03320nam a22004935i 4500001001800000003000900018005001700027007001500044008004100059020001800100024003500118050001400153050001200167072001600179072002300195072001500218100007700233245013200310250001800442264007900460300006600539336002600605337002600631338003600657347002400693505038700717520125401104650002102358650003002379650002702409650002702436650002202463650001802485650004802503650002202551650002202573650001702595710003402612773002602646776003602672776003602708776003602744856004602780978-3-031-60335-8DE-He21320251030112620.0cr nn 008mamaa240709s2024 sz | s |||| 0|eng d a97830316033587 a10.1007/978-3-031-60335-82doi 4aDK1-949.5 4aDJK1-77 7aHBJ2bicssc 7aHIS0320002bisacsh 7aNHQ2thema1 aNedd, Andrew M.eauthor.4aut4http://id.loc.gov/vocabulary/relators/aut10aHistory and Myth in Pictorial Narratives of the Russian 'Patriotic War', 1812-1914h[electronic resource] /cby Andrew M. Nedd. a1st ed. 2024. 1aCham :bSpringer Nature Switzerland :bImprint: Palgrave Macmillan,c2024. aXIII, 273 p. 59 illus., 45 illus. in color.bonline resource. atextbtxt2rdacontent acomputerbc2rdamedia aonline resourcebcr2rdacarrier atext filebPDF2rda0 aChapter 1. Introduction -- Chapter 2. Art, War, and Empire: A History -- Chapter 3. The Reign of Alexander I: The Myth of National Unity -- Chapter 4. Nicholas I: Tsar, Nobility, and People Against Napoleon -- Chapter 5. Alexander II and Alexander III: Vereshchagin’s 1812 -- Chapter 6. Nicholas II: The Centennial, Art, Spectacle, and Historical Memory -- Chapter 7. Conclusions. aThis book reveals that the visual narrative of the events of the Russian campaign of 1812 was inextricably linked to Russia's search for national identity and helped to form competing definitions of 'Russianness'. No pre-revolutionary military event was more celebrated in Russian literature and art than the ‘Patriotic War of 1812’, during which Napoleon advanced his Grand Armée into Russia, only to retreat months later in defeat as his army faced starvation and capture during the brutal winter. The works of art that retold the story of 1812 extolled virtues that were represented as inherently Russian: courage, resourcefulness, and unity. Furthermore, these values were increasingly contrasted with those of the foreign invader from the west. While the emphasis is largely on academic painting, this book also explores popular media and memorialization in order to reveal the role that images played in the process of constructing identities in nineteenth-century Russia. Andrew M. Nedd is Professor of Art History at the Savannah College of Art and Design, USA. He specializes in the art of late-imperial Russia, particularly the relationship between art and war, and he has contributed to and edited numerous anthologies in this area. 0aRussiaxHistory. 0aEurope, EasternxHistory. 0aSoviet UnionxHistory. 0aCivilizationxHistory. 0aMilitary history. 0aArtxHistory.14aRussian, Soviet, and East European History.24aCultural History.24aMilitary History.24aArt History.2 aSpringerLink (Online service)0 tSpringer Nature eBook08iPrinted edition:z978303160334108iPrinted edition:z978303160336508iPrinted edition:z978303160337240uhttps://doi.org/10.1007/978-3-031-60335-8