04604nam a22005655i 4500 978-3-031-65510-4 DE-He213 20251030112943.0 cr nn 008mamaa 240907s2024 sz | s |||| 0|eng d 9783031655104 978-3-031-65510-4 10.1007/978-3-031-65510-4 doi PN715-749 DSB bicssc LIT024000 bisacsh DSB thema Ko, Yu Jin. author. aut http://id.loc.gov/vocabulary/relators/aut 83885 Shakespeare's Original Stage Conditions and their Afterlives across the Globe [electronic resource] : From the Wooden O to the Yards of Seoul / by Yu Jin Ko. 1st ed. 2024. Cham : Springer Nature Switzerland : Imprint: Palgrave Macmillan, 2024. XI, 270 p. 13 illus. online resource. text txt rdacontent computer c rdamedia online resource cr rdacarrier text file PDF rda Global Shakespeares, 2947-891X Introduction. -Chapter 1: .-A Little Touch of Harry in the Light: Henry V at the New Globe. -Chapter 2:. -Consent and Animation in A Midsummer Night’s Dream: The Korean Madang as a New Green World. -Chapter 3: -- From the Wooden O to Tim Blake Nelson’s O: The Boy Actor’s voice and the Performance of Gender and Race. -Chapter 4: -- Dance and Deception in Othello: Desdemona’s ‘Turn’ in Omkara and Huapango. -Chapter 5: .-Observing Shakespeare's Lighting Effects in Romeo and Juliet. -Chapter 6: .-The Winter's Tale and Privileged Spectatorship: At the Globe and in Tokyo. -Chapter 7: .-Authenticity through Intermedial Liveness: Throne of Blood and The King and the Clown. -Chapter 8: .-Youth and Authenticity in Hamlet: Burbage in his 30s and a Sexagenarian Hamlet in Seoul. This book brings together two separate fields by combining a study of Shakespeare's original stage conditions with an exploration of his plays in performance across the globe. The book contributes new insights into how early-modern stage conditions shaped the writing, production, and reception of Shakespeare's plays, but takes the further step of examining how original stage conditions re-emerge, not only in Globe replicas like the London Globe, but in unexpected and sometimes unconscious reconfigurations in adaptations and productions from around the world: film versions of Othello from Mexico to India that take dancing cues and anxieties about dance from the play and centralize dance; Korean adaptations for the madang (or yard) that reimagine Shakespeare's theatrical spaces and their relationships to audiences; Noh re-imaginings on film and onstage that foreground the theatrical; a teen film remake of Othello that raises questions about how blackness is figured today and on Shakespeare's stage, among others. By studying original stage conditions and their global afterlives, the book illuminates how global productions negotiate historical and cultural differences and thereby, paradoxically, engage with the cultural specificities of the present. Yu Jin Ko is Professor of English at Wellesley College, USA. His research centers on Shakespeare, with a focus on performance, and a more recent emphasis on Shakespeare in production across the globe, especially in the East. Previous publications include Mutability and Division on Shakespeare’s Stage (2004), and the co-edited collection Shakespeare’s Sense of Character: On the Page and From the Stage (2012). European literature Renaissance, 1450-1600. 67445 Theater. 66691 Adaptation (Literary, artistic, etc.). 67648 Drama. Early Modern and Renaissance Literature. 67447 Global and International Theatre and Performance. 66696 Adaptation Studies. 67652 Drama. SpringerLink (Online service) Springer Nature eBook Printed edition: 9783031655098 Printed edition: 9783031655111 Printed edition: 9783031655128 Global Shakespeares, 2947-891X 83886 https://doi.org/10.1007/978-3-031-65510-4 ZDB-2-LCM ZDB-2-SXL 63181 63181