03293nam a22004695i 4500001001800000003000900018005001700027007001500044008004100059020003700100024003500137050001300172072001500185072002300200072001400223100009600237245012700333250001800460264006900478300003600547336002600583337002600609338003600635347002400671490006700695505062900762520100501391650002502396650002202421650002502443650002202468710003402490773002602524776003602550776003602586776003602622830007402658856004602732912001402778912001402792999001702806978-3-031-59959-0DE-He21320251030112307.0cr nn 008mamaa240611s2024    sz |    s    |||| 0|eng d  a97830315995909978-3-031-59959-07 a10.1007/978-3-031-59959-02doi 4aNA1-9428 7aAM2bicssc 7aART0000002bisacsh 7aAM2thema1 aLörincz, Simina Anamaria.eauthor.4aut4http://id.loc.gov/vocabulary/relators/aut97856810aArchitectonics of Poiēsish[electronic resource] :bArchitectural Creation Reconsidered /cby Simina Anamaria Lörincz.  a1st ed. 2024. 1aCham :bSpringer Nature Switzerland :bImprint: Springer,c2024.  aXVIII, 175 p.bonline resource.  atextbtxt2rdacontent  acomputerbc2rdamedia  aonline resourcebcr2rdacarrier  atext filebPDF2rda1 aNumanities - Arts and Humanities in Progress,x2510-4438 ;v290 aPart I Architecture as Poetic Creation -- Chapter 1 Contemporary Views on Architectural Creation A New Paradigm -- Chapter 2 Architectural Creation A Dichotomic Approach -- Part II The Architect as Poeta Faber Filarete and Christopher Alexander -- Chapter 3 Poíēsis and Faber Engaging the Material Aspect of Architectural Creation -- Chapter 4 Poíēsis and Poeta Toward a Perceptive and Symbolic Recovery of Architectural Creation -- Part III Postlude Didactic Poíēsis -- Chapter 5 Toward an Architectural Education Guided by Poíēsis -- Chapter 6 Embodying Poíēsis in Contemporary Architectural Education.  aThis volume explores the meaning of the architectural creative act, following the dynamics of the relationship between creator-creative act-creation and the way in which architecture is defined over time, as a creative act both material and symbolic. Two protagonists, Antonio Averlino (Filarete) and Christopher Alexander, are singled out under the guiding concepts of poíēsis and poeta faber. The book initiates a dialogue over time between their works and concepts, engaging two cultures, the Renaissance and the contemporary, symbolically chosen for their importance in redefining the profession through the prism of its relation to the architectural creative act. The core idea revolves around rediscovering the humanistic approach to architecture in and for the contemporary context, and using it in order to better understand architectural creation. This text appeals to students and researchers working in the history and theory of architecture, product, industrial design, and semiotics. 0aArchitecture.966049 0aSemiotics.96963214aArchitecture.96604924aSemiotics.9696322 aSpringerLink (Online service)0 tSpringer Nature eBook08iPrinted edition:z978303159958308iPrinted edition:z978303159960608iPrinted edition:z9783031599613 0aNumanities - Arts and Humanities in Progress,x2510-4438 ;v2997744540uhttps://doi.org/10.1007/978-3-031-59959-0  aZDB-2-LCM  aZDB-2-SXL  c60663d60663