05099nam a22005895i 4500 978-3-031-49907-4 DE-He213 20251030112316.0 cr nn 008mamaa 240618s2024 sz | s |||| 0|eng d 9783031499074 978-3-031-49907-4 10.1007/978-3-031-49907-4 doi PN770-779 DSBH bicssc LIT024050 bisacsh DSBH thema Natalia Ginzburg's Global Legacies [electronic resource] / edited by Stiliana Milkova Rousseva, Saskia Elizabeth Ziolkowski. 1st ed. 2024. Cham : Springer Nature Switzerland : Imprint: Palgrave Macmillan, 2024. X, 277 p. 2 illus. online resource. text txt rdacontent computer c rdamedia online resource cr rdacarrier text file PDF rda Italian and Italian American Studies, 2635-294X Chapter 1- Global Ginzburg: Reading Natalia Ginzburg in the 21st Century -- Part One. World Literature and the World -- Chapter 2- Publishing Natalia Ginzburg in the Anglophone World -- Chapter 3. Ginzburg’s Worlds: The World-making Power of the Short Story -- Chapter 4. Born untranslatable? On the Transnational Circulation of Ginzburg’s Family Lexicon -- Part Two. Female Bodies, Voices, and Gazes -- Chapter 5. Women’s Bodies in Natalia Ginzburg’s Fictions -- Chapter 6. The Female Voice as a Form of Resistance: Natalia Ginzburg’s Speech Acts -- Chapter 7. From Closet to Absence: Queering Family Roles and Gender Norms in Natalia Ginzburg’s Valentino and Happiness, As Such -- Chapter 8. “When a film is good, I remember it”: Natalia Ginzburg at the Movies -- Part Three. Identity, Topography, and Form -- Chapter 9. Topographies of Trauma, Loss, and Mourning in Natalia Ginzburg’s Early Works -- Chapter 10. Narrative Modes in Elsa Morante and Natalia Ginzburg’s Family Novels -- Chapter 11. Neither Rich, Nor Poor, Neither Jewish, Nor Catholic: The Legacies of Natalia Ginzburg’s Negations -- Chapter 12. Natalia Ginzburg’s Essay “The Jews” and Its Trials. Offering comparative and interdisciplinary approaches to Natalia Ginzburg, this volume situates Ginzburg’s works within major critical discourses to articulate innovative readings and mobilize further lines of inquiry. The first section, “World Literature and World Making,” uses translation practices, world literature, and transnational studies to theorize the growing popularity of Ginzburg. The second section, “Female Bodies, Voices, and Gazes,” draws on gender and queer studies, speech act theory, intersectional feminism, and media studies to begin to address gaps in Ginzburg scholarship. The last section, “Identity, Topography, and Forms,” approaches Ginzburg through the lenses of trauma studies, topography, novel and essay studies, and Jewish identity. Natalia Ginzburg’s Global Legacies both makes available in English important Italian research and builds on significant international discourses. In bridging Italian and Anglophone scholarship, the volume engages students and scholars of Comparative and Italian literature, world literature, and women’s writing, as well as general readers of Ginzburg. Stiliana Milkova Rousseva is Associate Professor of Comparative Literature and Italian at Oberlin College, USA. She is the author of Elena Ferrante as World Literature (2021) and of numerous scholarly articles on Italian, Russian, and Bulgarian literatures. Saskia Elizabeth Ziolkowski is Associate Professor of Romance Studies at Duke University, USA and affiliated faculty in German and Jewish Studies. She is the author of Kafka's Italian Progeny (2020), the winner of the 2020 AAIS Book Prize for Literary Studies. Literature, Modern 20th century. Literature. 65108 Comparative literature. Feminism. 1785 Feminist theory. 61151 Twentieth-Century Literature. World Literature. 66655 Comparative Literature. Feminism and Feminist Theory. 67739 Milkova Rousseva, Stiliana. editor. edt http://id.loc.gov/vocabulary/relators/edt 78815 Ziolkowski, Saskia Elizabeth. editor. edt http://id.loc.gov/vocabulary/relators/edt 78816 SpringerLink (Online service) Springer Nature eBook Printed edition: 9783031499067 Printed edition: 9783031499081 Printed edition: 9783031499098 Italian and Italian American Studies, 2635-294X 71921 https://doi.org/10.1007/978-3-031-49907-4 ZDB-2-LCM ZDB-2-SXL 60786 60786