03747nam a22004575i 4500001001800000003000900018005001700027007001500044008004100059020001800100024003500118050001600153072001500169072001600184072002300200072001400223072001600237100007600253245011700329250001800446264007900464300006600543336002600609337002600635338003600661347002400697490005700721505034100778520177901119650002102898650002602919650002602945650004702971710003403018773002603052776003603078776003603114776003603150830005703186856004603243978-3-031-46197-2DE-He21320251030112851.0cr nn 008mamaa240813s2024    sz |    s    |||| 0|eng d  a97830314619727 a10.1007/978-3-031-46197-22doi 4aPN1993-1999 7aAP2bicssc 7aJFC2bicssc 7aPER0040002bisacsh 7aAT2thema 7aJBCC2thema1 aBerner, Elias.eauthor.4aut4http://id.loc.gov/vocabulary/relators/aut10aMusic in Films about the Shoahh[electronic resource] :bCommemoration, Comfort, Provocation /cby Elias Berner.  a1st ed. 2024. 1aCham :bSpringer Nature Switzerland :bImprint: Palgrave Macmillan,c2024.  aXVII, 268 p. 54 illus., 35 illus. in color.bonline resource.  atextbtxt2rdacontent  acomputerbc2rdamedia  aonline resourcebcr2rdacarrier  atext filebPDF2rda1 aPalgrave Studies in Audio-Visual Culture,x2634-63620 aChapter 1: Introduction -- Chapter 2: Cultural Memory Film and Music -- Chapter 3: Commemoration: The Soundtrack of Schindler’s List -- Chapter 4: Comfort: The Pianist and Taking Sides -- Chapter 5: Provocation: Inglourious Basterds -- Chapter 6: Epilogue: The Emotive Stances and Their Reverberations in Contemporary Popular Culture.  a“Elias Berner has written an inspiring and moving book, a study of close listening that re-shapes theories of film music, and entangles them with the ongoing discourse on the memory of the Shoah. What this book thus beautifully brings to the fore is the relational power of music to regulate feelings of distance and closeness with a projected past.” —Thomas Macho, Professor for Cultural Hitory at the Humboldt University of Berlin, Germany. Head/Director of the International Research Center for Cultural Studies University of Art and Design Linz, Austria This book focuses on the aural and musical sphere of fictional audio-visual reconstructions of the Holocaust, a defining event in the history of the 20th century. Musicology has seen an increasing number of works on the function of film music and the construction of identity in media contexts in recent years. This project analyses the use of music in feature films about the Shoah. The analysis of 'the sound of Nazi violence', as well as the escape from and resistance against it, not only reveals a lot about the construction of the filmic characters' emotive states, but also tells us more about our own relationship to the past. The author understands the soundtrack of these films as an affective mediator of time, which connects filmic representations of the past with the present. Analysis focuses on the soundtracks of four films: Schindler's List, The Pianist, Taking Sides and Inglourious Basterds. Elias Berner is a Post-doc Researcher at the University of Music and Performing Arts in Vienna, Austria. In 2020 he obtained his PhD at the Department of Musicology at the University of Vienna. From 2015–2017, he was a Junior Fellow at the International Research Center for Cultural Studies (IFK). 0aMotion pictures. 0aWorld War, 1939-1945.14aAudio-Visual Culture.24aHistory of World War II and the Holocaust.2 aSpringerLink (Online service)0 tSpringer Nature eBook08iPrinted edition:z978303146196508iPrinted edition:z978303146198908iPrinted edition:z9783031461996 0aPalgrave Studies in Audio-Visual Culture,x2634-636240uhttps://doi.org/10.1007/978-3-031-46197-2