04566nam a22006255i 4500 978-3-031-63634-9 DE-He213 20251030112658.0 cr nn 008mamaa 240730s2024 sz | s |||| 0|eng d 9783031636349 978-3-031-63634-9 10.1007/978-3-031-63634-9 doi K201-487 K140-165 LAB bicssc LAW000000 bisacsh LAB thema On the Artistic Representation of Industrial Disputes in the Shadow of Repression in European Art [electronic resource] : From 1870 to 1914 and Beyond / edited by Filip Dorssemont. 1st ed. 2024. Cham : Springer International Publishing : Imprint: Springer, 2024. IX, 210 p. 114 illus., 99 illus. in color. online resource. text txt rdacontent computer c rdamedia online resource cr rdacarrier text file PDF rda Law and Visual Jurisprudence, 2662-4540 ; 15 Introduction -- Some perspectives on the representation of industrial disputes under the shadow of repression in European Art (1870-1914) -- Early Stages of Collective Action and their Visual Representations: an Emotions Driven Approach to the Struggle for Better Working Conditions -- The Midinette guiding the People. An iconographic break of the Assiette au Beurre -- Labour and Art: The dualism of backwardness and timeliness in Hungary and in its Eastern neighbourhood -- From 1844 to 1944 - Workers and revolutions in Poland -- Conclusions. This book is the first volume on the artistic representation of industrial disputes in European art (from 1870 to 1914) since the catalogue of the landmark exhibition Streik, Realität und Mythos, organized by the Deutsches Historisches Museum (1992). It has been written by a group of scholars who share a keen interest in social history and the history of art, as well as in-depth knowledge of industrial relations and collective labour law. Seeking to transcend a purely western European perspective, the book offers unprecedented insights into artistic production in Poland and Hungary from the 19th century to the communist era. It even goes beyond the European continent, examining the United States and Mexico. The media explored include painting, sculpture, the graphic arts and photography. Further, the book deals with artists great (Carlo Carrà, Walter Crane, James Ensor, Juan Gris, Käthe Kollwitz, Constantin Meunier,Mihály Munkácsy, Théophile-Alexandre Steinlen and Jan Toorop) and small, sometimes even anonymous. The artistic styles range from (social) realism, naturalism and neo-impressionism to futurism and socialist realism. All stages of industrial disputes (from the causes of strikes to their violent suppression) are subjected to iconographical and iconological analysis, combined with perspectives from visual studies, critical art and gender studies. Agricultural workers, miners, construction workers and textile workers fill the scenes. Most of them are subordinate workers; others are (bogus) independent workers and migrant workers. Given its scope, the book will be of interest to (art) historians, labour law scholars, and specialists in industrial relations. Law Philosophy. 67596 Law History. 67597 Semiotics. 69632 Social legislation. 65663 Europe, Central History. 77403 Labor. 60901 History. Theories of Law, Philosophy of Law, Legal History. 67600 Semiotics. 69632 Labour Law/Social Law. 65669 History of Germany and Central Europe. 77404 Labor History. 75020 Dorssemont, Filip. editor. edt http://id.loc.gov/vocabulary/relators/edt 81538 SpringerLink (Online service) Springer Nature eBook Printed edition: 9783031636332 Printed edition: 9783031636356 Printed edition: 9783031636363 Law and Visual Jurisprudence, 2662-4540 ; 15 71541 https://doi.org/10.1007/978-3-031-63634-9 ZDB-2-LCR ZDB-2-SXLC 62047 62047