03595nam a22004695i 4500001001800000003000900018005001700027007001500044008004100059020003700100024003500137050001600172072001500188072001700203072002300220072002000243245019600263250001800459264007900477300004400556336002600600337002600626338003600652347002400688505031600712520153201028650004302560650002602603650003202629650003402661700008702695700008402782710003402866773002602900776003602926776003602962776003602998856004603034912001403080912001403094999001703108978-3-031-60668-7DE-He21320251030112618.0cr nn 008mamaa240708s2024    sz |    s    |||| 0|eng d  a97830316066879978-3-031-60668-77 a10.1007/978-3-031-60668-72doi 4aPN1993-1999 7aAP2bicssc 7a1DDU2bicssc 7aPER0040002bisacsh 7aATx1DDU2thema10aIssues and Singularity in the British Media Volume 1h[electronic resource] :bInk, click and screen: from "imagined communities" to "soft power" /cedited by Renée Dickason, David Haigron.  a1st ed. 2024. 1aCham :bSpringer Nature Switzerland :bImprint: Palgrave Macmillan,c2024.  aXIII, 262 p. 2 illus.bonline resource.  atextbtxt2rdacontent  acomputerbc2rdamedia  aonline resourcebcr2rdacarrier  atext filebPDF2rda0 aChapter 1: Introduction -- Chapter 2: Converting Blocks into Wisdom?: The 19th-Century Pictorial Press -- Chapter 3: The 20th-Century British Written Press: Landmarks, (R)evolutions, and Influences -- Chapter 4: The Rise (and Fall?) of the British Music Press in the Age of Streaming and Social Media Platforms.  aThis book offers a historical, cultural, political and socio-economic analysis of the British media. It examines how facts and events are reported and interpreted, but also how ideas and opinions circulate and are recycled, with attention being paid to British traits and tropes in these domains. This in-depth study of “issues” and “singularity” aims at understanding how the British media have helped shape the country’s culture and representations, thereby providing its people with a sense of togetherness. Volume 1 focuses on the press, the internet and cinema as mass media, from the prolific and innovative Victorian era – the matrix of the modern world – to the turn of the 21st century with the challenge of digitalisation. Newspapers, magazines, films and music are studied as vehicles for fostering shared collective identities (“imagined communities”) and for projecting a certain image of Britain at home and abroad (“soft power”). Renée Dickason is Professor of British and Commonwealth studies at the University of Rennes, France. She has been a keen observer of British media for some thirty years. She is the author and (co-)editor of numerous publications on British social and cultural history, on war memories and on war representationsin the media. David Haigron is a Senior Lecturer in British Studies at the University of Rennes, France. He is the author and (co-)editor of numerous publications on political communication, popular culture and social representations in the media. 0aMotion picturesxGreat Britain.968020 0aDigital media.95927414aBritish Film and TV.96802324aDigital and New Media.9659451 aDickason, Renée.eeditor.4edt4http://id.loc.gov/vocabulary/relators/edt9801741 aHaigron, David.eeditor.4edt4http://id.loc.gov/vocabulary/relators/edt9801752 aSpringerLink (Online service)0 tSpringer Nature eBook08iPrinted edition:z978303160667008iPrinted edition:z978303160669408iPrinted edition:z978303160670040uhttps://doi.org/10.1007/978-3-031-60668-7  aZDB-2-LCM  aZDB-2-SXL  c61417d61417