03769nam a22005415i 4500001001800000003000900018005001700027007001500044008004100059020003700100024003500137050000900172072001600181072001700197072002300214072001500237072001600252100008400268245012400352250001800476264006900494300004600563336002600609337002600635338003600661347002400697490007300721505047100794520139601265650003502661650002502696650003002721650002202751650003402773650002802807650003002835650002202865710003402887773002602921776003602947776003602983776003603019830008003055856004603135912001403181912001503195999001703210978-3-031-54431-6DE-He21320251030112312.0cr nn 008mamaa240614s2024    sz |    s    |||| 0|eng d  a97830315443169978-3-031-54431-67 a10.1007/978-3-031-54431-62doi 4aBL60 7aJHB2bicssc 7aJFSR2bicssc 7aSOC0390002bisacsh 7aJHB2thema 7aJBSR2thema1 aBurgos, Daniel.eauthor.4aut4http://id.loc.gov/vocabulary/relators/aut97869510aRituals and Music in Europeh[electronic resource] :bAn ethnological study through data analytics /cby Daniel Burgos.  a1st ed. 2024. 1aCham :bSpringer Nature Switzerland :bImprint: Springer,c2024.  aXXIII, 218 p. 58 illus.bonline resource.  atextbtxt2rdacontent  acomputerbc2rdamedia  aonline resourcebcr2rdacarrier  atext filebPDF2rda1 aNew Approaches to the Scientific Study of Religion,x2367-3508 ;v130 aChapter 1. Introduction to this book -- Chapter 2. Literature review: systematic review -- Chapter 3. Literature review: types of rituals -- Chapter 4. Literature review: the concept of ritual -- Chapter 5. Literature review: functions and means of the ritual -- Chapter 6. Literature review: the role of music in modern european rituals -- Chapter 7. Research on rituals and music -- Chapter 8. Findings and discussion -- Chapter 9. Conclusions and recommendations.  aThis book explores modern European religious and non-religious rituals and their main features by focusing on music as a key element required for the full expression of beliefs. It specifically examines the relationship between religious, non-religious, pagan, cultural, celebratory, and traditional rituals. In doing so, this text focuses on the extent to which the rituals overlap, replace, or feed religious or pseudo-religious beliefs to create alternative beliefs (individual or collective) that systematically ignore any religion. The book further analyses the relationship between daily habits, holidays, sports, politics, culture, and other pagan rituals as forms that represent social feelings by identifying, enjoying, or impersonating emotions; and transversally, it explores how music facilitates and fosters those emotions. The volume also investigates how rituals coexist and mutually influence each other through a representation of religious and non-religious rituals, and how music plays a central role in that phenomenology. The author argues that music is a key part of various types of rituals (e.g. rites of passage), and that music supports and enriches the meaning of the ritual, to ultimately strengthen the bond of communication with the individual and the group. This monograph appeals to students and researchers working in religious studies and in music theory. . 0aReligion and sociology.968604 0aMusic theory.974241 0aAnthropology of religion. 0aEthnology.95868714aSociology of Religion.96860624aTheory of Music.97424224aAnthropology of Religion.24aEthnology.9586872 aSpringerLink (Online service)0 tSpringer Nature eBook08iPrinted edition:z978303154430908iPrinted edition:z978303154432308iPrinted edition:z9783031544330 0aNew Approaches to the Scientific Study of Religion,x2367-3508 ;v1397869640uhttps://doi.org/10.1007/978-3-031-54431-6  aZDB-2-REP  aZDB-2-SXPR  c60727d60727