04398nam a22005295i 4500 978-981-97-2906-7 DE-He213 20251030112901.0 cr nn 008mamaa 240820s2024 si | s |||| 0|eng d 9789819729067 978-981-97-2906-7 10.1007/978-981-97-2906-7 doi N6495-6498 ACXJ bicssc ART015110 bisacsh AGA 3MR thema Rethinking Displays of Chinese Contemporary Art [electronic resource] : Cultural Diversity and Tradition / edited by Paul Gladston, Lynne Howarth-Gladston, Johnson Tsong-zung Chang, Jason Kuo. 1st ed. 2024. Singapore : Springer Nature Singapore : Imprint: Palgrave Macmillan, 2024. XXIII, 244 p. 65 illus., 63 illus. in color. online resource. text txt rdacontent computer c rdamedia online resource cr rdacarrier text file PDF rda Contemporary East Asian Visual Cultures, Societies and Politics, 2662-771X Chapter 1: Introduction -- Chapter 2: Aestheticized Display in China’s Three Cosmological Realms -- Chapter 3: Performing Artivism: Social Engaged Queer Art in China -- Chapter 4: Curating Global Contemporary Chinese-Ink Art: Zheng Chongbin’s Pictorial and Digital Ink Works in Western Art Institutional Contexts -- Chapter 5: Thinking (and Practice) (In-/)Outside the (Yellow) Box: toward the displaying of visual-cultural poly/cacophony -- Chapter 6: Pharmakon – socially engaged art and online hybrid display in Hong Kong -- Chapter 7: Curating Human Togetherness: Artivism and the Remaking of People and Place in Mainland China -- Chapter 8: Beyond Existing Approaches to the Displaying of Chinese Art: Three Case Studies. This is the first edited collection to critically address in its entirety questions related to the displaying of Chinese contemporary art. It includes chapters by scholars and cultural workers from diverse backgrounds involved in the interpretation of artistic as well as curatorial discourses and practices. Each of those chapters gives a detailed account of a particular, socio-culturally informed, approach to the making and showing of Chinese art - including in relation to queer identities, transculturality, the use of social media, artivism, social engagement, institutional critique, and neo-Confucian aesthetics. Together they present a vital intervention with established curatorship amidst the intensely interconnected and increasingly multi-polar cultural conditionalities of early 21st-century contemporaneity. Paul Gladston is Judith Neilson Chair Professor of Contemporary Art, University of New South Wales, Sydney, Australia. Lynne Howarth-Gladston is an artist, curator, and scholar. She has exhibited her painting internationally, including in the People’s Republic of China, the UK, and Australia. Johnson Tsong-zung Chang is a curator, director of the Hanart TZ Gallery in Hong Kong, and guest professor at the China Academy of Art, Hangzhou. Jason Kuo is Professor of Art History and Archaeology, University of Maryland, College Park, MD, US. Art, Modern 21st century. 66083 Contemporary Art. 66085 Gladston, Paul. editor. edt http://id.loc.gov/vocabulary/relators/edt 82588 Howarth-Gladston, Lynne. editor. edt http://id.loc.gov/vocabulary/relators/edt 82589 Tsong-zung Chang, Johnson. editor. edt http://id.loc.gov/vocabulary/relators/edt 82590 Kuo, Jason. editor. edt http://id.loc.gov/vocabulary/relators/edt 82591 SpringerLink (Online service) Springer Nature eBook Printed edition: 9789819729050 Printed edition: 9789819729074 Printed edition: 9789819729081 Contemporary East Asian Visual Cultures, Societies and Politics, 2662-771X 66904 https://doi.org/10.1007/978-981-97-2906-7 ZDB-2-LCM ZDB-2-SXL 62587 62587