artisans ironically remain absent, often living in marginalized, precarious circumstances. By tracing the cycles of life, death, and afterlife, of these maker-protagonists, their bodies of knowledge, skilled performances, and objects, this poetic monograph testifies to their presence. 0aAnthropology and the arts.973106 0aEthnology.958687 0aPhilosophical anthropology.977368 0aAnthropology.960002 0aEthnologyxLatin America.966136 0aCulture.95915914aAnthropology of the Arts.97310724aEthnography.97080024aAnthropological Theory.97746924aLatin American Culture.9661402 aSpringerLink (Online service)0 tSpringer Nature eBook08iPrinted edition:z978303136681908iPrinted edition:z978303136683308iPrinted edition:z978303136684040uhttps://doi.org/10.1007/978-3-031-36682-6  aZDB-2-SLS  aZDB-2-SXS  c60139d60139