04089nam a22005535i 4500 978-981-97-2401-7 DE-He213 20251030112617.0 cr nn 008mamaa 240706s2024 si | s |||| 0|eng d 9789819724017 978-981-97-2401-7 10.1007/978-981-97-2401-7 doi DS701-799.9 HBJF bicssc 1FPC bicssc HIS008000 bisacsh NHF 1FPC thema Wang, Yonghao. author. aut http://id.loc.gov/vocabulary/relators/aut 80151 Aesthetics from Ancient China [electronic resource] : Aspects of Fenggu / by Yonghao Wang. 1st ed. 2024. Singapore : Springer Nature Singapore : Imprint: Palgrave Macmillan, 2024. VI, 224 p. 5 illus., 1 illus. in color. online resource. text txt rdacontent computer c rdamedia online resource cr rdacarrier text file PDF rda Key Concepts in Chinese Thought and Culture, 2524-8472 Chapter I Standards and Norms for Calligraphy and Painting: Fenggu in Calligraphy -- Chapter II Art in a Class of Its Own: Fenggu in Painting -- Chapter III The Beauty and Subtlety of Language: Fenggu as an Aesthetic Genre in Poetry -- Chapter IV The Formation of Fenggu―From Brush and Ink to Character -- Chapter V Shared Sensation and Connectedness—An Overview of Fenggu Aesthetic Genre. This book presents the concept of Fenggu, one of the most important aesthetic categories of ancient China. As an inspiring aesthetic principle, it once encapsulated the particularities of various types of artistic creation and played an important role in traditional artistic creation and theoretic critique. The present volume aims to systematically elaborate on its etymological origin, connotations and generation, its great role in overcoming the tendency of creative stereotypes, its logical positioning in the ancient aesthetic system and its profound connection with traditional culture, via comprehensive analysis of a rich repository of original materials, in combination with calligraphy, painting, and poetry criticism. The theoretical character of traditional aesthetics has been derived from agglomeration of Fenggu with other several important categories of paradigm significance. Therefore, its investigation can offer insights into the organic rhythm of the development of ancient aesthetic thought and consequently lay a solid foundation for the construction of ancient art history and aesthetic history. Yonghao Wang, professor and doctoral supervisor of the Department of Chinese Language and Literature at Fudan University; distinguished professor of the Yangtze River Scholar Program of the Ministry of Education; Vice Chairman of China Literature and Art Critics Association, Vice Chairman of Shanghai Federation of Literary and Art Circles, Chairman of Shanghai Literature and Art Critics Association and Vice Chairman of Shanghai Poetry Society; Vice-chairman of the National Social Science Journals of Institutions of Higher Learning Institute, and Editor-in-Chief of Fudan Journal (Social Science Edition). China History. 66901 Art History. 68955 Oriental literature. 66468 History of China. 66903 Art History. 68957 Asian Literature. 66469 SpringerLink (Online service) Springer Nature eBook Printed edition: 9789819724000 Printed edition: 9789819724024 Printed edition: 9789819724031 Key Concepts in Chinese Thought and Culture, 2524-8472 80152 https://doi.org/10.1007/978-981-97-2401-7 ZDB-2-HTY ZDB-2-SXH 61403 61403