03851nam a22004935i 4500001001800000003000900018005001700027007001500044008004100059020003700100024003500137050001400172072001700186072002300203072001600226245017300242250001800415264007900433300006200512336002600574337002600600338003600626347002400662490005900686520191400745650003302659650003802692650001802730650003302748650004402781650003902825700008202864700008602946710003403032773002603066776003603092776003603128776003603164830006603200856004603266912001403312912001403326999001703340978-3-031-63024-8DE-He21320251030112910.0cr nn 008mamaa240825s2024    sz |    s    |||| 0|eng d  a97830316302489978-3-031-63024-87 a10.1007/978-3-031-63024-82doi 4aGE170-190 7aJPQB2bicssc 7aPOL0440002bisacsh 7aJPQB2thema10aNuclear Futures in the Post-Fukushima Ageh[electronic resource] :bLiterature, Film, and Performance from Germany and Japan /cedited by Hester Baer, Michele M. Mason.  a1st ed. 2024. 1aCham :bSpringer Nature Switzerland :bImprint: Palgrave Macmillan,c2024.  aXI, 266 p. 2 illus., 1 illus. in color.bonline resource.  atextbtxt2rdacontent  acomputerbc2rdamedia  aonline resourcebcr2rdacarrier  atext filebPDF2rda1 aLiteratures, Cultures, and the Environment,x2946-3165  aThis groundbreaking volume explores new artistic forms that emerged in German-speaking Europe and Japan in the wake of the 2011 Fukushima nuclear power plant disaster. Considering the cultural specificity of post-3.11 literature, poetry, theater, and film, while also attending to moments of crossing, hybridity, and transference, Nuclear Futures in the Post-Fukushima Age offers a critical model for examining the intertwining of transnational connection and ecological contamination in a global present marked by renewed nuclear threat. Bringing together incisive readings by eminent scholars of Germany and Japan as well as a newly translated work by Yōko Tawada, the volume offers a comparative humanities approach that is essential for reframing debates about environmental crisis and nuclear risk. Hester Baer is Professor of German and Cinema and Media Studies at the University of Maryland, College Park. Her research and teaching focus on German literature and culture in the 20th and 21st centuries, film history, feminist media studies, and environmental humanities. Her recent publications include the monograph German Cinema in the Age of Neoliberalism (2021) and the edited volume Babylon Berlin, German Visual Spectacle, and Global Media Culture (2024). She currently serves as Co-Editor-in-Chief of The German Quarterly. Michele M. Mason is an Associate Professor of Japanese literary and cultural studies at the University of Maryland, College Park, whose works include Reading Colonial Japan: Text, Context and Critique and Dominant Narratives of Colonial Hokkaido and Imperial Japan: Envisioning the Periphery and the Modern Nation State. She has dedicated herself to anti-nuclear studies, education, and activism, which is embodied in her co-produced short documentary film entitled Witness to Hiroshima (2008) and a monograph in progress on the legacy of the atomic bombing of Nagasaki. 0aEnvironmental policy.962028 0aTechnologyxSociological aspects. 0aPeace.96002114aEnvironmental Policy.96202824aScience, Technology and Society.96807024aPeace and Conflict Studies.9685961 aBaer, Hester.eeditor.4edt4http://id.loc.gov/vocabulary/relators/edt9828461 aMason, Michele M.eeditor.4edt4http://id.loc.gov/vocabulary/relators/edt9828472 aSpringerLink (Online service)0 tSpringer Nature eBook08iPrinted edition:z978303163023108iPrinted edition:z978303163025508iPrinted edition:z9783031630262 0aLiteratures, Cultures, and the Environment,x2946-316596698740uhttps://doi.org/10.1007/978-3-031-63024-8  aZDB-2-SLS  aZDB-2-SXS  c62710d62710