04371nam a22005775i 4500001001800000003000900018005001700027007001500044008004100059020003700100024003500137050001300172050001300185072001600198072002300214072001500237245018800252250001800440264007500458300006500533336002600598337002600624338003600650347002400686490005100710505055100761520170801312650002803020650002503048650002203073650003103095650003703126650001803163650001303181650006203194650002203256650003403278650005003312650002603362700008703388710003403475773002603509776003603535776003603571776003603607830005803643856004603701912001403747912001503761999001703776978-3-031-63634-9DE-He21320251030112658.0cr nn 008mamaa240730s2024    sz |    s    |||| 0|eng d  a97830316363499978-3-031-63634-97 a10.1007/978-3-031-63634-92doi 4aK201-487 4aK140-165 7aLAB2bicssc 7aLAW0000002bisacsh 7aLAB2thema10aOn the Artistic Representation of Industrial Disputes in the Shadow of Repression in European Arth[electronic resource] :bFrom 1870 to 1914 and Beyond /cedited by Filip Dorssemont.  a1st ed. 2024. 1aCham :bSpringer International Publishing :bImprint: Springer,c2024.  aIX, 210 p. 114 illus., 99 illus. in color.bonline resource.  atextbtxt2rdacontent  acomputerbc2rdamedia  aonline resourcebcr2rdacarrier  atext filebPDF2rda1 aLaw and Visual Jurisprudence,x2662-4540 ;v150 aIntroduction -- Some perspectives on the representation of industrial disputes under the shadow of repression in European Art (1870-1914) -- Early Stages of Collective Action and their Visual Representations: an Emotions Driven Approach to the Struggle for Better Working Conditions -- The Midinette guiding the People. An iconographic break of the Assiette au Beurre -- Labour and Art: The dualism of backwardness and timeliness in Hungary and in its Eastern neighbourhood -- From 1844 to 1944 - Workers and revolutions in Poland -- Conclusions.  aThis book is the first volume on the artistic representation of industrial disputes in European art (from 1870 to 1914) since the catalogue of the landmark exhibition Streik, Realität und Mythos, organized by the Deutsches Historisches Museum (1992). It has been written by a group of scholars who share a keen interest in social history and the history of art, as well as in-depth knowledge of industrial relations and collective labour law. Seeking to transcend a purely western European perspective, the book offers unprecedented insights into artistic production in Poland and Hungary from the 19th century to the communist era. It even goes beyond the European continent, examining the United States and Mexico. The media explored include painting, sculpture, the graphic arts and photography. Further, the book deals with artists great (Carlo Carrà, Walter Crane, James Ensor, Juan Gris, Käthe Kollwitz, Constantin Meunier,Mihály Munkácsy, Théophile-Alexandre Steinlen and Jan Toorop) and small, sometimes even anonymous. The artistic styles range from (social) realism, naturalism and neo-impressionism to futurism and socialist realism. All stages of industrial disputes (from the causes of strikes to their violent suppression) are subjected to iconographical and iconological analysis, combined with perspectives from visual studies, critical art and gender studies. Agricultural workers, miners, construction workers and textile workers fill the scenes. Most of them are subordinate workers; others are (bogus) independent workers and migrant workers. Given its scope, the book will be of interest to (art) historians, labour law scholars, and specialists in industrial relations. 0aLawxPhilosophy.967596 0aLawxHistory.967597 0aSemiotics.969632 0aSocial legislation.965663 0aEurope, CentralxHistory.977403 0aLabor.960901 0aHistory.14aTheories of Law, Philosophy of Law, Legal History.96760024aSemiotics.96963224aLabour Law/Social Law.96566924aHistory of Germany and Central Europe.97740424aLabor History.9750201 aDorssemont, Filip.eeditor.4edt4http://id.loc.gov/vocabulary/relators/edt9815382 aSpringerLink (Online service)0 tSpringer Nature eBook08iPrinted edition:z978303163633208iPrinted edition:z978303163635608iPrinted edition:z9783031636363 0aLaw and Visual Jurisprudence,x2662-4540 ;v1597154140uhttps://doi.org/10.1007/978-3-031-63634-9  aZDB-2-LCR  aZDB-2-SXLC  c62047d62047