03758nam a22004695i 4500001001800000003000900018005001700027007001500044008004100059020001800100024003500118050001600153072001700169072001700186072002300203072002100226100007600247245009800323250001800421264008200439300006200521336002600583337002600609338003600635347002400671490006000695505039800755520173701153650002002890650001802910650002502928650002202953650001702975650002202992710003403014773002603048776003603074776003603110776003603146830006003182856004603242978-981-97-2401-7DE-He21320251030112617.0cr nn 008mamaa240706s2024    si |    s    |||| 0|eng d  a97898197240177 a10.1007/978-981-97-2401-72doi 4aDS701-799.9 7aHBJF2bicssc 7a1FPC2bicssc 7aHIS0080002bisacsh 7aNHFx1FPC2thema1 aWang, Yonghao.eauthor.4aut4http://id.loc.gov/vocabulary/relators/aut10aAesthetics from Ancient Chinah[electronic resource] :bAspects of Fenggu /cby Yonghao Wang.  a1st ed. 2024. 1aSingapore :bSpringer Nature Singapore :bImprint: Palgrave Macmillan,c2024.  aVI, 224 p. 5 illus., 1 illus. in color.bonline resource.  atextbtxt2rdacontent  acomputerbc2rdamedia  aonline resourcebcr2rdacarrier  atext filebPDF2rda1 aKey Concepts in Chinese Thought and Culture,x2524-84720 aChapter I Standards and Norms for Calligraphy and Painting: Fenggu in Calligraphy -- Chapter II Art in a Class of Its Own: Fenggu in Painting -- Chapter III The Beauty and Subtlety of Language: Fenggu as an Aesthetic Genre in Poetry -- Chapter IV The Formation of Fenggu―From Brush and Ink to Character -- Chapter V Shared Sensation and Connectedness—An Overview of Fenggu Aesthetic Genre.  aThis book presents the concept of Fenggu, one of the most important aesthetic categories of ancient China. As an inspiring aesthetic principle, it once encapsulated the particularities of various types of artistic creation and played an important role in traditional artistic creation and theoretic critique. The present volume aims to systematically elaborate on its etymological origin, connotations and generation, its great role in overcoming the tendency of creative stereotypes, its logical positioning in the ancient aesthetic system and its profound connection with traditional culture, via comprehensive analysis of a rich repository of original materials, in combination with calligraphy, painting, and poetry criticism. The theoretical character of traditional aesthetics has been derived from agglomeration of Fenggu with other several important categories of paradigm significance. Therefore, its investigation can offer insights into the organic rhythm of the development of ancient aesthetic thought and consequently lay a solid foundation for the construction of ancient art history and aesthetic history. Yonghao Wang, professor and doctoral supervisor of the Department of Chinese Language and Literature at Fudan University; distinguished professor of the Yangtze River Scholar Program of the Ministry of Education; Vice Chairman of China Literature and Art Critics Association, Vice Chairman of Shanghai Federation of Literary and Art Circles, Chairman of Shanghai Literature and Art Critics Association and Vice Chairman of Shanghai Poetry Society; Vice-chairman of the National Social Science Journals of Institutions of Higher Learning Institute, and Editor-in-Chief of Fudan Journal (Social Science Edition). 0aChinaxHistory. 0aArtxHistory. 0aOriental literature.14aHistory of China.24aArt History.24aAsian Literature.2 aSpringerLink (Online service)0 tSpringer Nature eBook08iPrinted edition:z978981972400008iPrinted edition:z978981972402408iPrinted edition:z9789819724031 0aKey Concepts in Chinese Thought and Culture,x2524-847240uhttps://doi.org/10.1007/978-981-97-2401-7