03484nam a22005295i 4500001001800000003000900018005001700027007001500044008004100059020003700100024003500137050001600172072001500188072001500203072002300218072001800241100008200259245007700341250001800418264008200436300004300518336002600561337002600587338003600613347002400649505014000673520157100813650003202384650002802416650004602444650003502490650002802525650002902553650002802582650002902610650002802639650002802667710003402695773002602729776003602755776003602791776003602827856004602863912001402909912001402923999001702937978-981-97-3422-1DE-He21320251030112304.0cr nn 008mamaa240721s2024    si |    s    |||| 0|eng d  a97898197342219978-981-97-3422-17 a10.1007/978-981-97-3422-12doi 4aPJ305.2-489 7aDS2bicssc 7a1F2bicssc 7aLIT0080002bisacsh 7aDSx1F2thema1 aZhirong, Zhu.eauthor.4aut4http://id.loc.gov/vocabulary/relators/aut97847612aA Survey of Chinese Literatureh[electronic resource] /cby Zhu Zhirong.  a1st ed. 2024. 1aSingapore :bSpringer Nature Singapore :bImprint: Palgrave Macmillan,c2024.  aXIV, 443 p. 1 illus.bonline resource.  atextbtxt2rdacontent  acomputerbc2rdamedia  aonline resourcebcr2rdacarrier  atext filebPDF2rda0 a1. Idea-image -- 2. On Refinement and Popularity -- 3. On Style -- 4. On Genre -- 5. On Structure -- 6. On Language -- 7. On Reception.  aThis book presents a systematic elaboration on Chinese literature and its criticism, with special reference to introducing the predominant role of idea-image. The author holds that image takes on a central position in Chinese literature. Chinese literature is composed of idea-images that depict the scenery and express the emotions in perfect harmony, conveyed through literary language, reflecting the unique aesthetic sensibilities and the creative consciousness of Chinese people. It is created by Chinese literati with an emotion-centered soul, who experience nature and society with a mode of comprehension rooted in sensibility, yet not confined to it. Drawing from the traditional Chinese culture and incorporating the creative expression of Chinese literati, the author expounds systematically on Chinese literature’s basic features and living spirit which are centered on the idea-image. Furthermore, the author discusses the transitional patterns observed in both highbrow and vernacular Chinese literature. Embracing a modern research perspective, the author not only provides insights into traditional literature but also sheds light on its contemporary relevance. This endeavor unveils the unique values inherent in Chinese literature at a profound level, thereby offering invaluable insights into the essence and spirit of Chinese literary tradition. Zhu Zhirong is professor in the Department of Chinese Language and Literature at East China Normal University, and Changjiang Distinguished Professor appointed by the Ministry of Education of China. 0aOriental literature.966468 0aComparative literature. 0aLiteraturexHistory and criticism.966499 0aLiteraturexPhilosophy.966322 0aHistorical linguistics.14aAsian Literature.96646924aComparative Literature.24aLiterary History.96678924aLiterary Theory.96178724aHistorical Linguistics.2 aSpringerLink (Online service)0 tSpringer Nature eBook08iPrinted edition:z978981973421408iPrinted edition:z978981973423808iPrinted edition:z978981973424540uhttps://doi.org/10.1007/978-981-97-3422-1  aZDB-2-LCM  aZDB-2-SXL  c60621d60621