04696nam a22005535i 4500 978-3-031-65921-8 DE-He213 20251030112850.0 cr nn 008mamaa 240812s2024 sz | s |||| 0|eng d 9783031659218 978-3-031-65921-8 10.1007/978-3-031-65921-8 doi B829.5.A-Z HPCF3 bicssc PHI018000 bisacsh QDHR5 thema Nitsche, Martin. author. aut http://id.loc.gov/vocabulary/relators/aut 82250 Phenomenological Investigations of Sonic Environments [electronic resource] / by Martin Nitsche, Ivan Gutierrez, Jiří Zelenka, Vít Pokorný. 1st ed. 2024. Cham : Springer Nature Switzerland : Imprint: Palgrave Macmillan, 2024. X, 165 p. online resource. text txt rdacontent computer c rdamedia online resource cr rdacarrier text file PDF rda Introduction -- 1. Phenomenology -- 1.1. Phenomenological Methodology in Sonic Research -- 1.2. Active/Passive, Embodiment, Intersubjectivity -- 1.3. Phenomenology and Sound-studies -- 2. Topological Phenomenology of Sonic Environments -- 2.1. Space, Place, Dimension -- 2.2. Localization, Displacement -- 2.3. Environment, Soundscape, Acoustic Space -- 2.4. Echo, Resonance, Vibration, Reverberation -- 3. Perception -- 3.1. Hearing and Listening -- 3.2. Multisensory Perception -- 3.3. Sonic Immersion -- 4. Constitutive Elements of Sonic Environments -- 4.1. Sound. Soundwaves -- 4.2. Rhythm -- 4.3. Voice -- 4.4. Natural vs. Technological Elements -- 4.5. Others. Sonic bodies -- 5. On and Beyond the Horizon of Auditory Experience -- 5.1. Disruptions. Disharmonies. Transitions -- 5.2. Noise -- 5.3. Silence. Deafness -- 6. Composition of Sonic Environments -- 6.1. Music -- 6.2. Film -- 6.3. Games. Sonic interfaces -- 7. Conclusion -- 7.1. Sonic phenomenology -- 7.2. Acoustic Sense of Place. Phenomenological approaches to sounds, noises, voices, and music traditionally privilege methods that center visual perception. This book aims not only to phenomenologically describe sonic environments, but also to develop an audition-centered phenomenological methodology to enable this task. "Sonic environment" is this book's term for the acoustic shape of human life-environment, which is multisensory and does not exclude visual, tactile, olfactory, and gustatory sensations connected with sounds or their sources. Sonic environments (in so far as they are lived) are not composed of separate sounds, but created by “sonic phenomena” – i.e., lived (real or imagined) experiences with sounds, noises, voices, and music. Just as phenomenology traditionally privileges the visual over the audio, phenomenology thematically prefers listening to a voice or a music over less articulated sonic experiences (i.e., sounds without an obvious meaning, melody, or rhythm).In this respect, the book not only provides missing phenomenological descriptions of sonic environments, but also redefines phenomenological methodology with respect to acoustic perception. Martin Nitsche is Senior Researcher and Head of Department at Institute of Philosophy, Czech Academy of Sciences. Ivan Gutierrez is a Postdoctoral Researcher at Institute of Philosophy, Czech Academy of Sciences. Jiří Zelenka is a PhD student at Institute of Philosophy, Czech Academy of Sciences. Vít Pokorný is Senior Researcher at Institute of Philosophy, Czech Academy of Sciences. Phenomenology . 62362 Continental Philosophy. 66476 Science Social aspects. 69032 Phenomenology. 62362 Continental Philosophy. 66476 Sound Studies. 80428 Gutierrez, Ivan. author. aut http://id.loc.gov/vocabulary/relators/aut 82251 Zelenka, Jiří. author. aut http://id.loc.gov/vocabulary/relators/aut 82252 Pokorný, Vít. author. aut http://id.loc.gov/vocabulary/relators/aut 82253 SpringerLink (Online service) Springer Nature eBook Printed edition: 9783031659201 Printed edition: 9783031659225 Printed edition: 9783031659232 https://doi.org/10.1007/978-3-031-65921-8 ZDB-2-REP ZDB-2-SXPR 62415 62415