From 1870 to 1914 and Beyond Dorssemont, Filip. editor. edt http://id.loc.gov/vocabulary/relators/edt SpringerLink (Online service) text sz 2024 1st ed. 2024. monographic eng

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access IX, 210 p. 114 illus., 99 illus. in color. online resource. This book is the first volume on the artistic representation of industrial disputes in European art (from 1870 to 1914) since the catalogue of the landmark exhibition Streik, Realität und Mythos, organized by the Deutsches Historisches Museum (1992). It has been written by a group of scholars who share a keen interest in social history and the history of art, as well as in-depth knowledge of industrial relations and collective labour law. Seeking to transcend a purely western European perspective, the book offers unprecedented insights into artistic production in Poland and Hungary from the 19th century to the communist era. It even goes beyond the European continent, examining the United States and Mexico. The media explored include painting, sculpture, the graphic arts and photography. Further, the book deals with artists great (Carlo Carrà, Walter Crane, James Ensor, Juan Gris, Käthe Kollwitz, Constantin Meunier,Mihály Munkácsy, Théophile-Alexandre Steinlen and Jan Toorop) and small, sometimes even anonymous. The artistic styles range from (social) realism, naturalism and neo-impressionism to futurism and socialist realism. All stages of industrial disputes (from the causes of strikes to their violent suppression) are subjected to iconographical and iconological analysis, combined with perspectives from visual studies, critical art and gender studies. Agricultural workers, miners, construction workers and textile workers fill the scenes. Most of them are subordinate workers; others are (bogus) independent workers and migrant workers. Given its scope, the book will be of interest to (art) historians, labour law scholars, and specialists in industrial relations. Introduction -- Some perspectives on the representation of industrial disputes under the shadow of repression in European Art (1870-1914) -- Early Stages of Collective Action and their Visual Representations: an Emotions Driven Approach to the Struggle for Better Working Conditions -- The Midinette guiding the People. An iconographic break of the Assiette au Beurre -- Labour and Art: The dualism of backwardness and timeliness in Hungary and in its Eastern neighbourhood -- From 1844 to 1944 - Workers and revolutions in Poland -- Conclusions. edited by Filip Dorssemont. Law Philosophy Law History Semiotics Social legislation Europe, Central History Labor History Theories of Law, Philosophy of Law, Legal History Semiotics Labour Law/Social Law History of Germany and Central Europe Labor History K201-487 K140-165 9783031636349 https://doi.org/10.1007/978-3-031-63634-9 https://doi.org/10.1007/978-3-031-63634-9 240730 20251030112658.0 978-3-031-63634-9