03685nam a22004575i 4500001001800000003000900018005001700027007001500044008004100059020001800100024003500118050001600153072001500169072001500184072002300199072001800222100008100240245016000321250001800481264007900499300006600578336002600644337002600670338003600696347002400732490004800756505062900804520141101433650002702844650003002871650001302901650002302914650002802937710003402965773002602999776003603025776003603061776003603097830004803133856004603181978-3-031-64491-7DE-He21320251030113034.0cr nn 008mamaa240911s2024    sz |    s    |||| 0|eng d  a97830316449177 a10.1007/978-3-031-64491-72doi 4aPN1993-1999 7aAP2bicssc 7a1F2bicssc 7aPER0040002bisacsh 7aATx1F2thema1 aSrour, Némésis.eauthor.4aut4http://id.loc.gov/vocabulary/relators/aut10aBollywood Film Traffich[electronic resource] :bA History of Hindi Films’ Circulation in Beirut, Cairo, and Dubai (1954–2014) /cby Némésis Srour.  a1st ed. 2024. 1aCham :bSpringer Nature Switzerland :bImprint: Palgrave Macmillan,c2024.  aXVII, 180 p. 11 illus., 10 illus. in color.bonline resource.  atextbtxt2rdacontent  acomputerbc2rdamedia  aonline resourcebcr2rdacarrier  atext filebPDF2rda1 aPalgrave Studies in Arab Cinema,x2731-49010 aChapter 1 – Paving the way, Bollywood in Egyptian Cinema halls -- Chapter 2 – Egypt made in Bollywood. Picturing the Arab world -- Chapter 3 – The fabrics of Bollywood: Weaving Films into Trade routes -- Chapter 4 – Bollywood Comes to Beirut. Shooting the Arab world -- Chapter 5 – Choubra Palace’s Hero. Amitabh Bachchan and the Golden Age of Hindi Films -- Chapter 6 – Falling Apart. End of Reign for Bollywood?.-Chapter 7 – Conquering Dubai? Bollywood and the Mediatic Boom -- Chapter 8 – When Bollywood builds Dubai Cinematic Imagery. Renewed visions of the Arabian Peninsula -- Chapter 9 - Conclusion.  aThis book brings to light a lesser-explored facet of cultural globalization by unearthing Bollywood films circulations in the Middle East. Delving into the intricacies of South-South cinematic circuits, it unveils the networks linking the Bombay film industry with the Arab world. Through a blend of historical analysis and ethnographic insights, the book offers an exploration of how film circulations have evolved amidst geopolitical shifts and technological advancements. By reframing our perspective to view Arab cinema cultures through the lens of the Bombay film industry, it challenges prevailing Orientalist narratives, offering a nuanced and refreshing portrayal of the Arab-speaking region. Némésis Srour holds a PhD in Social Anthropology and Ethnology from the École des Hautes Études en Sciences Sociales (EHESS) in Paris. Her research specializes in the film industry, combining historical and ethnographic approaches. She has been honored with a prize from the Agence Universitaire de la Francophonie (AUF) regional office in the Middle East for her research on Bollywood film networks in the region. Alongside her academic work, she has curated Indian and South Asian films in French cinemas, contributing to bringing these cinematographies to light. Additionally, she has taught subjects such as Indian cinema history, international relations, and film exhibition and distribution. 0aMotion picturesxAsia. 0aEthnologyxMiddle East . 0aCulture.14aAsian Film and TV.24aMiddle Eastern Culture.2 aSpringerLink (Online service)0 tSpringer Nature eBook08iPrinted edition:z978303164490008iPrinted edition:z978303164492408iPrinted edition:z9783031644931 0aPalgrave Studies in Arab Cinema,x2731-490140uhttps://doi.org/10.1007/978-3-031-64491-7