03351nam a22004815i 4500001001800000003000900018005001700027007001500044008004100059020003700100024003500137050001500172072001500187072002300202072001500225100008200240245010200322250001800424264008200442300004100524336002600565337002600591338003600617347002400653505027400677520140300951650002502354650003802379650002702417650002402444650002902468650002902497700008402526710003402610773002602644776003602670776003602706776003602742856004602778912001402824912001402838999001702852978-981-97-6140-1DE-He21320251030112931.0cr nn 008mamaa240901s2024    si |    s    |||| 0|eng d  a97898197614019978-981-97-6140-17 a10.1007/978-981-97-6140-12doi 4aN5300-7418 7aAC2bicssc 7aART0150002bisacsh 7aAGA2thema1 aWang, Min'an.eauthor.4aut4http://id.loc.gov/vocabulary/relators/aut98351214aThe Emergence of Chinese Avant-Garde Arth[electronic resource] /cby Min'an Wang, Xiaoping Song.  a1st ed. 2024. 1aSingapore :bSpringer Nature Singapore :bImprint: Palgrave Macmillan,c2024.  aV, 138 p. 2 illus.bonline resource.  atextbtxt2rdacontent  acomputerbc2rdamedia  aonline resourcebcr2rdacarrier  atext filebPDF2rda0 a1. The Transformation of Realism: From "The Bloodstained Shirt" to "Father" -- 2. Reform and Opening up and the Start of the Desiring Machine -- 3. The Emergence of Chinese Avant-Garde Art -- 4. The Climax: '85 New Wave of Art -- 5. Epilogue: '89 Modern Art Exhibition.  aThis book provides a historical analysis of the avant-garde art movement in China in the 1980s. This art movement is the product of China's reform and opening up, during which time a small number of Chinese artists understood the western modernist art movement, and they started their avant-garde art experiment in combination with the actual situation of China. This avant-garde art experiment completely broke all the artistic styles in Chinese history, and it caused a huge shock. After about a decade of radical attempts, it began to form its own position in China. This book discusses its birth background, its dominant artists and works, its theme and interest, and its final decline. This is not only a work of art history, but also a work of cultural history with strong sociological analysis. This book is beautiful in writing, detailed in analysis and highly readable. It is a very suitable book for those who want to know avant-garde art and Chinese since the 1980s. Min'an Wang, professor of Tsinghua University, mainly engaged in critical theory, cultural studies, modern art and literature, author of Roland Barthes，The Limits of Michel Foucault, Friedrich Nictzsche and Body,etc. Xiaoping Song, associate professor at University of International Business and Economics, mainly engaged in literary research and literary criticism, author of The Field of Women's Writings and Desire. 0aArtxHistory.968955 0aArt, Modernx21st century.966083 0aChinaxHistory.96690114aArt History.96895724aContemporary Art.96608524aHistory of China.9669031 aSong, Xiaoping.eauthor.4aut4http://id.loc.gov/vocabulary/relators/aut9835132 aSpringerLink (Online service)0 tSpringer Nature eBook08iPrinted edition:z978981976139508iPrinted edition:z978981976141808iPrinted edition:z978981976142540uhttps://doi.org/10.1007/978-981-97-6140-1  aZDB-2-HTY  aZDB-2-SXH  c63009d63009