03148nam a22005175i 4500001001800000003000900018005001700027007001500044008004100059020003700100024003500137050001100172072001600183072001600199072002300215072001600238072001500254100008200269245012100351250001800472264007900490300003300569336002600602337002600628338003600654347002400690505030000714520113501014650002802149650002302177650002502200650003902225650003002264650002302294650002402317650002902341710003402370773002602404776003602430776003602466776003602502856004602538912001402584912001502598999001702613978-3-031-61429-3DE-He21320251030112621.0cr nn 008mamaa240710s2024    sz |    s    |||| 0|eng d  a97830316142939978-3-031-61429-37 a10.1007/978-3-031-61429-32doi 4aN61-79 7aHPN2bicssc 7aABA2bicssc 7aPHI0010002bisacsh 7aQDTN2thema 7aABA2thema1 aMoore, Peter.eauthor.4aut4http://id.loc.gov/vocabulary/relators/aut98029512aA New Approach to the Artsh[electronic resource] :bTracing the Roots of Artistic Representation /cby Peter Moore.  a1st ed. 2024. 1aCham :bSpringer Nature Switzerland :bImprint: Palgrave Macmillan,c2024.  aXI, 266 p.bonline resource.  atextbtxt2rdacontent  acomputerbc2rdamedia  aonline resourcebcr2rdacarrier  atext filebPDF2rda0 aChapter 1. Introduction: Making Representations -- Chapter 2. Framing the Image -- Chapter 3. Sounding the Word -- Chapter 4. Reading the Melody -- Chapter 5. Staging the Gesture -- Chapter 6. Seeing Through Conventions -- Chapter 7. One Art After Another -- Chapter 8. Looking Beyond the Frame.  aThis book considers how art actually works, how the various art forms connect with the world of ordinary human experience. Many books approach the subject from the top down, through topics such as the nature of beauty, the meaning of art, aesthetic judgement, and so on. The present book examines the subject from the ground up, so to speak, showing how the creation and appreciation of art spring from innate human needs and capacities. What we call ‘the arts’ emerge organically from the habitual activities through which human beings represent the world to themselves and others. Artistic representation, always more than mere imitation, is a reaching for the spirit of a subject, a revealing of the implicit, a refreshing of the overly familiar. A key idea is that art is representation through convention – that artistic conventions, far from inhibiting the work of the artist, are vital to artistic creativity. Peter Moore has taught and published work on a broad range of topics in the Humanities over several decades. He is currently Honorary Lecturer in Religious Studies at the University of Kent (Canterbury, UK). 0aArtxPhilosophy.968956 0aAesthetics.964000 0aArtxHistory.968955 0aIntellectual lifexHistory.97067314aPhilosophy of Art.97898924aAesthetics.96400024aArt History.96895724aHistory of Ideas.9733222 aSpringerLink (Online service)0 tSpringer Nature eBook08iPrinted edition:z978303161428608iPrinted edition:z978303161430908iPrinted edition:z978303161431640uhttps://doi.org/10.1007/978-3-031-61429-3  aZDB-2-REP  aZDB-2-SXPR  c61478d61478