03978nam a22005895i 4500 978-3-031-54431-6 DE-He213 20251030112312.0 cr nn 008mamaa 240614s2024 sz | s |||| 0|eng d 9783031544316 978-3-031-54431-6 10.1007/978-3-031-54431-6 doi BL60 JHB bicssc JFSR bicssc SOC039000 bisacsh JHB thema JBSR thema Burgos, Daniel. author. aut http://id.loc.gov/vocabulary/relators/aut 78695 Rituals and Music in Europe [electronic resource] : An ethnological study through data analytics / by Daniel Burgos. 1st ed. 2024. Cham : Springer Nature Switzerland : Imprint: Springer, 2024. XXIII, 218 p. 58 illus. online resource. text txt rdacontent computer c rdamedia online resource cr rdacarrier text file PDF rda New Approaches to the Scientific Study of Religion, 2367-3508 ; 13 Chapter 1. Introduction to this book -- Chapter 2. Literature review: systematic review -- Chapter 3. Literature review: types of rituals -- Chapter 4. Literature review: the concept of ritual -- Chapter 5. Literature review: functions and means of the ritual -- Chapter 6. Literature review: the role of music in modern european rituals -- Chapter 7. Research on rituals and music -- Chapter 8. Findings and discussion -- Chapter 9. Conclusions and recommendations. This book explores modern European religious and non-religious rituals and their main features by focusing on music as a key element required for the full expression of beliefs. It specifically examines the relationship between religious, non-religious, pagan, cultural, celebratory, and traditional rituals. In doing so, this text focuses on the extent to which the rituals overlap, replace, or feed religious or pseudo-religious beliefs to create alternative beliefs (individual or collective) that systematically ignore any religion. The book further analyses the relationship between daily habits, holidays, sports, politics, culture, and other pagan rituals as forms that represent social feelings by identifying, enjoying, or impersonating emotions; and transversally, it explores how music facilitates and fosters those emotions. The volume also investigates how rituals coexist and mutually influence each other through a representation of religious and non-religious rituals, and how music plays a central role in that phenomenology. The author argues that music is a key part of various types of rituals (e.g. rites of passage), and that music supports and enriches the meaning of the ritual, to ultimately strengthen the bond of communication with the individual and the group. This monograph appeals to students and researchers working in religious studies and in music theory. . Religion and sociology. 68604 Music theory. 74241 Anthropology of religion. Ethnology. 58687 Sociology of Religion. 68606 Theory of Music. 74242 Anthropology of Religion. Ethnology. 58687 SpringerLink (Online service) Springer Nature eBook Printed edition: 9783031544309 Printed edition: 9783031544323 Printed edition: 9783031544330 New Approaches to the Scientific Study of Religion, 2367-3508 ; 13 78696 https://doi.org/10.1007/978-3-031-54431-6 ZDB-2-REP ZDB-2-SXPR 60727 60727