03944nam a22006135i 4500 978-3-031-66320-8 DE-He213 20251030112707.0 cr nn 008mamaa 240802s2024 sz | s |||| 0|eng d 9783031663208 978-3-031-66320-8 10.1007/978-3-031-66320-8 doi QA76.9.U83 QA76.9.H85 UYZ bicssc COM079010 bisacsh UYZ thema Hutson, James. author. aut http://id.loc.gov/vocabulary/relators/aut 67175 Art and Culture in the Multiverse of Metaverses [electronic resource] : Immersion, Presence, and Interactivity in the Digital Age / by James Hutson. 1st ed. 2024. Cham : Springer Nature Switzerland : Imprint: Springer, 2024. XXV, 195 p. 46 illus., 39 illus. in color. online resource. text txt rdacontent computer c rdamedia online resource cr rdacarrier text file PDF rda Springer Series on Cultural Computing, 2195-9064 Part 1: Location and immersion -- Introduction -- Microcosm of history: Everywhere. Everything. Everyone -- Part 2: Place and presence -- Art in the age of virtual reproduction -- Digital cultural heritage preservation -- Part 3: Identity and interactivity -- Embodiment in avatars and technoculture -- From simulacra to reanimation: Resurrecting the (un)dead -- Conclusion. Drawing on the art historical framing of Location, Place, and Identity, this book will examine how the factors of Immersion, Presence, and Interactivity of XR are shaping our understanding of the world and our place within it. Location refers to the specific geographical or spatial context in which a work of art is created or experienced. Place refers to the social, cultural, and historical context of that location. Identity refers to the ways in which individuals and communities construct and express their sense of self and belonging within those contexts. Through case studies and theoretical analysis, Art and Culture in the Multiverse of Metaverses - Immersion, Presence, and Interactivity in the Digital Age, will explore how the factors of Immersion, Presence, and Interactivity of XR can be aligned with these art historical concepts, providing new opportunities for understanding and engaging with Location, Place, and Identity. For example, XR can be used to create immersive experiences of historical locations and cultural sites, allowing users to explore and engage with them in ways that would otherwise be impossible. Additionally, XR can be used to create interactive artworks that engage with issues of identity and belonging, creating new possibilities for self-expression and exploration. . User interfaces (Computer systems). 64688 Human-computer interaction. 64854 Cultural property. Art History. 68955 Virtual reality. Augmented reality. 66815 User Interfaces and Human Computer Interaction. 66577 Cultural Heritage. Art History. 68957 Virtual and Augmented Reality. 66818 SpringerLink (Online service) Springer Nature eBook Printed edition: 9783031663192 Printed edition: 9783031663215 Printed edition: 9783031663222 Springer Series on Cultural Computing, 2195-9064 67182 https://doi.org/10.1007/978-3-031-66320-8 ZDB-2-SCS ZDB-2-SXCS 62189 62189